Woodwinds seem often made of brass, which is confusing, but don't include horns, except the english horn, which seems to be a form of clarinet. And, even more extraordinarily, that includes bagpipes and accordions, but don't panic, I'm not going there, at least not this week. So, choices, choices and I think I'm going for oboe, as it looks so darn difficult, like trying to blow a hard-boiled egg down a curtain rod. And because the list of greatest oboe player in rock is a short and exclusive list. To be fair most people falter after Andy Mackay
I'd like to show you and explain how Kate St. John has a better claim to that title. And, as I write this down, I find myself suddenly panicking, realising she is probably playing cor anglais, or some such, in the songs I use to apply my thesis. Luckily, hardly any reader will be capable of telling the difference; it seems it is all to do with available pitch, the cor anglais (or english horn, see above, who knew) having access to the lower notes.
So, that exquisite sound on Julian Cope's 'World Shut Your Mouth' album is oboe/cor anglais and is played by Kate St John. Originally classically trained, well, you'd have to be, she will be familiar to older readers as being a core member of those fey purveyors of winsome pop, The Dream Academy, who, for some strange reason I confuse with the nothing like them at all Dream Syndicate, who never knowingly branded woodwinds at all, in love or warfare. (OK, I lied.....). I like the video below as it actually shows off Ms St. John on active service, the Smith's cover version being the one from the film, 'Ferris Bueller's Day Off'.
At this time she was married to Sid Griffin, the all americana leader of the Long Ryders, who actually were label mates of Dream Syndicate, adding to the confusion. The oboe never comes to mind often in country tinged music, but, hey, she gets there, not until his next band, the Coal Porters. (And it is cor anglais here, nitpickers!!) A Gram Parsons song, too, no less.
Later, in the 1990s, she worked with a lot withVan Morrison, often on saxophone but still managing to to get her chosen out for when Van needed to go his most transcendental. A lovely, evocative sound, it also transfers well into new age music. In the short lived band Channel Light Vessel, she hooked up with Roger, brother of Brian, Eno, Bill Nelson and Laraaji. I suspect I was one of the few who bought anything by them, with it being, it's true, seldom the record I need to hear too much of, but it has its moments.
Other contributions have included playing with the Waterboys on their 2011 'Appointment With Mr Yeats'; if she could do Donne with Van, she could certainly do Yeats with Scott!! Whether it all works is arguably up for grabs, but it has the song below is worth it for the burst of play that comes after Scott's doleful sing song recital.
In more art imitating life, she got also to tour with Morrissey, perhaps getting to play her oboe part for 'Please, Please Let Me Get What I Want' with one of the songwriters. Other folk who paid up for her live contributions have included Marianne Faithfull and Damon Albarn. And she has been credited to discs for those as varied as the Pet Shop Boys, XTC and Boyzone. However, by now married to Neil MacColl, son of Ewan and half-brother of Kirsty, she has found a niche as the musical director for a number of big production shows and projects. These have included Joe Boyd's Nick Drake tributes, some of the late Hal Willner works, like his Rogues Gallery Sea Chanteys project, and various collective performances of the Richard Thompson and extended family performances. Husband and wife have also worked together on a number of film and TV scores. Whilst this means she is now more often arranging and on keyboards, like the song below, it is too good not to include, her link with MacColl drawing her into folk networks and the songs of her late father-in-law, had he ever been alive to meet her.
Busy, busy woman, and, now you know, I dare say there is way more of her you have heard than earlier you ever knew.
Woodwinds seem often made of brass, which is confusing, but don't include horns, except the english horn, which seems to be a form of clarinet. And, even more extraordinarily, that includes bagpipes and accordions, but don't panic, I'm not going there, at least not this week. So, choices, choices and I think I'm going for oboe, as it looks so darn difficult, like trying to blow a hard-boiled egg down a curtain rod. And because the list of greatest oboe player in rock is a short and exclusive list. To be fair most people falter after Andy Mackay
I'd like to show you and explain how Kate St. John has a better claim to that title. And, as I write this down, I find myself suddenly panicking, realising she is probably playing cor anglais, or some such, in the songs I use to apply my thesis. Luckily, hardly any reader will be capable of telling the difference; it seems it is all to do with available pitch, the cor anglais (or english horn, see above, who knew) having access to the lower notes.
So, that exquisite sound on Julian Cope's 'World Shut Your Mouth' album is oboe/cor anglais and is played by Kate St John. Originally classically trained, well, you'd have to be, she will be familiar to older readers as being a core member of those fey purveyors of winsome pop, The Dream Academy, who, for some strange reason I confuse with the nothing like them at all Dream Syndicate, who never knowingly branded woodwinds at all, in love or warfare. (OK, I lied.....). I like the video below as it actually shows off Ms St. John on active service, the Smith's cover version being the one from the film, 'Ferris Bueller's Day Off'.
At this time she was married to Sid Griffin, the all americana leader of the Long Ryders, who actually were label mates of Dream Syndicate, adding to the confusion. The oboe never comes to mind often in country tinged music, but, hey, she gets there, not until his next band, the Coal Porters. (And it is cor anglais here, nitpickers!!) A Gram Parsons song, too, no less.
Later, in the 1990s, she worked with a lot withVan Morrison, often on saxophone but still managing to to get her chosen out for when Van needed to go his most transcendental. A lovely, evocative sound, it also transfers well into new age music. In the short lived band Channel Light Vessel, she hooked up with Roger, brother of Brian, Eno, Bill Nelson and Laraaji. I suspect I was one of the few who bought anything by them, with it being, it's true, seldom the record I need to hear too much of, but it has its moments.
Other contributions have included playing with the Waterboys on their 2011 'Appointment With Mr Yeats'; if she could do Donne with Van, she could certainly do Yeats with Scott!! Whether it all works is arguably up for grabs, but it has the song below is worth it for the burst of play that comes after Scott's doleful sing song recital.
In more art imitating life, she got also to tour with Morrissey, perhaps getting to play her oboe part for 'Please, Please Let Me Get What I Want' with one of the songwriters. Other folk who paid up for her live contributions have included Marianne Faithfull and Damon Albarn. And she has been credited to discs for those as varied as the Pet Shop Boys, XTC and Boyzone. However, by now married to Neil MacColl, son of Ewan and half-brother of Kirsty, she has found a niche as the musical director for a number of big production shows and projects. These have included Joe Boyd's Nick Drake tributes, some of the late Hal Willner works, like his Rogues Gallery Sea Chanteys project, and various collective performances of the Richard Thompson and extended family performances. Husband and wife have also worked together on a number of film and TV scores. Whilst this means she is now more often arranging and on keyboards, like the song below, it is too good not to include, her link with MacColl drawing her into folk networks and the songs of her late father-in-law, had he ever been alive to meet her.
Busy, busy woman, and, now you know, I dare say there is way more of her you have heard than earlier you ever knew.
