Showing posts with label George Clinton. Show all posts
Showing posts with label George Clinton. Show all posts

Saturday, June 26, 2021

OPPOSITES: APPLES/BANANAS

Apples are the opposite of bananas, right? Certainly little in common, what with colour, shape, taste, let alone the skin or the peeling. Yes, I know some folk peel an apple, but with their fingers? I think not, and they are as weird as those that eat a banana, skin on. (Smoking a banana skin I have heard of, it being a sure fire 4th form guarantee of a hit, something only being at a boarding school can have you believe.....) But there are loads of songs about these staples of a fruitarian diet. here's two of the best.

"I like to eat bananas

'Cos they got no bones
I like marijuana
'Cos it gets me stoned"

I bloody love this song. I may have mentioned this before, but I don't care, this being the finest and truest statement about bananas laid down in rock and roll. The sheer truth of it is an epiphany, even something may have never appreciated. The reason bananas are so darn accessible and appreciable is because they have no bones. Who knew? OK, we all knew, but, and here's the rub, who realised? Exactly. Who here can honestly say they had ever considered a banana might have a bone in it? I guess, yes, to be fair, most of their audience were less interested in bananas, keen to move on to the next couplet. Me? I was at said boarding school and that was stuff of fantasy, to be dreamt of and imagined. 

How many songs explore the world of banana? Not so many. Most famous, and ubiquitous, is the Banana Boat Song, aka Day-O, as beloved of Beetlejuice, the signature tune of Harry Belafonte, and enough to give every banana a bad name. A song meeting derision in this woke age, to be parodied in adverts and similar, it has some merit, with it needing sage and seer George Clinton to give the mislaid credibility.


So how come apples get all the good cred, all the good press? Let's not forget what got ate in the Garden of Eden, at a stroke denoting the base nature of man and casting us, conceptually, into the abyss of the everyday. So, let's ask what Damien Dempsey, erstwhile boxer and bruiser, now singer and songwriter of evocatively bruising lyrics has to say:

He's good, innee? Big fan am I, since he first found his voice, a decade or so, probably further, back. And I think the Irish, with their catholic guilt, are entirely within their right to diss the apple more than do us lily-livered protestants. Hell, with extreme free church presbyterianism, the Free Church of Scotland, you probably aren't allowed to eat an apple, or a banana, of a Sabbath day. (Disclaimer: these are the guys that ran, and maybe still do, the Outer Hebrides where my Mother grew up, not that even apples grow in the harsh treeless climes. Or bananas.)

Here the Wainwright (half) sisters get the gist, apples and sex, well, love, paired irrevocably in fruity union. Both daughters of Loudon of that surname, the third, Martha and Lucy sing as delectably as they should, as scions of the McGarrigles and Roches respectively. An album of, largely, lullabies, the underbelly of the subject matter lies just beneath the surface.

Finally, in an effort to link all this disparate nonsense together, who finer than the Cocteau Twins to muddy the water indelibly, throwing yet more fruit into the bowl, as Elizabeth Fraser sings about oranging the apple. Or the other way round. As you do.

Pip pip!

Bananas........

Apples..........


Saturday, October 24, 2009

Early: Six-Song Set Edition



One thing I miss about being a DJ is putting together a a good set of music. This week I had a lot of songs I wanted to post but didn't really have a lot to say about them, so I thought I'd put a bunch of them together in one post. So, these songs are meant to be listened to sequentially.


The Squires: Aurora

[purchase]

You may not have heard of the Squires, but you know their guitarist quite well: Neil Young. He was quite enamored with the Shadows' guitarist Hank Marvin when he recorded this instrumental single in Winnipeg in 1963 at his first recording session.


Vashti: Some Things Just Stick in Your Mind

[purchase]

Before she recorded her seminal Just Another Diamond Day album, Vashti Bunyan released a few pop singles as "Vashti" under the tutelage of Rolling Stones manager Andrew Loog Oldham. This one, her first, was written by Mick Jagger and Keith Richards and released in 1965.


Lyme and Cybelle: Follow Me

[purchase]

Warren Zevon didn't hit his stride until the late '70s, but he started out his musical career in the sixties as one half of the duo Lyme and Cybelle, along with Violet Santangelo. "Follow Me" hit 65 on the pop charts in 1966. Zevon went on to release a little-heard solo album in 1969, then work as the Everly Brothers' musical director in the early '70s before he finally found his groove.


The Parliaments: (I Wanna) Testify

[purchase]

George Clinton's 1970s Parliament/Funkadelic empire started as a simple doo-wop quintet from New Jersey known as the Parliaments. "(I Wanna) Testify", from 1967, is probably the most well-known the the Parliaments' singles. It's already a long way from their doo-wop beginnings, possibly because Clinton was the only member of the group able to travel to Detroit for the recording. When the song became a hit, he assembled a new group of musicians to tour, and the P-Funk dynasty began.


Kaleidoscope: Egyptian Gardens

[purchase]

In the late '60s, there were two important bands named Kaleidoscope--one in the UK and one in California. This is from the California band, who are most well known for giving the world multi-instrumentalist David Lindley. Before he was sideman extraordinaire to the '70s California singer-songwriter movement (Jackson Browne, Warren Zevon, Crosby & Nash, etc.), he was part of this eclectic psychedelic group. The Middle Eastern-influenced "Egyptian Gardens" is the opening track on their 1967 debut album, Side Trips, an album that also takes in blues, psychedelic pop, old timey music, and vaudeville.


Red Onion: African Mask

[out of print]

Red Onion brings us back to that fertile New Brunswick music scene in the 1990s. Frontwoman Laurie Berkner went on to greater fame as a maker of music for kids, but I've always liked this psychedelic-influenced song from a cassette EP Red Onion released in 1995. Smokin' bass provided by All Gods' Children's Adam Bernstein.