Showing posts with label Iris Dement. Show all posts
Showing posts with label Iris Dement. Show all posts

Sunday, February 12, 2017

Small Town: Our Town

Iris DeMent: Our Town

[purchase]

For me, the biggest problem with our current theme is that there are simply too many songs to choose from. Of course, country music offers endless possibilities, but even outside of that there is a tremendous amount of material to work with. Artists who never lived in small towns themselves offer fantasies, both light and dark, of what they must be like. Others, like Iris DeMent here, clearly know from their own experience.

DeMent sees growing through adulthood in a small town as a burden. Every familiar place holds a memory of something long gone. You can not look out your window without being haunted by memories. DeMent’s narrator finally must leave in order to shed all of these accumulated moments that can never come again. The town itself, in this case, is a shadow of its former self. People and businesses leave, and are not replaced.

I have lived in small towns for most of my life, and I know what DeMent means. But I can also say that not all small towns are like this. I hope to present other aspects of small town life before this theme is done. The town I live in now is the one my children have grown up in. It has changed, and I have memories of places and people that are gone. But this town has also renewed itself. New businesses and types of businesses have come in, and with them have come new friends. I haven’t found a song yet that expresses this life cycle, (suggestions?), but I do have a few things queued up that I hope to get to.

Meanwhile, there is this video. The notes on YouTube say it was made for the series finale of Northern Exposure. I never watched the show, so the images probably have some resonances that I have completely missed. But the sepia-toned images and the poignant close-ups seem perfect for this song.

Monday, October 3, 2011

Religion: Let The Mystery Be



Iris DeMent: Let The Mystery Be

[purchase]

Iris DeMent didn't get to spend Sundays the same way as the other kids in her Southern California neighborhood. Her parents took her to Pentecostal and Assembly Of Life churches where she spent hour after hour listening to fire and brimstone sermons which sometimes involved speaking in tongues. As Iris told The Aspen Times recently: "There's a lot of weird stuff there that anybody could do without."

When Iris left home, she left the church. But the church didn't leave her. From her 1992 debut Infamous Angel,  "Let The Mystery Be" takes on the subject of religious uncertainty: "Everybody's wonderin' what and where they all came from/ Everybody's worryin' 'bout where they're gonna go when the whole thing's done."

 "I've never met anybody who went to the other side," she said. "So I just don't know what's there."

Thursday, May 7, 2009

Oh Mama: Mama’s Opry



Iris Dement: Mama‘s Opry

[purchase]

This one goes back to Iris Dement’s debut in 1992. It’s heard to believe it’s been that long since Dement hit the scene, and it’s just as hard to believe she wasn’t always here. Her music has that kind of timeless quality.

Mama’s Opry is a love song. It doesn’t go anywhere near what happens between consenting adults. This is the love of a grown-up child for a parent. You can tell that you have grown up when you start to appreciate what your parents gave you. Mama’s Opry feels true. The song tells us that it was her mother’s influence that started Dement on the path to becoming a musician. And Mama’s choice in music also gave the young Dement her first ideas about religion. As an adult, Dement found the talent to write this song, and say thank you.

Saturday, February 21, 2009

Trains: I Miss A Lot Of Trains





Iris Dement: I Miss A Lot Of Trains [purchase]

In my humble opinion, Tom T. Hall is a songwriting genius. But apparently not everyone likes the way he sings. So tonight I give you Tom T. Hall for the masses--or at least the masses that like the way Iris Dement sings. Come to think of it, that might not be too many more masses. Oh well.

Anyway, this one goes out to the Iris Dement fans out there who want to hear an expertly-crafted song that mentions trains.

Monday, November 3, 2008

Silly Songs: In Spite of Ourselves



John Prine: In Spite of Ourselves

[purchase]

The only self-written track from John Prine’s 1999 Duet/Covers album by the same name, In Spite of Ourselves is an honest, brash tune about a pair of lovers who know each other all too well at this point. Iris Dement supplies the female part for this song and a few others from the album. John gets help from Lucinda Williams, Trisha Yearwood, Emmylou Harris, and Patty Loveless (among others) to round out the rest of the disc.

Even when John’s songs inspire a chuckle or two, they still feel like real songs – and not just jokes set to music. He’s got many that could fit this theme, but this one makes me laugh more than any other.

“She don't like her eggs all runny
She thinks crossin' her legs is funny
She looks down her nose at money
She gets it on like the Easter Bunny
She's my baby
I'm her honey
I'm never gonna let her go

He ain't got laid in a month of Sundays
I caught him once and he was sniffin' my undies
He ain't too sharp but he gets things done
Drinks his beer like it's oxygen
He's my baby
And I'm his honey
Never gonna let him go”

Wednesday, June 4, 2008

Boats: Iris Dement edition



Iris Dement: Troublesome Waters [purchase]

Iris Dement: The Old Gospel Ship [purchase]

Here's a pair of Iris Dement recordings in which ships are metaphorical vehicles for embracing one's spirituality. "Troublesome Waters" is an old Carter Family tune, most famously covered by Johnny Cash in 1964, and recorded by Iris for her great My Life album in 1994. In the song, the singer laments that troublesome waters are "rockin' my boat and wreckin' my soul." Iris' father passed away in 1992 and I have to imagine that this song was great comfort to her following that loss. The stark arrangement highlights Iris' high, lonesome twang, particularly when she ascends and then descends with, "Gently I'm feelin' the touch of His hand / Guiding my boat in safely to land." That's powerful medicine.

Iris recorded "The Old Gospel Ship" for her underappreciated 2004 gospel album, Lifeline. It's an old-timey public domain number that's been around, in one form or another, since before the turn of the 20th century. In the liner notes to The Gospel Ship Baptist Hymns & White Spirituals From The Southern Mountains, folklorist Alan Lomax says that it's "a gospel song of the type that became popular around the turn of the century. The image of religion as a vessel sailing to heaven with a cargo of the faithful is a perennial favorite, occurring in old carols and modern songs alike." As always, enjoy. And as Billy Joe Shaver likes to say, "May the God of your choice bless you."