Showing posts with label Family. Show all posts
Showing posts with label Family. Show all posts

Wednesday, December 11, 2019

Leftovers: Family: Sister Sledge



purchase [ the song ]

So... I get the first  slot: a mix of Family and Leftovers.

Since the <family> theme is officially over and I never got this finished, I guess it qualifies as a leftover.

When I began writing this, I wondered why so many of the songs I initially scoped out for <family> are disco pieces or from the disco era. Maybe you have an answer?

There's Sly and the Family Stone and Mary J. Blige with "Family Affair" [ granted they are not the same song, but the name's the same]. Then, there's Sister Sledge, which I decided to zoom in on because ... it's family.

Sister Sledge were really all sisters with the family name Sledge. Four of them from Philly, PA. They are still touring - minus Joni, who died  back in 2017.

Singing backup on We Are Family is a [then] little known Luther Vandross (unlikely that you can make him out). Various other related tidbits: this was the Pittsburgh Pirates theme song in 1979 - the year they came back from 1-3 down to win the World Series; Joe Lieberman used the song as his campaign theme in 2003; the song essentials were used in "We are Pepsi Free"; The song made #1 on the R&B list back then and #3 in the album lists. The sisters have performed with or been on stage with Aretha, Al Jarreau, Pope Francis and a couple others.

There's absolutely nothing great about the lyrics - except that it fits a family of sisters:

We are family
I got all my sisters with me
We are family
Get up everybody and sing

Friday, December 6, 2019

FAMILY/FAMILY


OK, just a quick one, mainly because I cannot believe we have got this far in a thread themed 'Family' with no mention of Leicester's finest, um, Family. A quick rustle back through the back pages and it seems they don't get any mention in any other category at all. How can this be? Surely the sandpaper gargled vocals of Roger "Chappo" Chapman translate to more than any purely eurocentric vibe? Please tell me so.

So, if in doubt, go wiki, and it looks not, their US peak being with an inwithabullet 177 in the Billboard album charts, with 'Fearless', in 1977. What a shame, what a loss, as, when good, they were very very good. OK, and yes, when they were bad they were horrid, but that wasn't often. We're talking 1968 to 73. Very few bands achieved all killer, no filler.

No time for a history lesson, but I guess one issue was their inability to be pigeon holed within any one genre, hopping from style to style almost song to song, combined with an ever-changing membership that could include standard guitar, bass, drums with violin, vibraphone, trumpet. You name it and they probably did, encompassing rock, folk, jazz, funk, prog. The lot. All carried by the incomparable vocals of Chapman. Have some hits. And, if you can't be arsed, fer chrissakes, at least listen to Burlesque, the dirtiest bit of sleazy funk this side of Sleazyfunktown in Sleazyfunktownshire.

The Weaver/s Answer (1970)

In My Own Time (1971)

Burlesque (1972)

My Friend the Sun (1973)

After they split asunder in the early 1970s, Chapman and guitarist, Charlie Witney, carried on for a while as (Chapman-Witney) Streetwalkers, with, I guess, even less acclaim. Chappo then became, 'big in Germany', that country always retaining an enduring love for the knights in blue denim of 60s into 70s UK rock. ( And, yes, to save your navigation, Family do get a shout.) Astonishingly, after a mere gap of 40 years, a version of the band reformed, Chappo, no Witney, and they play, sporadically to this day, alongside Chappo's solo project, Roger Chapman and the Shortlist. (I wanna ticket!!!)

Burlesque (2013)

At least now if anyone searches 'Family' on this site, up will come the band, and that, say I, is as it jolly well should be.

Burlesque: you know you want it!

Thursday, December 5, 2019

Family: We’re A Happy Family


The Ramones: We’re A Happy Family
[purchase]

After a few prog-related posts in a row, we need a little punk palate cleanser, right? Sort of like how during a Thanksgiving dinner filled with heavy foods, you need something tart to shake things up. Which may be the first time anyone compared The Ramones to cranberry sauce.

Although this Family theme was designed to relate to the gathering of relatives during the Thanksgiving season, my two song selections have taken a little different approach. Last week, I wrote about a man contemplating patronizing a prostitute, but who ultimately passes, somewhat reluctantly, because he’s a family man. Today’s song, from possibly The Ramones’ best album, Rocket To Russia, is a satirical look at a dysfunctional family, featuring a closeted drug dealing father, a pill-addict mother, and a neglected, fly-eating sick baby, all of whom eat refried beans. This is nothing at all like my family, although when I was born, my mother and father and I did live in Queens, about 4 or 5 miles away from where The Ramones hailed from.

I’ve now been blogging long enough that I can’t remember if I’ve ever discussed how lucky I feel that my family, for the most part, gets along. This year, we had a relatively small Thanksgiving—my wife and I, our widowed mothers, my sister and her daughter, and my brother. Over the years our family table at various holidays have included my son and daughter-in-law (who were celebrating with her parents), said daughter-in-law’s parents (which gives me a chance to link to this again), my late father and father-in-law, my expat daughter, my siblings’ former spouses (and then their occasional “plus ones”), my sister’s son (off serving in Americorps), my brother’s kids (celebrating this year with their mother’s family), and occasionally some others.

It is always a fun time. There is, of course, laughter, good food, football (including sometimes of the European version) on the TV, a Thanksgiving-themed playlist created by the family music blogger, and, of course discussions, sometimes even of politics.

My college friend David Campt is an expert in fostering dialogues—his company is named “The Dialogue Company,” so it must be true. He travels the country trying to help people with different views engage in constructive discussions, often about race, but not exclusively. I hope that the pre-Thanksgiving interactive piece he co-wrote on The New York Times’ website about how to successfully engage family members with different views prevented bad feelings, broken crockery and spilled gravy at some dinner tables last week. But I count myself lucky that this isn’t an issue with my family—we run the gamut from liberal to very liberal, and there isn’t a MAGA hat in anyone’s closet.

And while that may result in a relatively drama-free Thanksgiving (assuming that I don’t either burn the turkey or start cooking it too slowly), it does ratchet down the stress level a lot. Which is nice, because even though my wife and I have been hosting Thanksgiving for our family for a while now, there are a lot of moving pieces, including a number of dishes that only get cooked once a year (including the all-important bird), so I’m glad that I don’t have to get into a debate with a Trump acolyte, knowing full well that I would eventually forget everything that I learned from David Campt, and revert to my more litigious bent.

So, I’m glad that I really do have a happy family, even without gulping down any Thorazines.

Sunday, December 1, 2019

FAMILY: BLOOD WEDDING/OYSTERBAND


What could reflect the joy and terror of families better than a wedding, especially after a few gargles have been downed? It was only during the penning of my last piece I realised how little these pages have featured Oysterband, possibly the band I have seen live the most, from a small folk club gig in about 1986, to a classy arts centre last month, by way of myriad gigs and festivals in between. Yup, I love this band, even if I occasionally don't, citing enough is enough, they then pulling some trick or other to haul me back. Bastards!


Anyway, this song comes from their 1983 record Holy Bandits, and is a glorious amalgam of Fisherman's Blues era Waterboys and the thrash folk-punk of the Levellers, back-filtered with a bit of a lick and a polish: at the time the Oysterband were described as "like the Levellers after a good wash", a somewhat back handed compliment to either band. Still a staple in their live shows, it reflects the more boisterous part of their repertoire and acts as ballast against some of the more thoughtful material. It is a glorious hooley.  As anyone who has been to lots of weddings can confirm, and I have had three of my own, the combination of booze and bonhomie can bring out the best and worst of individuals thrown together by dint of circumstance. If the adage is that you can choose your friends, but never your family, so too you can choose your spouse, but as with your own, the family comes gratis. And how often has the proud son of Mr Oil met with the beautiful daughter of Mr Water? The nuptials of the Petrol family with the family Flames come also to mind. (Mind you, it can and does work the other way too, my first wife and I always saying we could never divorce because of the parents, as in them getting on so well. Until, um, we did.)

"do you take this woman? 
 said yes I do 
I love her like crazy
and I think she loves me too 
but we'll do without the family 
if it's all the same to you 
happy ever after 

your mother is a flake 
my father's full of shite 
your sister says you married me 
in white just for spite 
well a party's not a party 
till it ends up in a fight 
happy ever after 

and there was my lot and your lot 
and us two in between 
this is the last time I get married 
this is the last time I get married

my brother's never short 
of a substance to abuse 
rum & glue & Thunderbird 
& wizz & Special Brew 
any minute now he'll show us 
all of his tattoos 
happy ever after 

nephews are obnoxious
nieces are too tall 
a dozen drunken uncles 
are pissing up the wall 
grandad is grinning 
but there's no one home at all 
happy ever after

for richer, for poorer, 
for better or for worse 
now we are married, a blessing or a curse 
kiss me & don't forget 
what you see is what you get

and the best man is the worst man, 
the best man is a beast 
underneath the table 
with the sister of the priest 
the way he's going at it 
she is probably deceased 
happy ever after 

granny's on the brandy
getting bleary-eyed 
guys I went to school with 
want to see me outside 
someone's pulled the bridesmaid 
anyone seen the bride? 
happy ever after

and there was my lot and your lot 
and us two in between 
this is the last time I get married 
this is the last time I get married "



I also feature (above) a video of this song, from barely two years ago, band, and audience for that matter, despite english being their second language, clearly still revelling in the song, as well showing the curiosity of melodeon, cello and fiddle in a six piece rock band. (OK, folk-rock band.) Together (below) with an example of the 'more thoughtful material' alluded to above, and probably the song, 'London City', they sing after leaving the stage following the featured, their traditional closer and encore for many a long year. And, in their 41st year, hopefully still to come.



Whet your thirst!



Friday, November 29, 2019

FAMILY: DRUNK BY NOON/THE HANDSOME FAMILY

Well, I couldn't possibly say whether this post is a reflection on esteemed turkeyfest Thanksgiving, normally featured at this time of year, or not, being no celebrant, turkey being next month for us over here in Blighty, and, anyway, aren't you celebrating your freedom from "us"? (Which begs the question as to whether, in exasperation over the Greenland snub, your guy elects to take up our tousle-headed lookalike leader's offer to flog us off, or our health, lock, stock and barrel. Give or take an election in a fortnight, or two of your weeks, which ever is shorter.)

Drunk By Noon

So, the Handsome Family, or Mr and Mrs Sparks as they are known to friends, a little known institution until a recent stroke of luck, courtesy the first series of 'True Detective', launched into every living room in the land with the song that opens each episode. In these days of streaming, downloads, legal and otherwise, and youtubetomp3 software, money in music biz land is tight, the only real resource being touring, with then the merch table as profitable as the tickets. But you need money to tour too. Luckily, although they may dislike the concept and deny the vanity, the Handsome Family are cheap, basically husband and wife Rennie and Brett, she on bass, banjo and lyrics, he on guitar, keys and tunes. Both sing, but it is Brett's basso profound that is their main calling card. Over about a quarter century they have built an enviable body of work, with 11 albums, plus compilations, built on the back of solid touring, in the US and overseas. I first caught them back in about 2004, when they were part of a rolling roadshow, with and organised by venerable agitprop UK folkies Oysterband. The bleak mix of dark country and murder ballad that they revel in had me hooked.

When the Helicopter Comes

Always sort of a hidden gem, a secret passion, it must have been a huge boost to their profile and, I hope, to their income, to have the kudos of a boxset bonanza. (Here is an interesting article about the economics of such.)

Far From Any Road

Above is the song in question, but go search the back catalogue, there are myriad equivalent gems. As to 'Drunk By Noon', Rennie's lyrics are broadly unhelpful in interpretation of the absolute meaning or circumstance, but, if you are having the family over, and need to be, be my guest. To some decent music, of course......

Handsome....

Thursday, November 28, 2019

family: mother-in-law




purchase [ Ernie K Doe's versioj]


The saying goes something like this: You can't choose your family, but you can choose  your .... [??] - Fill in the blank, if you can.

[The answer is: friends]

I have to admit that I get along remarkably well with the the family I chose (my wife's family, that is...). And consider myself blessed for that. Yeah, they've got their faults. So do I. But we have managed to bungle along for the 35+ years my wife and I have recently celebrated.

That said, the <mother-in-law> problem is a standard of gossip (and marriage-related media of all stripes) but not so much of hit songs. Mother-in-law is always meddling, has seemingly had little kind to say (and more so for the outside wife who can't cook/doesn't iron/can't keep the house clean?) You tell me if there is a gender imbalance in this issue.

Now ... as for Ernie-K Doe. (Cool name, no?) It's pretty unlikely you have ever run across this name/this song. (Ernie K-Doe was on this planet from 1933-2001, and I don't think he was ever included in SMMs' In Memoriams when he passed. Wait ... that pre-dates SMM by an inch or two.)

His <Mother-in-Law> song - from '61 - made it to the #1 spot for Billboard/US. (#1!!!) It's more or less a one-hit-wonder, although he did appear on the charts a few more times at a lower ranking.
<Mother-in-Law> was written by Allen Toussaint. (If you knew Toussaint was an American, the name might direct you to the <French> part of the US, in this case Louisiana (which is famous for lots of things French - obvious from the reference to Louis.) And Ernie's link to the French? Well ... New Orleans. Which is in LA (not Los Angeles in this case, for those of you not familiar with US state codes).

The song's lyrics back up societal general perceptions:

The worst person I know, mother-in-law, mother-in-law
She worries me so, mother-in-law, mother-in-law
If she leaves us alone, we would have a happy home
...
She thinks her advice is a contribution
But if she will leave that will be a solution
And don't come back no more

Ouch! But true to the general perception. No?

Interestingly, his wife continued to operate the "Mother-in-Law" lounge after his death. Hmmmm ...

As for the musicality? Well... it's pretty standard '60s fare.

On the other hand, there is Eta James, who also came out with a song of the sane title,
Her lyrics are a bit different and the song clearly sounds different (given the limitations of what was commercially viable a  that time!) That said - the essential theme is the same: older/outside woman who interferes in the next generation's ... er ... affairs.

Eta:

Monday, November 25, 2019

Family: Family Man


Mike Oldfield: Family Man
[purchase]

Like most people around my age, I was familiar with Mike Oldfield because of Tubular Bells, his 1973 masterpiece that became famous when part of it was used in the movie The Exorcist. But because his music was, for the most part, album side-long instrumentals, it was otherwise rare to hear Oldfield’s music on the radio.

And when I got to college and began working at WPRB, I was able to explore some of Oldfield’s records, although again, even at that college station, it was unusual to throw on a 20 plus minute song. Unless you were alone in the studio and had to run to the bathroom, which was down the hall.

But Oldfield is a remarkable musician, playing most of the instruments on his records and overdubbing wildly—by some count, he has played more than 40 different instruments on his various records, and his music is very much worth listening to. So, I do recall occasionally playing “Part I” of Tubular Bells (which features Viv Stanshall of the Bonzos introducing the instruments, because Oldfield liked this song) on the air, or a few of the shorter songs he began adding to his records as time went on, maybe in hopes of getting radio airplay.

In March, 1982, not long before I graduated from college, Oldfield released Five Miles Out, which included a few shorter, poppier songs, including “Family Man,” sung by Scottish singer Maggie Reilly, that was actually pretty catchy. In fact, the song nudged onto the singles charts in the UK and Canada. It tells the story of a man approached by a sexy prostitute, and his rejection of her—“Leave me alone, I’m a family man,” he sings—although part of his rejection is based on fear that if she continued her seduction, he might succumb. I liked the song, played it a few times on the air, graduated from college and moved on with my life.

A year or so later, I heard a song by Hall & Oates (a band that is not my favorite—although there’s this) called “Family Man,” and it sounded vaguely familiar. Somehow, back in the pre-Internet era, I was able to determine that it was, in fact, the same song. Although to their credit, H&O definitely made it their own. And they added some lyrics that changed the song so that the man decides to take the woman up on her offer, but she had already left, leading to some apparent regret. This version, not surprisingly, did much better commercially, reaching No. 6 on the U.S. Billboard Hot 100 and No. 15 on the UK and Irish singles charts. Although what a cheesy '80s video...


Reilly also covered it, in 2009, but it is slick, commercial and not that interesting.  Maybe I’m being a music snob (which would not be surprising, would it?), but I prefer the original—although I have to admit that the H&O cover isn’t terrible, so if you like it better, I’m not going to think less of you.