Mothers: "Baking Serving Caring Listening" Edition

The Roches: I Love My Mom

[purchase] - out of stock on their own website


Susan McKeown: Mother of Mine

[purchase]


Rachel Bissex: Dancing with My Mother

[purchase]


Annie Gallup: Blue Dress

[purchase]

I have been a mess for the last week, in anticipation/dread of this holiday that is everywhere (television, radio, newspaper, magazines, e- and snail-mail solicitations promoting gifts and flowers, department stores)... but that pains me so much this year, because it is my first Mother's Day without my mom - she passed away July 19, 2009 and her absence remains heartbreakingly fresh...

I really just want to crawl into bed and pull the covers over my head... but my own children need me, so I will attempt to be the best mother I can be under the circumstances, and they completely understand - inside, I feel lost and frightened and empty (who do I call/mail a card/send flowers to now?)...

I know Mom is with me in spirit, I retain indelible memories and she lives on in my character traits (the good and the bad) - I dream of her often and I realize she'd want me to move ahead and through rather than stay stuck and wounded...

I meant to post these songs throughout the week but it just seemed less wrenching to do it all at once (the band-aid removal theory, you know) - the last one, by definition of our terms (post songs with a word for "mother " in the title) is cheating, but it so suits the intention of the theme that I hope I'll be forgiven...

Erin Go Bragh: Snakes/Mná na hEireann

Susan McKeown: Snakes/Mná na hEireann

[purchase]

Happy St. Patrick's Day to all - wishing you beer and shamrocks and corned beef and cabbage, oh my!

I have written of Susan McKeown before - she is from Dublin, Ireland and, although I do not consider myself a fan of traditional Celtic music, her style is more contemporary... and there's just something about her rich voice, layered phrasing/instrumentation and mysterious lyrics that captivate me...

The song Snakes weaves together vivid imagery of desire... plus, the lyric "gone where the goblins go" makes me think of Ding Dong!, The Witch is Dead - I also love the Gaelic chanting at the end...

I chose this photo because Susan is wearing a green sweater - Erin Go Bragh!

Winter Wonderland: Through the Bitter Frost and Snow

Susan McKeown: Through the Bitter Frost and Snow

[purchase]

When I began my aforementioned contemporary folk and acoustic journey in the mid- to late-90’s, Dar Williams was the catalyst who led me to so many others – I bought beaucoups of compilations, which then had me trekking to my local Barnes & Noble to find solo recordings by various artists.

One particular CD I purchased primarily because of the cover artwork and the name of the group: Bones by Susan McKeown and the Chanting House – mysterious, right? I adored that CD (Albatross and Snakes and Love and Superstition, oh my!) and it remains in my Top Ten, as much for Susan's strong voice as her inventive songwriting. Imagine my surprise when I realized later she is cataloged as Celtic – “but I don’t like Celtic!”, I thought… and the following paragraph helps explain her hold over me in a non-preferred genre:

If there's some dividing line between Celtic traditionalism and eclectic contemporary songwriting, McKeown refuses to acknowledge it. And with a voice as warm, resonant and versatile as hers, why should she? - The Oregonian

Whew – crisis averted!

Being a collector of eclectic holiday music, I was thrilled when she released Through the Bitter Frost and Snow, which Amazon.com describes so much better than I ever could:

Anyone who lives in snow country can appreciate the stark but fascinating landscapes Susan McKeown and Lindsey Horner conjure up in this jazzy folk-rock amalgam that traverses the stars ("Bold Orion") and the biting solitary expanses of the title track. Still there's an uncanny warmth and longing in the voices, the truncated harmonies, and the resonating bass line, the bass often serving as a lead instrument in "Song for Forgetting," for example. McKeown and Horner have managed to create a highly distinctive record of wintry exploration that mixes traditional British Isles folk singing and jazz phrasing while embracing familiar fare such as "Coventry Carol," "Auld Lang Syne" (almost dirgelike), and "Green Grow'th the Holly." No stranger to melancholy, the record will have a disquieting affect. But it will also please and intrigue with its bittersweet sadness and ironic arrangements for anyone willing to acquire such a beguiling taste of the dark month of Christmas. --Martin Keller

I included this tune on my 2005 Holiday Mix, and continue to enjoy the voice and style of a woman who defies the limitations of boundaries – I hope it warms your heart as well…