Showing posts with label Robert Randolph. Show all posts
Showing posts with label Robert Randolph. Show all posts

Thursday, March 1, 2018

Mar* Songs: Rosie Flores Came to Town (Mar 1914)



The Honeydogs: Rosie Flores Came to Town (Mar 1914)
[purchase]

Sometimes, I like to pull the screen back and let you see what goes on in my mind when I choose what to write about. For me, when a theme is posted (or when I choose the theme), it immediately prompts me to think of a song and a personal story that ties to the song. Those are my favorite types of pieces. On other occasions, the theme leads me to a song, but I have no story, so I end up writing about the song, or the band. Those are fun, too, but less compelling. Then, you have themes, like this one, which prompt neither a song nor a story, and I’m reduced to scrolling through my iTunes library hoping for inspiration to hit. Those can be interesting, because this type of piece often pushes me to learn about a song or a band that I’m not all that familiar with. That’s what you are getting today.

Part of the problem is that in some ways, this is a repeat theme. Back in March, 2013, we did a “March” theme that was not particularly popular with our writers. Only four posts were written, two of which were by me. One was about my love for Monty Python, whose theme song was “The Liberty Bell March,” and the other was about Robert Randolph’s song “The March.” So, those were really the two songs that were foremost in my consciousness for “March,” interestingly neither of which related to the month.

Searching my library for ‘mar” led me ultimately to this song, “Rosie Flores Came to Town (Mar 1914)” from The Honeydogs. I know very little about this band, and the Internet is actually pretty stingy with information. I became aware of them initially because their original drummer, Noah Levy, played on Golden Smog’s Down By The Old Mainstream album (credited as Leonardson Saratoga). They were an alt-country band who arose from the same Twin Cities scene as The Jayhawks, The Replacements, Soul Asylum and others. Led by Noah’s brother Adam, The Honeydogs released albums, often with critical praise, every few years since 1995, but with very little commercial success.

I’m not 100% sure what this song is about, though. It appeared on an album of unreleased tracks called Island of Misfits (released on September 11, 2001, maybe not the best day to have been putting out new music).  To be honest, it sounds enough like “Gentle On My Mind” that the lawyer in me started wondering if there was a plagiarism claim available. In part, it seems to tie a missing child incident to a show by Rosie Flores, the great rockabilly singer and guitarist. But it is hard to say. I can’t find any lyrics online, it is hard to understand all of them from listening to the song, and I can’t find any articles about any such incident tied to an appearance by Flores. Nor can I figure out what the reference to March 1914 is, since Flores was born in 1950. Maybe it isn’t about that Rosie Flores at all. So, you’ll have to just enjoy the song, without much analysis. By the way, Noah Levy played drums on Flores’ 2013 album, Working Girl’s Guitar, more than a decade after he left The Honeydogs. Also, this is the second time I’ve discussed a song about when a musician “came to town.” But a very different musician.

As I said above, sometimes posts like this are interesting because they push me to find out more about a band that I don’t know much about. It turns out, that happened here, and it even ties into something tangentially semi-personal. In trying to find out more about the band, and specifically the featured song, I found out that Adam Levy’s son Daniel committed suicide in 2012. Daniel was essentially the same age as my son, and Daniel’s mother Jennifer Delton is a history professor at Skidmore College (and a Princeton Ph.D.), where my son and future daughter-in-law attended. Daniel, an artist, started college at the Minnesota College of Art and Design, but left after a year and a half, returning to Saratoga Springs, where he took classes at Skidmore. His suicide happened in Saratoga Springs, between semesters, just after my son finished taking Professor Delton’s class. However, neither my son, nor his fiancée, recall anything about this incident.

Tuesday, March 5, 2013

The March: The March

[purchase Live at the Wetlands]

No, that isn’t a typo—The title of the song is the theme for the week. One of the most noticeable things about a Robert Randolph and the Family Band concert is the joy in the music and in the attitude of the musicians. That has to be something that is ingrained in their personalities, and must also be fed by the fact that Randolph’s band includes two of his cousins and his sister on background vocals. Now, I know that many families are dysfunctional and don’t get along, but based solely on watching them on the stage, I would like to go to a Randolph family barbecue.

Randolph’s story is interesting. A pedal-steel guitarist who learned his craft in a church in New Jersey, Randolph was discovered at a “sacred steel” convention and was asked to join John Medeski and the North Mississippi Allstars in a project called “The Word,” which included gospel and original, but still gospel-sounding, music. Shortly after that album was released, Randolph and the Family Band released Live at the Wetlands, which included a version of “The March.” As you can see in the video (from a more recent performance), there is a dance associated with the song, and Randolph leaves his instrument to lead the audience in the dance.

My wife and I saw Randolph in 2003 at Roseland, with the just-breaking Los Lonely Boys as the opening act. As you can imagine, it was a great show. My son and I saw the band again at the Tarrytown Music Hall recently, and while it was a good show, it didn’t measure up to the memory of the Roseland gig. Maybe it was just an off night, or maybe my memory is playing tricks on me. Or maybe Randolph needs to be seen in a place where you can stand and dance, not sit in a seat, to be best appreciated.

Randolph often wears sports jerseys on stage, and is a New York Knicks fan. In fact, Madison Square Garden has, for a few years, featured him and the band as part of a “Friday Night Knicks” promotion, where his music is played. Unfortunately, the team has had a bad record on Fridays, and many fans think that there is a curse—which Randolph himself has apparently acknowledged (although others just blame James Dolan, the owner). But I don’t believe in those things, knock on wood.