Showing posts with label Todd Snider. Show all posts
Showing posts with label Todd Snider. Show all posts

Thursday, November 8, 2012

Elected Officials: You Got Away With It



Todd Snider: You Got Away With It
[purchase]

WARNING—VITRIOL AHEAD:

I wasn’t fast enough to make this a transitional post from “Disasters” to “Elected Officials,” which I wanted to do, because I do believe that George W. Bush, the subject of this song, was a disaster. In my opinion, his regime was responsible for hugely inflating the deficit by fighting two wars, one of which was based on completely phony intelligence, while cutting taxes to mostly benefit wealthy people, by being complicit in the outing of an undercover agent, encouraging the politics of greed, appointing right wing Supreme Court justices, using 9/11 as a pretext to curtail civil liberties (which admittedly hasn’t been fixed by President Obama), discouraging marriage equality, leading the country to the precipice of economic ruin, instituting policies that were damaging to the environment, mishandling the Katrina response and worst of all, in the big picture, contributing to the increasing rejection of fact–based decisionmaking and the mocking of the “reality based community” in favor of perpetuating a series of “Big Lies.”

For starters.

Even Richard Nixon, who was a crook and liar, and made a mockery of the office of the President, supported the Equal Rights Amendment, reopened diplomatic relations with China, established the EPA, supported the Clean Air Act and OSHA, signed Title IX into law and ended the draft. I feel like taking a shower now, after writing this paragraph, but I have trouble thinking of any positives from G.W. Bush.

I’ve always had the impression that Bush was a spoiled, feckless frat boy, who muddled through an undistinguished career at Andover and Yale, and then in business and politics, mostly riding his father’s coat tails. As best as I can tell, he avoided service in Vietnam by using family connections to get into the National Guard, and then rarely, if ever, performed his duty. Despite his personal cowardice, as President he had no compunctions about sending other people to die based on false information, and he only criticized the attempts by the swift boaters to disparage John Kerry, an actual war hero, after the advertisements stopped running. And, to make matters worse, he once pulled down the goal posts at Princeton after a Yale victory. His popularity among Republicans is so great that he was invisible during the Republican convention and the campaign. As if even they were embarrassed by him (as they should be).

Clearly, Todd Snider’s opinion of Dubya is at least as low as mine, if not lower. Initially, the song, which is in the form of a message from one frat brother to another. The narrator recounts a number of incidents of wrongdoing, and remarks that his subject regularly got away with it. The song does not make it clear who it is about, until the last verse:

You never did tell me what happened with you and your brother down there in Florida
I heard they gave you a hell of a time
Everybody around here was afraid you might lose
I told them not to worry cause I knew you'd be fine
Had me out here to Camp David a few times over the years
I think the first time we were teenagers sneakin' beers
Look at you now you old son of a bitch
You got the run of this place
Unbelievable

And then, all is clear.

Saturday, May 19, 2012

The Plant Kingdom: Keep Off the Grass


Todd Snider: Keep Off the Grass

[purchase]

Todd Snider: Keep Off the Grass (live in Boston)

I know we already have a post about grass, but I can't come up with anything else. Plus, grass is so vital to everyday life. It covers our yards and public parks, it covers our sports fields, there's even fake grass for indoor sports, we complain about mowing it yet we spend hours making it look perfect. Is there any better feeling than walking on freshly mowed grass with bare feet?

However, there is nothing worse than when THE MAN tells you to keep off the grass. How often do you want to lie down in the sun on a blanket in a park on a beautiful weekend afternoon, but THE MAN has posted a "Keep Off the Grass" sign on a perfectly good piece of lawn. Now, they may have just chemically treated the grass, or they want people to keep their dogs from relieving themselves on it, but most of the time you cannot figure out why THE MAN wants you to keep off the grass.

In this song from Todd Snider's 2000 album Happy to Be Here, Snider laments being told what to do by everyone. He's trying to be his own man, but people keep giving him a list of things he can or can't do, including keep off the grass. If you know anything about Snider's writing, "Keep off the Grass" is probably also a double entendre for "Keep off the Marijuana." But hey, marijuana is a plant too!

I included a live version of this song from a gig in Boston last year. Snider and his people are forward thinking enough to record his shows and offer them as a download a week or so later for $5 per pass code. I go to a lot of shows (2-3 a month), and so far Snider is the only artist I have seen offer this service. This version is particularly fun as he talks about his early songwriting career and his attempts to emulate Bob Dylan.

Wednesday, February 22, 2012

Spoken Word: The Ballad of the Kingsmen

Todd Snider: The Ballad of the Kingsmen

[purchase]

There are a whole lot of spoken-word songs to choose from in Todd Snider's catalog. In fact, even when Snider sings, it kind of sounds like he's talking. Since Snider says it all -- literally -- in the lyrics of "The Ballad of the Kingsmen," there's no point going too deeply into its backstory. The song has appeared on two official albums by Snider, as well as on several bootlegs and scores of YouTube clips. Here's the original studio version, from 2005's East Nashville Skyline. And, here's what Snider had to say about the song in that album's liner notes:

    I wanted to make the point that teaching kids to get as much as they can all week at public school and then sending them to some church on Sunday where some old guy goes on about how wrong it is to need so much stuff -- and then somehow when the kids act confused it's 'cause of Alice Cooper or somebody -- is silly. That's what I hope this song shows. That, and that I can memorize a lot of words.

Saturday, March 26, 2011

Trouble: Trouble


Todd Snider: Trouble

[purchase]

I have not posted in forever - shame on me!

Back in the days when I was a "regular", you could count on me for two or three submissions a week... and Todd Snider's tunes would show up frequently to illustrate my musical points (samplings can be found here, here, here and here)...

I first fell in love with him from his debut CD, Songs for the Daily Planet, released in 1994 - I always thought Trouble was the best non-country country song ever written. "A woman like you walks in a place like this, you can almost hear the promises break" - does it get any better than that? (rhetorical question... :-)

Saturday, September 18, 2010

Blank and Blues: Todd Snider Edition

Todd Snider: Statistician's Blues




Every decent folk singer has at least one "Blues" song is his or her repertoire. Todd Snider, it seems, has a few more than his fair share. Both of these tunes come from Snider's 2003 live album Near Truths and Hotel Rooms, and they only represent half of the "Blank and Blues" songs on that album. I could easily post six or seven Snider songs if I wanted to pick through his entire catalogue.

The reason I'm sharing these two songs is because they both represent my favorite aspects of Snider's songwriting. His best tunes always a certain cleverness to them whether it's a simple turn of a phrase or telling a funny story through song... Todd always has a bit of a smart-ass in him. I like it.

Here, Snider laments the unused portion of his brain in "Statistician's Blues" and skewers the popular music of the 1990's in "Talking Seattle Grunge Rock Blues." Incidentally, "Statistician's Blues" is one of those songs that I would probably play incessantly on the radio if not for the FCC and their rules about language.

Saturday, September 11, 2010

Late: The Late, Late, Late Edition



Billy Jonas: Late

[purchase]


Susan Werner:
Born a Little Late

[purchase]


Todd Snider:
Age Like Wine

[purchase]

As soon as this week's theme was announced, I knew I wanted to present the Billy Jonas song of the same name, which illustrates a very good reason for being late - then when Anne submitted her post, it made me think of Susan Werner's Ode to the baby boomer. BWR's offering sparked my remembrance of Todd's tune - then it just made me smile that we are truly a collaborative blog, in every sense of the word... :-)

Thursday, February 11, 2010

Solitude: Lonely Girl


Todd Snider: Lonely Girl (live recording plus intro from Tales from Moondawg's Tavern***)

[purchase] - the studio version on Todd's 2000 Happy to Be Here CD...

Boy meets girl... in a rehab center, of all places - takes him a while to get up his courage to ask her out... and they not only need the permission of the center's board to date... but they have to keep a plant alive for a set period of time. He's a singer-songwriter, she's an artist... and they end up getting married - sometimes two Wrongs do make a Right... and truth is stranger than fiction... which you'll hear if you listen to the entire story and song posted...

P.S. The illustration above is an actual painting by Todd's wife, Melita...

***copied and pasted from my Vinyl Records post:

...courtesy of Rich Willis, a creative and generous Todd-lister who, in May 2007, put together (and made available to the list) "
Tales From Moondawg's Tavern, a compilation of Todd's stories [with the associated song] thru the years" (backstory here and download info here)...

Monday, November 9, 2009

Name-Droppers: Vinyl Records


Todd Snider: Vinyl Records (live recording plus intro from Tales from Moondawg's Tavern)

Todd Snider: Vinyl Records (studio version from New Connection)

[purchase]

It is no secret on this list that I am crazy about Todd Snider - when this week's theme was announced, I knew I had the ultimate Name-Droppers song, in the form of Vinyl Records!

I am including two versions:

~ the studio recording from his New Connection CD - after he sings the line "I've got piles and piles and piles of Tom Petty", I especially love the drum bit following, which is an homage to the signature sound of TP and the Heartbreakers)...

~ a live cut, complete with an hysterical intro... courtesy of Rich Willis, a creative and generous Todd-lister who, in May 2007, put together (and made available to the list) "Tales From Moondawg's Tavern, a compilation of Todd's stories [with the associated song] thru the years" (backstory here and download info here)...

P.S. In doing research for this post, I just ran across a new Todd blog - sweet!

Saturday, October 24, 2009

Early: Anti-Procrastination Edition



Let's face it - I'm not only never early for anything... but I'm rarely even on time. I seem to go through life with a 15-minute Bermuda Triangle of "how did it get to be (insert _____ o'clock I was supposed to be somewhere) already?!?". To that end, I'm attempting to be Early in all definitions of the word (rather than my usual 11:59 Saturday night post) - I think Stephen Wright said it best: "The early bird gets the worm... but the second mouse gets the cheese." (ha!)...

James Taylor: Rainy Day Man

[purchase]

Rainy Day Man was originally released in 1971, on his James Taylor and the Original Flying Machine album (of the four vinyl covers, I have the one that's plain white with penciled titles) - however, I'm including a version of the song from a bootleg of his October 29, 1970 Paris Theatre show in London, England with Joni Mitchell...


Joni Mitchell: Eastern Rain

[purchase] (never officially released/not commercially available)

The Joni Mitchell website lists her Early Unreleased Songs, many of which have been compiled on a CD for list members (thanks, Bob!) - from AllMusicGuide:

"At the beginning of her career, Joni Mitchell wrote so many songs that she never got around to recording a few of the ones she regularly performed on stage in the late 1960s. One of those was "Eastern Rain," which was covered by Fairport Convention as a highlight of their second album, What We Did on Our Holidays." More here...


Todd Snider: Talkin' Seattle Grunge Rock Blues [plus intro]

[purchase]

Boyhowdy covered this one over a year ago but, since it's the first song of Todd's that turned me on to his music (as the hidden track on his 1994 debut CD Songs for the Daily Planet), I had to revisit - however, rather than the studio track, I'm posting a live version from his August 19, 2001 performance at the Rocky Mountain Folks Fest in Lyons, Colorado, which includes an hysterical introduction, as well as a few extra verses admitting he "borrowed" the talkin' blues style from Bob Dylan... but Dylan got it from Woody Guthrie!


Mary Chapin Carpenter: The Opening Act

[purchase] (never officially released/not commercially available)

From Country Universe:

"In a rare coup for a new artist, Mary Chapin Carpenter earned a coveted performance slot on the 1990 Country Music Association Awards [a YouTube video can be found here], and she used it to establish her identity as one of country music’s left-of-center talents. She decided to perform the biting “You Don’t Know Me (I’m the Opening Act),” a cutting dismissal of country star power gone awry. It was a risky move, with the less-than-famous artist taking a stab at the music industry who would determine the fate of her career...

She received a standing ovation at the end of the semi-scandalous story of a rising musician’s struggle. But Carpenter didn’t struggle for long. Two years later, she won the first of back-to-back Female Vocalist of the Year trophies in a CMA career that included 12 nominations, among them, a nomination for Album of the Year and Single of the Year (for the similarly sharp “I Feel Lucky”) in 1992."


Dave Carter: You Must Slumber

[purchase]

From my friend Ron's wonderful website:

"This is a song that Dave wrote when he was 17 years old, and which Tracy indicates was recorded for – but eventually left off – the "Tanglewood Tree" CD. Although it was never released on an official Dave & Tracy album, a recording of it is now available on the Signature Sounds 10th Anniversary Collection disc."

Sunday, April 19, 2009

Drugs: America's Favorite Pastime


Todd Snider: America's Favorite Pastime

[purchase]

From Snopes.com

Claim: Pittsburgh Pirates pitcher Dock Ellis hurled a no-hitter while under the influence of LSD.

Status: True.

The rest of the story can be found here...

As noted above, the song appears and can be purchased now on The Homerun EP, featuring various artists performing "five songs to get you back in the baseball spirit"... and the tale is also immortalized on Todd's soon-to-be released (June 9) CD, The Excitement Plan, available for pre-order - in his words, this song "combines the use of hallucenogenic drugs with athleticism, which I wish people would do more in folk music"...

Thursday, April 9, 2009

Anniversaries: Happy New Year


Todd Snider: Happy New Year

[purchase]

This tune extends a January 1 wish for happiness... in both a birthday (Country Joe McDonald) and a New Year greeting - along the way, Todd Snider's resolutions segue into a shared treatise of his "evangelical agnostic" leanings...

i don't know what we're doing here

you don't "KNOW" what we're doing here

now christians don't walk out on me just yet

you know whose name i'm yelling as i'm clutching my chest

the one my dad told me to and his told him to

and i probably pray as much or more than you do

believe? shit, every word i sing

but believing and knowing, those are two different things

and if you're trying to change the way a stranger's life will have to go

i believe this is where i wanna stick to what i know

which is nothing you know, nothing for sure


P.S. Todd's new CD, The Excitement Plan, is due to be released on June 9 - you can read more about it here and here...

Saturday, March 14, 2009

Drinkin' Songs: Last Call Edition


It's been a crazy week (what else is new?!?)... and I seem to have run out of time - figured I'd just set up a round of drinks on the bar... and you can "choose your poison"until this place closes down at midnight.

Cheers!

James Taylor: Captain Jim's Drunken Dream (rum)

[purchase]

Jules Shear (with Freedy Johnston): Revenge (whiskey)

[purchase]

Todd Snider: Beer Run (beer)

[purchase]


Joni Mitchell: A Case of You (wine)


[purchase]

Crash Test Dummies: A Worm's Life (tequila)

[purchase]

Monday, February 16, 2009

Trains: Play a Train Song


Todd Snider: Play a Train Song

[purchase]

May I just tell you how much I love Todd Snider?!? - he's been one of my favorite singer-songwriters ever since I first heard his Talking Seattle Grunge Rock Blues, a hidden track on his Songs for the Daily Planet CD, waaaaay back in 1994.

He comes across as a stoner dude (could be some validity to that... :-) but his ability to memorize and play not only hundreds of his own songs but those of his heroes (Robert Earl Keen, John Prine and Bob Dylan among them) shows he's in full faculty of more brain cells than all his fans combined will ever lose. His tunes range from hysterical (Beer Run) to heart-wrenching (You Think You Know Somebody) - he's a consummate songwriter, clever without being predictable, educational without being preachy and emotional without being smarmy.

His way with a phrase is beyond brilliant ("I've always been afraid of a 12 step crowd, they laugh too much and talk too loud, like they all know where everyone should be"... "Got a lump on my head and a boot print on my chest from what the guys in here call the Tillamook County lie detector test"... "You know that was so underhanded, grabbing him just as you landed, after holding me the whole time you fell"... "Fighting for peace, that's like screaming for quiet") - for a while there, I used one of his lyrics to evaluate the people in my life ("you're either out of control or you're stuck"... :-)

I've seen him live a handful of times (he almost always plays barefoot), once at the 2001 Folk Alliance in Vancouver (I went to all his showcases) and on a few more occasions at The Bamboo Room here in South Florida, an intimate listening space which has unfortunately since closed down - I have his Vinyl Records T-shirt, his Peace Love Anarchy baseball cap (which Janis Ian commented on this past July at Falcon Ridge, saying she and Todd were e-mail buddies), every commercial CD he's ever released and quite a few bootlegs made available through his avid fanbase, a few DVDs... and countless memories of the joy his music has given me: priceless!

His website is newly re-done... and check out EighteenMinutes, a fan-driven site named for the monologue he usually does during his shows (“Some of it’s sad, some of it’s funny, and sometimes I’ll go on for as many as 18 minutes in between the songs.”) - Todd never fails to amaze... and challenge... and entertain!

Play a Train Song was written in honor and memory of Todd's friend and self-proclaimed mayor of East Nashville, Kenneth Francis “Skip” Litz, who yelled out his request for a train song at every live show he attended, told every woman he met how beautiful she was... and spent the last six months of his life as Snider’s tour manager before dying of cancer in July 2003...

In May 2007, Rich Willis, a creative and generous Todd-lister put together (and made available to the list) "Tales From Moondawg's Tavern, a compilation of Todd's stories [with the associated song] thru the years" (backstory here and download info here) - in Todd's own words, the scoop on Skip can be found on Disc 3, track 9 (I tried uploading, but I guess the 25-minute runtime was too much!).

As a consolation prize, here's a great YouTube video with an Uncle Skip visitation... :-)

For more Todd, here's a wonderful April 2007 interview by Frank Goodman of Puremusic...

Saturday, January 31, 2009

Duets: The Eleventh Hour Edition


First of all, let me say that I adore this week's theme, as I've always been a harmony voyeur - there's just something about two voices saying so much more than one could, lyrically and sonically. To that end, I fear I am running out of time, as I was out of town for the beginning of the week and too busy to post - hope you all won't mind if I do a bit of a clean sweep here to share some of my other favorites...

Jules Shear and Susan Cowsill: Restaurant Scene

[purchase]

Jules Shear is best known as the author of Cyndi Lauper's "All Through The Night" and the Bangles "If She Knew What She Wants", but I'm particularly enamored with his recording, Between Us, definitely in my Top Ten - his gift for lyric writing is beyond description ("some people are changed by great romances but it's the wounds that make us who we are" and "so try to make it like the dream you had, the peaceable kingdom where no one's betrayed" and so many brilliant turns of phrase too numerous to name) and this CD is composed entirely of duets with such notables as Carole King, Ron Sexsmith, Paula Cole, Freedy Johnston and others. My understanding is that it was written after his break-up with Aimee Mann and each song is more tragic than the next - her side of the story can be heard on I'm with Stupid Now (guess perspective is everything)...

Amy Rigby and Todd Snider: Til the Wheels Fall Off

[purchase]

I loved what Anne said in her Nick Cave/P.J. Harvey post ("when two artists you love do a duet together you feel like the universe is lining up") - that's exactly how I felt when Amy Rigby had Todd Snider join her on a song a few CDs back. I am a fan of both, as their sometimes cynicism belies a true faith that trouble is only temporary - this tune mines the road-trip-as-relationship metaphor ("I guess the path of least resistance wasn't on the map")...

Robert Earl Keen and Margo Timmins: Then Came Lo Mein

[purchase]

When a Texas songwriter teams up with the female lead singer of The Cowboy Junkies, anything is possible - through the use of puns ("I was steamed, I was fried") and interweaving voices, they manage to put a poignantly humorous spin on a nervous breakdown in a Chinese restaurant...

Nanci Griffith and Adam Duritz: Going Back to Georgia

[purchase]

Queen of country-folk meets lead singer of angst-ridden rock band - what could have been a recipe for disaster succeeds beyond wildest expectations. This song is on my funeral tape ("I've been blinded by the sun, washed in the rain, scattered in America, I'm scatterin' again, but if you're goin' south, darlin', I guess I'm travelin' with you") - yep, Georgia's always on my mind....

Monday, October 13, 2008

Civics Lessons: Fortunate Son


Creedence Clearwater Revival: Fortunate Son

[purchase]

Does civic responsibility include the idea of putting one's very body in service to the country? Some cultures believe so; nations from Israel to Iraq, and from Mexico to Mongolia, mandate military service for young people as a basis for citizenship (though each defines eligibility distinctly -- Israel is relatively rare, for example, in conscripting both men and women).

In cultures where drafting is historically normative, military service is seen as natural and unquestioned, a matter of civic pride. But in countries where a draft is not normative, creating one does not suddenly create an accompanying cultural buy-in. Rather, drafts in special circumstances cause special problems, especially when the culture is ideologically divided about the reason for such a draft, or in situations where the perception in culture is that the rubric for eligibility is either inherently unfair, or not being applied fairly.

The best and most recent example of this latter case in United States history is surely Vietnam. Where the previous World Wars had established a sense that the draft was necessary, because our enemies were perceived as a direct threat to us, the United States had trouble justifying what appeared to be a civil war in an uncivilized country as an imminent threat worthy of conscription. It didn't help that such service, especially in the midst of the unpopular war of Vietnam, was seen as something which was not being applied as an equal standard to all members of all classes in the culture.

Many popular songs of the sixties and seventies would speak to the various complex of perceived injustices that followed from US involvement in Vietnam, but few as eloquently or as angrily addressed this issue of civic injustice as Fortunate Son, a 1969 Creedence Clearwater Revival hit written in the voice of a draftee who -- being neither the son of a Senator, a millionaire, or a military leader -- is no "fortunate son", and thus has no choice but to head off to war to protect those fortunate ones. Also included: three very recent covers, all released within the last year or so, which strip the song down into something more plaintive and reflective. In fact, the Todd Snider cover just came out this week; if you like it, act now, because like the rest of his new 8-song EP Peace Queer, it's only going to be available as a freebie until the end of the month.

Todd Snider w/ Patty Griffin: Fortunate Son

[Purchase/download]

Donavon Frankenreiter: Fortunate Son

[purchase]

Tony Furtado: Fortunate Son

[purchase]

Wednesday, July 2, 2008

Washington: Talkin' Seattle Grunge Rock Blues



Todd Snider: Talkin' Seattle Grunge Rock Blues

[purchase]

Modern folk troubadour Todd Snider channels Arlo Guthrie in this half-spoken tale of rock god rise and fall circa the Seattle grunge movement of the late eighties and early nineties. The lyrics poke fun at grunge rock and its players, but like Guthrie, Snider has a bigger target in mind: underneath the hilarious send-up of the "alternative" label and grunge pose (pensive) and hairstyle (long, over the face) is a cohesive, biting social commentary on the commercial phenomenon that is/was the star maker machine, from A&R to MTV and back again, just before the napsterization of culture changed the rules of the game. Appropriate, for a guy who has somehow managed to elude true fame, despite being one of the best inheritors of the likes of John Prine, Billy Joe Shaver, and other wry working-class songwriters with an eye for blue-collar honesty and a storyteller's way with honest words.

Notably, then, the song isn't really anti-grunge; grunge is just a vehicle to get Snider somewhere much more important. As such, posting this one isn't intended to be a pre-emptive strike on what may well be Washington State's biggest contribution to the world of music so much as it is a way to ensure that any subsequent grunge music posted for this theme (or indeed any theme) can be heard in the proper historical context. But writ large, I think it also goes farther: like a few others out there (Tom Petty's Into the Great Wide Open), this is a meta-song, an industry product about industry product; as such, it tickles my irony bone while it provides a particular framework for how we hear any industry-produced music.

Someday, it would be fun to tackle songs about hitmaking, and turn the blog loose on the aging, dying industry, kicking it while it's going down. In the meantime, I'd say more, but the song kind of says it for us.

Purchase note: Talkin' Seattle Grunge Rock Blues was actually a hidden track on Todd Snider's first album, 1994's Songs for the Daily Planet; the purchase link above goes to That Was Me, which compiles the best of Snider's first three albums. Either or both, folks, but get some Snider if you haven't already.