Public Domain: Shenandoah

Laura Love: Shenandoah

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I have a childhood memory of going to my local movie theater to see Shenandoah, starring Jimmy Stewart - it was released in June 1965, so I was almost 11. I of course had learned about the Civil War in school, but I didn't pick up the nuances of how the North vs. South battle affected families personally until a repeat viewing years later. I do, however, recall loving the song that began the film, and which wove throughout during crucial scenes - to this day, it invokes a feeling of poignancy and pain...

From the Wikipedia entry:

"Oh Shenandoah" (also called simply "Shenandoah", or "Across the Wide Missouri") is a traditional American folk song of uncertain origin, dating at least to the early 19th century...

The lyrics may tell the story of a roving trader in love with the daughter of an Indian chief; in this interpretation, the rover tells the chief of his intent to take the girl with him far to the west, across the Missouri River. Other interpretations tell of a pioneer's nostalgia for the Shenandoah River Valley in Virginia, and a young woman who is its daughter; or of a Union soldier in the American Civil War, dreaming of his country home to the west of the Missouri river, in Shenandoah, Iowa (though the town lies some 50 miles east of the river)...

The song is also associated with escaped slaves. They were said to sing the song in gratitude because the river allowed their scent to be lost."

I adore this version by Laura Love - her cracked, distinctive, gentle yet strong voice more than does it justice... and she lends her own interpretation of loss and longing to the tune...

Leftovers (Drugs): Stoned Soul Picnic

Laura Nyro: Stoned Soul Picnic

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The 5th Dimension: Stoned Soul Picnic

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Laura Love: Stoned Soul Picnic

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Jill Sobule: Stoned Soul Picnic

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It was the summer of 1968, a year before Woodstock, a year after the impromptu San Francisco gathering popularly referred to as the Summer of Love: the free love movement was thick in the air, and though the history books have surely magnified the scale of American awareness and participation in the movement, those of us conceived in the midst of it all have been taught to believe that hope was everywhere.

Into the midst of this swamp of countercultural change came two versions of a song: one by its author Laura Nyro, a popular white R&B and soul singer, the other by the popular African-American R&B quintet The 5th Dimnension, who would go on to chart with the Aquarius theme to the musical Hair in the following year. The dual versions became part of the bridge across the rapidly-closing racial divide, and within weeks, Stoned Soul Picnic was atop both the popcharts and the Black Singles Charts; according to apocryphal record, the song was sung on "every street corner", and - given its simplicity and its message - it's easy to see why.

As much as it reflects the civil rights aspect of the sixties counterculture, Stoned Soul Picnic is a product of its times on its lyrical and sensual merits, too. It's hard to figure out what, if anything, this song is really about, beyond the strange feeling that anything could happen, and should, if people would only join together in communal celebration. Other than the word "stoned" in the chorus and title, there's no direct mention of drugs or drug-taking; this is a promise of mood, not an instruction booklet for a movement.

But there's no denying the summery, soulful, swaying melody line of both original versions, which maintains a tone that clings to subsequent covers as if it were an inevitable aspect of the song. And the organic visualizations of nature that show up in every verse sound like a great trip, indeed.