Showing posts with label Karl Wallinger. Show all posts
Showing posts with label Karl Wallinger. Show all posts

Monday, January 6, 2025

In Memoriam-Karl Wallinger


[purchase Best in Show, a World Party greatest hits compilation]

We’re back again for some In Memoriam posts, honoring some of those from the music world we lost in 2024.  How many posts?  We’ll see....

Back in 2014, in my early-ish days writing here, I wrote about the first CD that I ever bought, World Party’s debut, Ship of Fools, in 1987.  I didn’t even have a CD player at that time, but saw the disc at a used record store, and because I had already heard some of it on the radio, I bought it.  The CD player came shortly after that, and I’m still buying them (I’m an old guy, and like to own my music, and yes, I do download music, too.)  The video above is of the hit song from that album, “Ship of Fools.”

Karl Wallinger was born in Wales in 1957, exhibited his musical talent at an early age.  He was a Beatles fanatic, but not to the exclusion of other music, and ended up with a musical scholarship to Charterhouse (the alma mater of, essentially, the original lineup of Genesis and their first manager/producer Jonathan King, as well as Led Zeppelin manager Peter Grant, and the composer Ralph Vaughan Williams, and many other notable Brits, dating back to its founding in 1611)After deciding that the life of a classical musician was not for him, Wallinger moved into rock music, forming a band with two guys who went off to be in the Alarm, and doing studio work. 

Answering an ad for a guitarist for The Waterboys, Wallinger convinced Mike Scott that the band really needed a keyboard player, and he joined first as a sideman, before his skill on numerous instruments, and his production talents, led to his joining the band full time for This Is The Sea, and helping to shape “The Whole of the Moon,” probably the Waterboys’ best known song. 

The growing rivalry and infighting between Scott and Wallinger resulted in Wallinger leaving to work on his own material, eventually recording as World Party.  As he later said, World Party consisted of “me and whoever is playing with me at any given time.”  Most of his albums were recorded with Wallinger playing the bulk of the instruments and singing, with guests, including Sinead O’Connor, contributing as needed.

It is hard to listen to World Party without hearing the Beatles’ influences, but he was far from a one trick pony, and his music included other influences ranging from folk to funk and psychedelia, often with lyrics with environmental or anti-war messaging.  World Party’s first three studio albums were critical and commercial successes, with the second, Goodbye, Jumbo, considered by most to be their best work.  But the band’s next two albums were less popular.  During this period, Wallinger also worked with other musicians and on soundtracks.

In 2001, Wallinger suffered a brain aneurysm, which affected his vision and prevented him from working for about five years.  During this inactivity, he was supported, in great part, by royalties from a popular cover of his song, “She’s The One,” by Robbie Williams.  Despite that, Wallinger was pissed off that he wasn’t informed about the cover, and that Williams often introduced the song as one of the best he’d ever written.  In fact, Williams has apparently only rarely publicly admitted that his version is a cover.

Wallinger was able to return to touring in 2006 but never released another studio album of new material.  In 2008, the album Big Blue Ball, a project that Wallinger worked on with fellow “Old Carthusian” (that’s what they are called), Peter Gabriel was released.  It was based on recording sessions from 1991, 1992 and 1995 and Gabriel recalled that working with Wallinger was “the most creative and fun week I have ever had in the studio.” In 2012, Wallinger released Arkeology, a five-CD compilation that included rarities and covers of Beatles songs. 

On March 10, 2024, Wallinger died of a stroke at his home in Hastings, at the age of 66, survived by his wife, sculptor Suzie Zamit, son Louis Wallinger and daughter Nancy Zamit, as well as two grandchildren.

Friday, April 11, 2014

Anniversary-Go Deeper: My First---Ship of Fools


World Party: Ship of Fools
[purchase]

The second Star Maker Machine theme was perversely, “My First,” and it was designed to have people post about the first 45, LP, cassette, CD and digital download they ever bought with their own money. After all these years, I can’t remember which was the first 45 or LP I used my own money for, and I have no recollection what my first download was, but for some reason, I do remember my first CD, World Party’s Private Revolution, which was released in 1987. I’m pretty sure that I didn’t even own a CD player at that point, but I knew that I was going to be getting one shortly. I saw it on sale, used, in a small record store on the Upper West Side of Manhattan and figured, why not—I knew it was good.

It was a big step for me. I had many, many records—more than is probably healthy, but I also saw that the music world was moving toward the digital, and I knew that I would be following. I’ve never been an audiophile, so I won’t weigh in on the “vinyl through a good system sounds better than CDs” debate, but I did appreciate that CDs didn’t scratch (as easily) as records.

World Party was really just a solo project from Karl Wallinger, who played most of the instruments (although a pre-fame Sinead O’Connor and Waterboy Anthony Thistlewaite contributed a little), and this album, his debut, had a nice pop feel to it, with clear Beatles/ELO and Prince influences. There also was a message of world improvement, and what can be bad about that? “Ship of Fools” was a minor hit in the U.S. and U.K. and a slightly bigger one in Australia. It took Wallinger a few years to release the more successful Goodbye Jumbo, and he spaced out 3 more albums, the last of which was released in 2000. Since then he has recovered from a brain aneurysm (!), worked on films and other musical projects, and toured.

After buying Private Revolution, and an actual CD player, my CD buying ramped up and my LP buying decreased. At some point, I started to replace LPs with CD’s often used from eBay. At a certain point, I stopped replacing the needle on my turntable, and following a renovation of our house, which eliminated the shelves where I had stored my albums, they have remained in boxes in my basement waiting, for, I don’t know what. Getting rid of them seems complicated, because I suspect that most of the collection is worthless for various reasons, and I know that I have a certain sentimental hesitancy to part with a collection that I spent time, money and effort amassing through my youth.

I now find myself buying more digital downloads than CDs, so that collection, which supplanted the vinyl, and is currently bursting out of its shelf space is growing much more slowly. (And the digital collection is pushing the limits of my iPod Classic).

Although as I mentioned, I cannot recall the first song I ever downloaded digitally, because I admittedly partook of the early smorgasbord of Napster and similar questionable services, I do know that the first song I downloaded from eMusic was a song called “AYSO” by #Poundsign#, a tune about the soccer organization to which I have devoted an incredible amount of time over the past nearly two decades, and which I continue to serve, even though my kids have long since stopped playing.