Boats: Ship Of Fools

World Party: Ship Of Fools

[purchase]

Van Der Graaf Generator: Ship Of Fools

[purchase]


Wikipedia on Ship of Fools

A vessel populated by human inhabitants who are deranged, frivolous, or oblivious, passengers aboard a ship without a pilot, and seemingly ignorant of their own direction.

Michel Foucault, who wrote Madness and Civilization, saw in the ship of fools a symbol of the consciousness of sin and evil alive in the medieval mindset and imaginative landscapes of the Renaissance. According to the intro to Madness and Civilization, "Renaissance men developed a delightful, yet horrible way of dealing with their mad denizens: they were put on a ship and entrusted to mariners because folly, water, and sea, as everyone then "knew," had an affinity for each other. Thus, "Ship of Fools" crisscrossed the sea and canals of Europe with their comic and pathetic cargo of souls. Some of them found pleasure and even a cure in the changing surroundings, in the isolation of being cast off, while others withdrew further, became worse, or died alone and away from their families. The cities and villages which had thus rid themselves of their crazed and crazy, could now take pleasure in watching the exciting sideshow when a ship full of foreign lunatics would dock at their harbors."

Boats: Slave Ship Edition

Randy Newman: Sail Away [purchase]

Public Enemy: Can't Truss It [purchase]

Just call me Captain Buzzkill, I'm basically docking the boat where "Redemption Song" left off. I've actually had these two in my back pocket for the whole week, wondering if someone else would tackle either song. Can't say that I blame anyone for passing on the slavery discussion. We know it's shameful and really, what is there to say that doesn't come off as painfully over-earnest? A ha! That's why we have Randy Newman, a satire machine here at the top of his game. Obviously, his seemingly nonchalant treatment of such a horrible subject rubbed some folks the wrong way, but c'mon, what was he supposed to do? Write a song telling us how bad slavery was? Gee, and all this time I thought it was like Club Med for West Africans. Besides, that's why Public Enemy was invented. While Newman addresses the horrific nature of slavery through ironic distance, Chuck D and Flav get in our faces, kickin' wicked rhymes like a fortune teller. If you're interested, you should check out PE's video for "Can't Truss It." While they abandon the slave ship metaphor for filming purposes, it's still pretty intense. Bass in your face, check it yo.

Boats: Land Ho!

The Doors: Land Ho!

[purchase]

The Doors have at least four Boat songs, to my reckoning, (Land Ho!, Crystal Ship, Horse Latitudes, and Ship of Fools). This is just the one that I like the best. Maybe someone else can post one of the others.

The cover of the Morrison Hotel album was taken at the actual Morrison Hotel in LA without the permission of the owners. The Doors asked for permission, then when they were denied they snuck in and took the picture anyway.

There's not much to say about The Doors that hasn't already been said. We all know them already. So, just enjoy the tunes.

Boats: A Sailboat In The Moonlight

Photo by Arnt Schoning

Billie Holiday: A Sailboat In The Moonlight

[purchase]

For all you young romantics out there, here's a nice boat song from one the all-time greats.

The things, dear, that I long for are two:
Just give me a sailboat in the moonlight
And you...

For more about Billie Holiday, head over to Setting The Woods On Fire.

Boats: Ferry edition

Neil Young: Cripple Creek Ferry

[purchase]

I don't have a lot of time to write anything very meaningful (so what's new?), but I just couldn't let this topic pass without a spot of Neil Young.

And here's some unabashed cheese, courtesy of Tanya Tucker, with Gerry and The Pacemakers doing it for us Brits!

Tanya Tucker: Jamestown Ferry

[purchase]

One from Ms Tucker's staple of lovelorn ditties:

"A case of gone was all he carried,

As he got on the Jamestown Ferry,

And he said that gone was all he'd ever be."

Gerry and The Pacemakers: Ferry Cross the Mersey

[purchase]

A tale of typical British regional pride:

"So ferry 'cross the Mersey

'cause this land's the place I love

and here I'll stay."

.

Boats: Raft

Pavement: Raft

[purchase]

"Well, you mesmerize me
Stop criticizing me
You know, I'm solo that way
And I'm heading for the Cape"

I'll be darned if I know what Steve Malkmus is meaning when he sings. I have a feeling that he's okay with that, though. It isn't just this song, either: Pavement seems to have some of the most inscrutable lyrics ever invented. It almost seems the intention. It doesn't bother me, though- It's fun ascribing one's own interpretations!

"Raft" does mention a raft, an ocean (of honey), a splash and The Cape, so it's enough of a boat song for me!

Boats: Redemption Song

Bob Marley: Redemption Song

[purchase]

OK - There are two songs that I thought for sure would be featured this week, but it's Friday night and neither has made the cut yet. One is When The Ship Comes In by Bob Dylan and the other is Redemption Song by Bob Marley. Since Dylan was featured in another, and more fun, context, I figured I'd take care of Marley here. This song is not about boats, but the first verse features a ship in a very powerful image that most people are familiar with:

Old pirates, yes, they rob I;
Sold I to the merchant ships,
Minutes after they took I
From the bottomless pit.

I'm not being faux-modest when I say that I just don't have the chops to do this song justice. It has become something of an anthem for many people over the years. It is beautifully written. And more than anything it is delivered with intangible authority and compassion that only Bob Marley can deliver.

But, I'm not a Marley devotee, or even a serious fan, so in this case I'm much more comfortable letting the music speak for itself.

So, dig it.

Boats: Golden Vanity / Female Ramblin´ Sailor

Bob Dylan: Golden Vanity

[alas, no purchase possible]

The fun of collecting Bob Dylan live recordings is plentyful. Versions of his old warhorses sometimes manage to surprise you all over again, because Bob suddenly finds new meaning in familiar lyrics and gets all inspired, has rewritten a certain verse, found a fitting new arrangement or phrases a line just so. Rarely performed songs - often covers - are fun to collect too. Take Golden Vanity. Dylan played the song just seven times in his long career. This delicately sung version was recorded in Waikiki on April 24, ´92. Golden Vanity is a take on Child ballad #286, which originates sometime in the early 17th century. These songs sure have a lifespan... The story in short: a cabin boy saves his galleon after being promised the hand of the captain´s daughter, but the captain leaves him to drown when his heroic deed is accomplished. You just can´t win, can you?

Bob Dylan - Female Ramblin´ Sailor

[no purchase possible either]

And here´s a second rare sea shanty as sung by Dylan. Female Ramblin´ Sailor only got an airing six times; this fine version was recorded in Perth on April 18, ´92. Another ancient traditional, it´s one of many ballads about ladies sailing out to sea - often dressed as men - to follow in their loved ones´ footsteps. "Her true love he was pressed away, and drowned in some foreign sea, which caused this fair maid to say, I'll be a ramblin´ sailor..." She´s doing just fine on board, until one fateful day her hand slips and she falls to her doom in the merciless waves. "When her lily white breast in sight it came, it appeared to be a female's frame, Rebecca Young it was the name of the female rambling sailor."

These songs have not been released officially, but as there´s a new volume of the Bootleg Series in the pipeline, that just might happen soon. Here´s hoping.

Boats: Lukey

Great Big Sea/The Chieftains: Lukey


I am unable to find a purchase link for the album this comes from; in fact I can't even find a picture of it online! You can get a copy of Great Big Sea singing Lukey on this album but, in my opinion, it isn't as good as their collaboration with The Chieftains.

The version above comes from a sampler album I picked up for free some years back, called Deep Roots and Future Grooves, which features some great songs, including Fissiriwaly by Alpha Yaya Diallo and Lauren McDonald's Wing and A Prayer. It's an album of world music, celtic influences and some tasty dub rhythms and is highly recommended if you are able to find it anywhere!

Boats: A Pirate Looks At Forty

Jimmy Buffett: A Pirate Looks At Forty (original) [purchase]

Jack Johnson: A Pirate Looks At Forty (cover) [purchase]

I wrote this for an old friend of mine a few years back who could just not seem to find his occupation in the twentieth century, so he just chose to live in a fantasy world. And then I looked at him [and] I went, well what the hell's wrong with that?

I'll be the first to admit I'm not really a Jimmy Buffett fan, though you gotta admire a guy who has figured out how to make a way of life out of wearing hawaiian shirts and drinking frozen blender drinks on some warm tropical beach. But there's something absolutely universal about this modern pirate's midlife crisis that always gets to me. Maybe it's because I'm getting old myself. Like Buffett's narrator, I'm a far cry from the man of potential I once was; like him, I often feel that my talents would have been better applied, and my urges better served, in a world which had already passed by the time I was born.

That the song delivers its autobiography with no stronger tone than a faint whiff of bittersweet is pure easygoing Buffett; its shrug of beach-resort regret models for us an acceptance of the world-as-it-is which is, if still not exactly what we hoped for, at least free of stress, and still sweet under its little paper umbrella. Meanwhile, surfer Jack Johnson's cover of the song 30 years later is hushed, and more introspective, with a perfect bowed cello undertone like the sea itself; Johnson is younger, but you can hear it: he knows, too, the way the subjective world of what-could-be shrinks as we grow old.

Boats: Shipbuilding

Robert Wyatt: Shipbuilding

[purchase]

Elvis Costello: Shipbuilding

[purchase]

It's wartime in a land hit hard by a failing economy. The bad news for one of the poorest areas, once a thriving manufacturing town, is tempered with the chance that an once moribund sector, the military industry, will be revived as the need for the tools of war ratchets up. The irony is the town's young are sent off to fight and perhaps lose their lives in the very same military vehicles the townspeople build. Is this about the effect of the Iraq War on one of the many villages scattered across America's Rust Belt? It's actually about the 1982 Falklands War and the United Kingdom's shipbuilding industry.

Shipbuilding is a song written by Elvis Costello and Clive Langer about the Falklands War and its repercussions to the UK. While writing the song for Robert Wyatt, looking to spice up the prose, Langer had brought it to Costello who later described it as "the best lyrics I've ever written."

In 1982, Wyatt's version reached number 36 in the UK charts. The following year, Costello's turn had Cool Jazz King Chet Baker on trumpet. The lyrics are as appropriate today as they were twenty four years ago.

Is it worth it?
A new winter coat and shoes for the wife
And a bicycle on the boy's birthday
It's just a rumour that was spread around town
By the women and children
Soon we'll be shipbuilding
Well I ask you
The boy said "Dad they're going to take me to task, but I'll be back by Christmas"
It's just a rumour that was spread around town
Somebody said that someone got filled in
For saying that people get killed in
The result of this shipbuilding
With all the will in the world
Diving for dear life
When we could be diving for pearls
It's just a rumour that was spread around town
A telegram or a picture postcard
Within weeks they'll be re-opening the shipyards
And notifying the next of kin
Once again
It's all we're skilled in
We will be shipbuilding
With all the will in the world
Diving for dear life
When we could be diving for pearls

Boats: Rockin' Chair

The Band: Rockin’ Chair

[purchase]

Hang around, Willie boy,
Don’t you raise the sails anymore
It’s for sure, I’ve spent my whole life at sea
And I’m pushin’ age seventy-three
Now there’s only one place I was meant to be:

Oh, to be home again,
Down in old Virginny,
With my very best friend,
They call him Ragtime Willie.
We’re gonna soothe away the rest of our years,
We’re gonna put away the rest of our tears,
That big rockin’ chair won’t go nowhere…

Boats: Cactus Tree

Joni Mitchell: Cactus Tree

[purchase]

This blog has been very active recently, and at the same time the picks have become a lot more obscure. This is a good thing for me because I get to hear stuff that I'm unfamiliar with and potentially discover new artists. However, sometimes it's nice to go back to the basics and enjoy the familiar. In that spirit, I bring you the god mother of the blog once again, Joni Mitchell.

This is actually one of my favorite Mitchell songs. It's from her debut LP, Song to a Seagull, a concept album that is treated with grudging respect by the critics. I disagree with the reviews that I've read though. I think it's a brilliant and beautiful album. It is our first introduction to this amazing talent, who would go on to write such incredible stories and music.

If my calculations are correct, Joni was about 24 years old when she wrote this album. I'm struck by her sincerity and depth of emotion at that age. She sounds like a much older soul with experience beyond her years. I think if I would have written an album when I was 24 it probably would have been about Mario Brothers or how much I liked vanilla Zingers.

The opening line of Cactus Tree is about a man on a boat:

Theres a man whos been out sailing
In a decade full of dreams
And he takes her to a schooner
And he treats her like a queen
Bearing beads from california
With their amber stones and green
He has called her from the harbor
He has kissed her with his freedom
He has heard her off to starboard
In the breaking and the breathing
Of the water weeds
While she was busy being free

Boats: Luxury Liner

The International Submarine Band: Luxury Liner

[purchase]


Emmylou Harris: Luxury Liner

[purchase]

Is this song even about boats? The only evidence I can find is the very first line: "Luxury liner, 40 tons of steel". Hey ho, I love Gram Parsons, so I shall include it here, along with the more popular cover by Emmylou Harris.

I could spend some time talking about the relationship between Gram and Emmylou, but I'm sure most of you know more than I do, so that's all for now folks.

(Note to self...must endeavour to write a coherent post over here at SMM...I've just got so many songs I want to post and it's my first week, so I'm an enthusiastic newbie!).

Boats: Steamboat Edition

John Hartford: Steamboat Whistle Blues [purchase]

John Hartford: Julia Belle Swain [purchase]

Jimmy Work: Hear That Steamboat Whistle Blow [purchase]

John Hartford was truly one of the greats. He's not as well known as he should be, but almost everyone’s heard his most famous composition Gentle On My Mind, which was a huge hit for Glen Campbell in 1968. Campbell’s version alone has received more than 5 million radio plays, and the song has been covered by hundreds of other artists.

So what do you do when you’ve got a hit song under your belt and royalty money coming in? Well, if you’re John Hartford, the answer is to get a job as a steamboat captain and go have yourself some fun on the river.

Hartford, a man of many talents, not the least of which was banjo picking, was a frequent guest pilot on the Julia Belle Swain out of Peoria. Notably, the Julia Belle Swain bested the heavily-favored Delta Queen to win the Great American Steamboat Race of 1976.

Learn more about John Hartford (and get more songs) here.

Learn more about Jimmy Work, another under-appreciated country great, here.

Where else but a muddy old river, would a person want to be?

Boats: Barrett's Privateers

Stan Rogers: Barrett's Privateers

[purchase]

Ontario-based but Maritimer-at-heart master of the sea shanty Stan Rogers has a whole catalog of songs about boats: boats that got wrecked, boats that were beset by pirates, boats that were their captains' folly, and more. Most come across as true mythologies; a good number, in fact, are based enough on true events to have fit our previous theme on History, too.

But Barrett's Privateers is the one which all true folkies know how to sing: just step into the right crowd, bellow "Oh the year was seventeen seventy eight", and you'll get a gleeful shout in three part harmony in return. It's a great feeling, the heart of folk-as-community, to be a part of such a joyous singalong. I've sung it on long car rides, in Unitarian churches, and -- most recently -- in a crowd full of slightly odd hippie-types at a CD release party for one of my favorite folk trios; for a while, "the sherbet song" was my daughter's favorite car cassette, most likely because of how heartily we all sang along when it came to this track. Personally, I've got the bass part covered, but I can do Stan's own baritone in a pinch, and can teach any alto the tenor part if she asks just right.

Rumor has it that Rogers, who died tragically at age 33 in an airplane fire, wrote this one because he was sick of not being able to sing lead on his own songs. Can you hear how happy he sounds to be singing, in this live version from posthumous release Home in Halifax? And the crowd goes wild, too.


Afterword, and bonus tracks: Barrett's Privateers is set as a true shipman's work song -- sans instrumentation, with a hearty bellow that bespeaks rope-hauling and teamwork in its every whoop and holler. But if this is your first taste of the music of Stan Rogers, know that he is often cited as a dominant force in contemporary Canadian folk music; as such, we'd be remiss in not including at least one more shipsong from his catalog, just so can you can hear what he sounds like with full traditional Canadian folk instrumentation: the fiddle, the fast guitar strum, the driving bass undertone.

Here's that taste: another live cut from Home in Halifax, plus a much more bittersweet song about the benefits of staying home instead of seafaring, as covered by another one of my favorite male singer-songwriters, John Gorka.

Stan Rogers: The Mary Ellen Carter

John Gorka: The Lock Keeper

Boats: The Boatman

The Levellers: The Boatman

[purchase]

I'm far too embarrassed about posting this to actually write much. I almost chickened out. Almost. But hearing The Levellers always puts a smile on my face; I think it is like that with most music that you loved in your mid-teen years. It means something to you, and you know it inside and out...you might have even worn out the cassette from listening so much!

I saw The Levellers at Brixton Academy when I was about 15. I got sweated on by crusties in the mosh pit and a lecture as my friend and I sat on the sloping (and sticky!) floor that I should not drink Ribena because Smithkline-Beecham had some sort of hand in the making of it, the selling of it, or something. I forget...and I still like Ribena!

Apart from the aforementioned crusty sweat, the Academy smelt of cider...that smell, although I don't drink cider myself, will always make me smile, because I can hear The Levellers in my head.

Oh, and if I could be surrounded by quite so many nubile lovelies as in the picture up above (is just saying that sacrilege?) then "If I could choose the life I please, then I would be a boatman" too!*

*Although they would appear to be sextuplets, so maybe I should only sleep with one of them, otherwise it would just be wrong!

Boats: Iris Dement edition

Iris Dement: Troublesome Waters [purchase]

Iris Dement: The Old Gospel Ship [purchase]

Here's a pair of Iris Dement recordings in which ships are metaphorical vehicles for embracing one's spirituality. "Troublesome Waters" is an old Carter Family tune, most famously covered by Johnny Cash in 1964, and recorded by Iris for her great My Life album in 1994. In the song, the singer laments that troublesome waters are "rockin' my boat and wreckin' my soul." Iris' father passed away in 1992 and I have to imagine that this song was great comfort to her following that loss. The stark arrangement highlights Iris' high, lonesome twang, particularly when she ascends and then descends with, "Gently I'm feelin' the touch of His hand / Guiding my boat in safely to land." That's powerful medicine.

Iris recorded "The Old Gospel Ship" for her underappreciated 2004 gospel album, Lifeline. It's an old-timey public domain number that's been around, in one form or another, since before the turn of the 20th century. In the liner notes to The Gospel Ship Baptist Hymns & White Spirituals From The Southern Mountains, folklorist Alan Lomax says that it's "a gospel song of the type that became popular around the turn of the century. The image of religion as a vessel sailing to heaven with a cargo of the faithful is a perennial favorite, occurring in old carols and modern songs alike." As always, enjoy. And as Billy Joe Shaver likes to say, "May the God of your choice bless you."

Boats: Dribcots Space Boat

[purchase]

Joe Meek & The Blue Men: Dribcots Space Boat

His story is so interesting that I don't know what to tell you about Joe Meek. I'll save some details should you be waiting for this documentary or the upcoming biopic, Telstar. But I will tell you that he was an astoundingly gifted and ingenious producer - one of England's first independent record producers - and also tone deaf. He firmly believed in life in outer space, culminating in his experimental, instrumental masterwork I Hear A New World.

Though Meek is best known for his more conventional hits like Have I The Right and Telstar, there was always something a little otherworldly shimmering in all of the music he recorded. As Jello Biafra says "you can tell a Joe Meek record a mile away."

Boats: Open Ocean Sailing

Radar Bros.: Open Ocean Sailing

[purchase]

This comes from the Radar Bros.'s 1999 album The Singing Hatchet. It's a great album—if you like this song then you'll like everything else on it too—yet I've never heard anything they've done since...

This is a nice tune; moodwise it certainly sounds like the kind of song (and album) you'd want to listen to on a relaxing day of sailing. Though the lyrics don't seem to be about sailing at all. Rather, it seems to be about a janitor in a factory, or something. The closest they get to references to water is in the chorus: "fight the waves of a slow production day."