Showing posts with label Allen Toussaint. Show all posts
Showing posts with label Allen Toussaint. Show all posts

Tuesday, June 21, 2016

Roads/Streets: Sneakin' Sally Through the Alley




purchase the entire album: Robert Palmer [Sneakin' Sally Through the Alley]

One of the funkiest pieces I know. It is a lesson in itself to compare Robert Palmer's version above with the original author's rendition, below.

I used to have a vinyl copy of Sneaking Sally Through the Alley; I used to have a large LP collection that included a ton of Little Feat as well. I'm pretty sure, however, that I purchased this on it own merit and only later realized the signature slide guitar that ties the two together. It was in New Orleans that British singer Robert Palmer joined forces with Lowell George to create the album of the same name. The song is the third in a rolling sequence without break that begins with Sailing Shoes, continues with Hey Julia and then on to Sneakin' - arguably one of the finest sequences of songs ever. You may also know that Little Feat had earlier come out with a 1972 album titled Sailing Shoes - the song actually being written by Lowell George.


The band for Sneakin' Sally is primarily the Meters, which included Art Neville (later one of the Neville Brothers), in addition to Lowell George and some slick mouth-harp work from Steve York as well.


Sneaking Sally was written by Allen Toussaint, who we sadly lost in the fall of 2015. He is also the author of other hits you probably know, such as Dr John's Right Place, Wrong Time.



 

Thursday, June 11, 2015

Reunions: Mother-In-Law


Rockin’ Dopsie, Jr.: Mother-In-Law [purchase]

It’s too bad that the Reunion theme didn’t follow the Wedding theme, but I’m actually going to work in both of those, plus the Water/Wet theme that snuck in between them.

A couple of weeks ago, I attended part of my 33rd college reunion. Although not a major reunion, a hardy group of my classmates were there, some because their kids were graduating, others to march in the alumni parade (the “P-Rade”) with their parents or grandparents or spouses who were celebrating major reunions, and others, like me, just for the hell of it. I’ve written before about my 30th and 31st reunion, so I won’t get too deep into it, but what is fun about showing up at “off year” reunions is that you get to talk with classmates who you might not at a major reunion, because everyone spends time with their closest friends. And, you get to see friends from other classes, especially the ones celebrating their major reunions.

Then, last weekend, my wife and I went to a wedding in New Orleans of the daughter of one of my wife’s college friends. Including my wife and the mother of the bride, there were 8 Smith classmates in attendance (and a few other Smithies from other classes, too). So, it was a different kind of reunion, because all of them were friendly in college. In the nearly 35 years since graduation, each of them had stayed in touch with each other, to different degrees. As an outside observer, it was interesting to see how they sort of fell back into behavior patterns that I bet were similar to when they were in college.

It was a fun time. We had some good food and times with her friends, and explored New Orleans, a city that neither my wife nor I had been to (not counting my overnight business trip to Metarie). We wandered and toured some of the city, learned some history, ate well, and saw great music, from the Cajun/Zydeco Festival in Louis Armstrong Park, at Preservation Hall, to incredible street musicians at Jackson Square and on Royal Street, and in a bar on Frenchmen Street.

The wedding was fun, too. The reason that the wedding was in New Orleans was that the bride and groom were both medical students at Tulane and were going to be doing their residency there. Almost none of the guests were from the Crescent City, and the families decided to make the weekend a celebration of the city. There was a crawfish boil (with pulled pork sliders available for the non-seafood eaters, like me). We had cocktails at the elegant Windsor Court Hotel. After the ceremony, we second lined behind the Kinfolk Brass Band to dinner at Antoine’s, the oldest family run restaurant in the country, for French-Creole food. After dinner, we danced to the zydeco flavored music of Rockin’ Dopsie, Jr. & The Zydeco Twisters, who virtually blew the roof off the place. And the following morning, we had lunch at local landmark Dat Dog.

Rockin’ Dopsie, Jr. is the son of the legendary Rockin’ Dopsie, and took over the band when his father died. They said they had never played a wedding before, and that’s too bad, because they were, probably, the best wedding band I’ve ever heard. They mix in classic cajun/zydeco music with soul, blues, rock and funk, with an incredible energy that had elderly women standing on chairs, and reluctant dancers (me!), boogieing away (after a fashion). Now, we left before they finished, so I have no idea if they played the featured song, a cover of a classic written by the great Allen Toussaint and made famous by Ernie K-Doe, who lived off the song, and its fame, the rest of his life, including as the owner of the Mother-In-Law Lounge, now owned by more recent New Orleans musical icon Kermit Ruffins.

I needed a way to tie the Reunion theme to the wedding weekend, and I wanted to use a Rockin’ Dopsie, Jr. song, and this one seemed to be the best choice, based on the title alone. But the lyrics are about a very bad mother-in-law. Very, very bad. So, I don’t want to look unkind, or unappreciative of the generosity of our hosts and all that went into making the weekend so memorable and fun. Therefore, I want to make it abundantly clear that I know that my wife’s friend, who is a truly wonderful person, and the mother of the groom, who I met and who seems like a great woman, will be the exact opposite type of mother-in-law to the one that the song discusses. I repeat—they will NOT be like the mother-in-law in the song. And let me also make it clear that I have a great mother-in-law, too (who recently celebrated her 60th college reunion).  My wife would also like to close the loop by stating that she, also, has a great mother-in-law.

I promised that I would also tie in the Water/Wet theme. Of course, New Orleans sits astride the Mississippi River, is bordered by Lake Pontchartrain, sits in great part on land reclaimed from swamps, is crisscrossed by canals and bayous, and, of course, was memorably and tragically flooded by the effects of Hurricane Katrina (amplified by some bad human decisions). So it is hard not to think about water when you are in the city. And, on our way to the airport to leave, it started to pour rain. There, I did it.

Tuesday, October 1, 2013

Sisters: Soul Sister



Producer and songwriter extraordinaire ( "Working In a Coalmine", "A Certain Girl", "Everything I Do Gonna Be Funky", "Fortune Teller") Allen Toussaint made  Life, Love and Faith with The Meters in 1972. Toussaint IS New Orleans music...though his songs are typically better served by other singers.

Not on this one.

In "Soul Sister" he gives a nod to all the head-turning sisters wearing naturals, an expression of pride and dignity and sexiness:

Hey you/ Hey you with the curly bush on your head baby
You know you're lookin good/ Soul sister

By the way if you see a sister wearing a natural, let me be the first to suggest you don't call her Afro "a curly bush". It doesn't sound right unless you have The Meters backing you up.





Saturday, February 21, 2009

Trains: Last Train


Allen Toussaint: Last Train

[purchase]

You got me huffin' and puffin' and chuggin' like a choo-choo train...

Because I couldn't resist closing the week with a song called Last Train. And because it's a masterpiece of seventies sexual innuendo, full of horns and downright funky, if a bit over the top as far as the train motif is concerned. Boogie on.