For no apparent reason, the year 1998 seemed to see the sudden emergence of a number of bands playing what the music press would label swing revival music, or Retro-swing. In fact, these bands had toiled in obscurity for most of the 1990s, but why they all captured the popular imagination in 1998 in particular is a mystery. Soon enough, obscurity would welcome them back. Within a year or two, the style, and the bands that played it, had largely disappeared from view. But for that year or two, the music they made was great.
Brian Setzer Orchestra: You‘re The Boss
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Brian Setzer was somewhat of a pioneer of this sound. Going solo in the early 1990s, after the breakup of the Stray Cats, he began experimenting with adding horns to his music almost immediately. By 1998, he had arrived at a hybrid of rockabilly and big band music. Here he slows it down,(and incidentally gives us what I believe is the first muted trumpet we’ve heard this week.)
Squirrel Nut Zippers: Suits Are Picking Up The Bill
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Squirrel Nut Zippers are the only other band I’m featuring who had much impact with more than one album. This track comes from their album, Perennial Favorites. The follow-up, Hot, received play on MTV, and gave Hell week its title track.
Big Bad Voodoo Daddy: Minnie The Moocher
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To my ear, the horn charts used by Big Bad Voodoo Daddy make their music the closest to the big band sound of any of the bands I’m featuring here. “Minnie the Moocher” is a classic tune from the big band era.
Cherry Poppin‘ Daddies: Zoot Suit Riot
[purchase]
Finally, I couldn’t leave this topic without posting “Zoot Suit Riot” by Cherry Poppin’ Daddies. This song knocked me out when I first heard it, and it still does. I don’t have much else to say about it. Just listen.
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