Showing posts with label Ms/Mr. Show all posts
Showing posts with label Ms/Mr. Show all posts

Saturday, March 13, 2021

MR/MISS: Pitiful

 



purchase [Mr Pitiful]

You could read about yourself if you don't already know but I'll save you the effort: back in '64, a radio DJ called Otis Redding "Mr. Pitiful" on account of the sound of his voice. Steve Cropper, Redding's guitarist (I want to say "long-time collaborator", but sadly it wasn't very long since he died about 2 years later in a plane crash on his way to a concert) came up with the song, which they recorded more or less in a flash.

None of his work is pitiful. In fact - reading I have done this week repeatedly reminds me that even the lowliest life is not pitiful. Pitiful is a mind-set. Sure, from the outside, it ain't hard to categorize another [wo]man's life as pitiful (  defineiton here), but that's a perspective filled with bias: how you view it may not be the whole story.

I did not know (but now do) that Steve Cropper was a member of a Stax backing band that did their thing for a number of known show-names (the Mar-Keys). Known as <the Colonel>, he fronted and was a member of other bands including Booker T and the M.G.'s He was also a member of the Belushi/Aykroyd Blues Brothers Band.

Within 2 years, Redding was producing music that, as Rolling Stone magazine wrote, was impressive - a far cry from Mr Pitiful, even if his vocal style was emotional-: "fluttering horns and staccato guitar" at the Whiskey a Go Go. Songs that hit the top of the charts even after his untimely death.

Etta James twisted the lyrics to "Miss Pitiful" from Mr to Miss.



Taj Mahal recorded a version.



The Stones have played it on ocassion.





Wednesday, March 10, 2021

Mr/Ms: He's Misstra Know-It-All

 



purchase [ Misstra Know It All ]

Is "misstra" a variation on Mr.? - and thus a viable choice for this theme?

The word <misstra> is pretty much undocumented. The intranet provides clues but no real answer:  It appears that Wonder was referencing Nixon (he could as well have been referencing our ex. )

THE internet also tells us that <Misstrah> is likely not "kind" - possibly a mix of "massah" and mister?

"Playin'  hard, talkin; fast ... He's the coolest one with the biggest mouth...and "if we had less of him, don't you know we'd have a better land .."

I guess I've tipped my hand (who plays hard and fast with a big mouth?)

But ... you are here for the music. And so ... Innervisions.

Innervisons, in that Wonder can only see inside? Innervisions, in that we should all be so gifted to see so much inside. Innervisions, in that something awoke inside Stevie Wonder that moved him for the formulaic Motown that I witnessed on stage in Seattle in 1969 as "Little Stevie Wonder". (Admittedly valuable for its time and space) to the post-Innervisions that produced this and his later work.

There are actually several points in the song where Stevie Wonder progressivly amps it up; you can hear the background vocals doing an increasingly urgent "yeah ..yeah" early on, but at about 2:30 we get a major shift that builds to that  point in the song [3:00]  where Stevie Wonder very meaningfully switches/ramps up the tempo to emphasize his point. The tempo seems to jump - and at least the emotion jumps - as we hear the hand claps and "growls" that signal a message change-

Finally he says: "You talk too much, you worry me to death .." Point well made - please, let's move on.

Chuck Schumer's playlist [100 days of tr**] on Spotify includes this song for some reason  (no the reason is clear, me thinks)

link

and ... James Morrison