Blood, Sweat & Tears: Spinning Wheel
[purchase]
Yet another Grammy-winning Jazz-influenced hybrid from NYC, this time from a band which fused pop, rock, blues and jazz instrumentation and style to form Jazz-Rock (which Wikipedia redirects as a synonym for Jazz Fusion, though I would argue that Jazz-Rock is much more pop- and blues oriented).
I have fond memories of discovering this 1969 sophomore self-titled release just to the left of the folk in my father's record collection one evening in the mid eighties, and subsequently staying up all night spinning and flipping it again and again, straining to catch every flourish and nuance, marveling at the interplay of ragged bluesrock vocals and tight horn arrangements. The album fully deserved its 1970 Grammy for Record of the Year, and the song easily merits its own Grammy for best instrumental arrangement accompanying a vocalist; though in a post-Chicago world it can be too-easily lumped together with the cheese, newcomers willing to listen deeply will find the sound as fresh and authentic as it once was, I think.
The horns here would become so much a part of the song that it would seem impossible to cover it without including them; though Vegas legend Jack Jones heads for a fusion lounge singer sound, and Shirley Bassey funks the place up with bass and blueswail, note how in each cover, the horns embed themselves in the arrangement just about where they were for the original.
Jack Jones: Spinning Wheel [purchase]
Shirley Bassey: Spinning Wheel [purchase]