Randy Reer/Drakytown: Candle in the Wind
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Unknown Artist: Hail to the Chief
How cool is it to have your very own anthem? That’s what the U.S. President has with “Hail to the Chief” a fanfare typically played by a military band before his appearance and after four “ruffles and flourishes” played on drums and bugles, respectively. In true military fashion, there are U.S. Department of Defense directives that afford official status to “Hail to the Chief.” Having worked for the U.S. Marine Corps, I’m quite confident that there’s probably also a voluminous manual of policies and procedures that apply to the protocol and decorum of a Presidential speech and the performance of “Hail to the Chief.”
Songwriter James Sanderson (1769 – 1841) is credited with setting to music, in about 1812, the verses of Sir Walter Scott’s “The Lady of the Lake.” Although the song is rarely sung today, Scott’s poem starts off with:
Hail to the chief, who in triumph advances,
Honour'd and blest be the evergreen pine!
Long may the tree in his banner that glances,
Flourish the shelter and grace of our line.
A self-taught English violinist and conductor of the Surrey Theatre in London, Sanderson wrote many songs for theatrical productions during the 1790s and early 1800s. The song's association with the President first occurred in 1815, when it was played (under the name "Wreaths for the Chieftain") to honor both George Washington and the end of the War of 1812.
On a lighter note, I also found a children’s song about Washington and Lincoln. I like little ditties that help kids (and even us older folks) remember little facts about various things. After listening to “The President,” you probably won’t forget that Lincoln was our 16th President. Or that:
The President … is in charge of the nation
Let's all … have a celebration
Let's remember … Washington and Lincoln
Without them, our country would be sinkin'!
There may be other songs out there that help us recall little known factoids and trivia about our Presidents, or perhaps even a rap song that just helps one remember the order of them. If it hasn’t been written yet, maybe someone ought to?
I knew immediately what song I wanted to post for this week‘s theme. McKinley‘s Blues is a bluegrass classic, notably recorded by Flatt and Scruggs. It is also known as McKinley‘s Gone and White House Blues. But the version heard here is the only one I was willing to consider, and it is not strictly bluegrass, despite the impressive line up of musicians. Norman Blake is the headliner and singer, but Vassar Clements, Sam Bush, and Jethro Burns are all big names. Tut Taylor is not as well known as he once was, but he more than holds his own here on dobro. The ringer is bass player Dave Holland. In 1975, when this song was recorded, and to this day, Dave Holland is known as a jazz musician, and frequently associated with avant garde works at that. But what you have here is seven great musicians stretching out, going beyond the boundaries others have perceived for them. This album came out before the first David Grisman Quintet album, so it can be regarded as the first album in the genre we now call newgrass. In addition to Dave Holland’s presence and work here, listen to especially Vassar Clements’ fiddle lines on this song to hear the then unheard-of meeting of bluegrass and jazz.
In seeking out a purchase link, I was upset to discover that this great album is out of print. It is not currently available at all on CD, and Amazon has only used copies on vinyl to sell. The entire album is well worth having. I dare to hope that this post can help this album become available on disc, or at least mp3.