Showing posts with label Liz Phair. Show all posts
Showing posts with label Liz Phair. Show all posts

Saturday, October 29, 2011

World Tour: Turning Japanese


Liz Phair: Turning Japanese

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No Use For A Name: Turning Japanese

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Asia represent! This well-covered and oft-parodied song is undeniably catchy, as noted by its long life in popular culture. The above image comes from the song's most recent incidence, a stylized art video featuring actress Kirsten Dunst first presented at a Tate Modern exhibit in London two years ago, seemingly in homage to the global cosplay movement.

But long before anime, manga, and other Japanese "identity artifact categories" swamped nerd and geek culture, the song's easily sung chorus and verses had featured in many iconic media products, from the original Jackass movie to video games (Rock Band 3, Guitar Hero Encore: Rocks The 80s) to an old and overplayed KFC commercial. As an homage to this cultural cachet, I've skipped the crisp, bouncy 1980 original, and shared instead a pair of mid-nineties punk versions - both grungy as hell, as befits the song's frenetic pace updated for the angry, ironic pre-millennial set.

There's some debate on the interwebs about whether songwriter David Fenton of British new wave/power pop band The Vapors is being honest when he claims that this song is about "all the clichés about angst and youth and turning into something you didn't expect to"...or whether the term "turning Japanese" actually refers to the face males make when reaching masturbatory climax, an easy interpretation which would set Fenton's VH1 True Spin comment as a specious attempt to rewrite his own wild youth by saying otherwise. The song works both ways, and the original video doesn't help, with its geisha girl imagery merely muddying what would really be a question of which sort of racism we're talking about here - "Japanese" as a euphemism for distant and isolated, or "Japanese" as equivalent to squinty-eyed - so we'll let you make your own conclusions.

Thursday, September 23, 2010

For the Birds: Canary



Liz Phair: Canary

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When most songwriters use bird imagery they use it to express freedom and contentedness, but Liz Phair found another side of the story. In this song, from her fantastic major debut "Exile In Guyville" she sings of a bird that is beautiful and meant to be free, but now is just the obedient little songbird. Metaphor, much?

This is a muted number for Phair, but has the charm and the sexuality in it that we'd expect from her.

Sunday, June 29, 2008

Fifty states: Alaska



In honour of perhaps my favourite television show ever...although does anyone else think that Maggie's (beautiful) head looks disembodied in the picture above??

Here are some choice words from the character Chris Stevens, ever the philosopher:
"There's a dark side to each and every human soul. We wish we were Obi-Wan Kenobi, and for the most part we are, but there's a little Darth Vader in all of us. Thing is, this ain't no either-or proposition. We're talking about dialectics, the good and the bad merging into us. You can run but you can't hide. My experience? Face the darkness. Stare it down. Own it. As brother Nietzsche said, being human is a complicated gig. So give that ol' dark night of the soul a hug. Howl the eternal yes!"