LAUGHTER: RACE WITH THE DEVIL
The Gun: Race With the Devil
(purchase)
Something a little more fun, this time…… I well remember
watching this on Top of the Pops as an eleven year old, held in awe by the
sheer power of it, revelling at the guitar and the speed of the soloing, at
least to my innocent ears, to the size of the singer’s hair and to the mention
of the devil. Such a potent mix of sound and imagery was enough to have my
mother asking what I was smiling at. And looking worried. I never understood
why this was their sole chart botherer, as surely these were the four horsemen
of the apocalypse, or three of them perhaps. Mind you, and to this day, I have
never heard any other of their work, even as the brothers Gurvitz, for it was
they, as Gun. They later hooked up with Ginger Baker as the Baker Gurvitz Army, another gap
in my listening history, of which there are arguably
few.So, apart from me smiling at the fireside 45 years ago, what can this possibly have to do with laughter? Listen, dear reader, listen: maniacal laughter occurring twice in the song, as an alternative, I guess, to a more conventional middle eight. It sounds a little, um, forced and, even, feeble, in the harsh light of today, but back in the 60s I found this every bit as thrilling as Christopher Price baring his fangs in various and assorted Hammer Draculas. In fact, I loved it. 1968 was actually very fertile for maniacal laughter, it being round about the same time as Arthur Brown was cackling madly as the God of Hellfire in his similarly sole hit record. (Maybe he was the missing fourth horseman?)
Trivia merchants may now be champing at their bits, eager to
remind of the Judas Priest cover version of several years later, a shabby patch
on the original, primarily as it replaces the laughter with a slightly
incongruous guitar motif. So that couldn’t possibly have any place within this
strand.