Silver Jews: Sometimes A Pony Gets Depressed
[purchase]
My summer sabbatical is over! I’m refreshed, recharged, and ready to rock! Thanks to Kkafa and Seuras Og for keeping the lights on while I was on blogging holiday.
So, about a month ago, David Berman committed suicide, hanging himself in Brooklyn. He was 52. Berman was the driving force behind the band Silver Jews, and more recently Purple Mountains, and his death led to an outpouring of praise for his songwriting and sadness about the circumstances of his death, which makes sense, because he was a talented songwriter, and for god sakes, he was only 52.
I was aware of some of the Silver Jews’ music—I picked up a bunch of tracks when eMusic actually had lots of good music, cheap—originally attracted by the name, but drawn in by Berman’s quirky wordplay and mostly deadpan delivery. But until he died, I really didn’t know much about him.
Berman’s father was a lobbyist for firearm, alcohol and other controversial industries, a fact which later gave Berman much angst. While a student a U Va, he made music with classmates Stephen Malkmus and Bob Nastanovich, and after graduation, they moved to Hoboken and began recording as Silver Jews. Meanwhile, Malkmus started Pavement, which went on to more acclaim, leading to the mistaken impression that Silver Jews was a Pavement side project.
During this period, Berman entered a graduate writing program at U Mass Amherst, and sparked by that, Silver Jews released a number of albums in the late 1990s, and Berman released a collection of poetry. More albums followed, but after 2001’s EP Tennessee, Berman struggled with depression and substance abuse, and in 2003 he attempted suicide.
The Silver Jews got back together in 2005 for Tanglewood Numbers, which was, according to Berman, the only album that he was 100% sober for, and which was more polished and rocking than the band’s previous efforts. Our feature song, “Sometimes a Pony Gets Depressed” is from that album, and couples upbeat, uptempo music with lyrics that probe displacement and depression. It is a striking song, and one not easily forgotten once heard. (In any event, who has a pony?)
Berman seems to have had some interest in horses. Silver Jews’ second album, Bright Light, has an album cover featuring a notebook with a horse made out of blank adhesive labels, a song called “Horseleg Swastikas,” and another song with the lyric “my horse's legs look like four brown shotguns.” And there may be more. Is this a reference to horse = heroin? Maybe, but considering the source, it is likely to have many more levels than that.
In 2009, Berman stepped away from music in part to try to make amends for the work of his estranged father, and HBO began production of a series based on Berman’s unpublished book about him, which eventually was scuttled. And earlier this year, Berman began releasing music as “Purple Mountains,” and a tour was planned but never happened.
Heck of an upbeat way to return from summer vacation, right?