Saturday, June 16, 2018

SPEAK/TALK: DON'T SPEAK IN ENGLISH



There are a number of songs that, if it's the right word, celebrate FLLD, foreign language learning disability. At least I think that is what doughty old ex-pro gambler Chip is singing, at first to and then with winsome fiddler Rodrigues, and going on about. Or maybe not, but there seems quite a canon of songs around the apparent, um, boost that might be given to an ad-hoc liaison if one participant, usually the woman, contrives to talk dirty in foreign. The stuff of lone men without names, stalking the windswept borderlands, seeking what solace they can, after-hours in the cantinas, with dark-eyed damsels. Usually ahead of shooting everyone to bits. Or being shot. If cinema is slower to embrace such themes these days, americana certainly ain't lagging.

Chip Taylor actually was a professional gambler, it made more money than the sweatshop songwriting he was signed up for. And he was quite successful at that too, certainly more so than his original desire, of following his dad into pro-golf. Calling himself a tune-tailor, from the late 50s to a decade or so later he wrote songs that became hits for a remarkable diversity of acts. Perhaps the best known is 'Wild Thing', originally by Jordan Christopher and the Wild Ones, but memorably later picked up by UK west country band  the Troggs, and, thence, Jimi Hendrix. But he also penned 'Angel of the Morning' and 'Try (Just a Little Bit Harder)', demonstrating his cross-genre ease between rock, country and soul. But the horses and casinos paid more, at least until he was banned. So, at age 53, he picked up his guitar again. Carrie Rodrigues, a classically trained violinist who had switched to fiddle after witnessing a Lyle Lovett soundcheck, caught his eye and they became a team, putting out 4 duet albums between 2001 and 2006, his rough hewed outlaw tones blending with her sweeter voice and stunning playing. She has since built up a strong solo repertoire, although not beyond still performing the odd new song, as penned by, she says, "one of our greatest songwriters of all  time", erstwhile sparring partner Taylor. He himself continues to perform and produce music, in 2016 being inducted into the Songwriters Hall of Fame, at the same time as running his own label, Trainwreck Records.

Here's a nice version of Taylor and Rodrigues together, playing 'Wild Thing'.


Now, before we lose entirely my indulgence around the aphrodisiacal enticements of endearments en espagnol, we shouldn't forget the disappointment when it fails to materialise, as drawn into focus by Mssrs. Sahm, Meyers, Fender and Jimenez, the estimable tex-mex supergroup, the Texas Tornadoes and their complementary paean, 'She Never Spoke Spanish to Me', actually written by erstwhile Flatlander, Butch Hancock.


Instead of pointing you towards any of the songs featured here; it's easy to find 'em, I'm going to direct you to a song the Taylor/Rodrigues duo slipped out a couple of years ago. The epithet remains as strong as ever: 'Who's Gonna Build That Wall?'
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