Showing posts with label Caitlin Cary. Show all posts
Showing posts with label Caitlin Cary. Show all posts

Monday, September 28, 2020

Empty: Empty Baseball Park

Whiskeytown: Empty Baseball Park
[purchase

When I suggested the Empty theme, it was prompted by watching sports in empty stadiums, and honestly, I had forgotten about this song. If you have read my posts here and elsewhere, you know that I’m a sports fan, mostly New York teams (Mets, who I have written about often, Giants, Knicks, Red Bulls, Sky Blue), plus Arsenal and Princeton sports, the US Women’s and Men’s National Soccer Team, and the Olympics, World Cup, etc

As the pandemic closed things down, sports were an early casualty, so that being stuck at home wasn’t tempered by the chance to watch games on TV. Slowly, though, games started to return, beginning with the German Bundesliga, then other European soccer leagues, all of which were played in empty stadiums. In the USA, because our response to the coronavirus was incompetently handled by our incompetent president, the first games that started were played in “bubbles,” where the players and staff were isolated from society to prevent infection. So, both the NWSL and MLS played, as did the NBA and NHL, at various central locations, with reasonable success. 

But summer means baseball, and for me, I love watching Mets games, even when the team is, as usual, not good, in part because it is a long standing tradition, but also because the Mets announcers, Gary Cohen, Keith Hernandez and Ron Darling are the best. (And if you don’t believe me, read this, subscription to The Athletic required, and well worth it.)  Baseball ultimately decided to have a truncated season, with some new on and off-field rules, with the games played in the teams’ parks, not a bubble (although they are moving to a bubble for the playoffs). But again, there were no fans allowed, although some teams allowed fans to buy plastic cutouts of themselves, their families, random other people, and even pets, to make it look like people were in the stands. And like most of the other empty stadium sports, fake crowd sounds were pumped into the stadium and/or played on the broadcasts to lend some degree of normality. 

I watched a good part of the Mets’ season, in the empty baseball parks, and despite the talent on the team, and the fact that the number of teams qualifying for the playoffs was increased, the team fell short—which was a disappointment, because most prognosticators had the team at least making the playoffs. But as the cliché goes, that’s why you play the games. 

So, when I started looking for songs for this theme, “Empty Baseball Park” jumped out at me. Whiskeytown was a band founded by Ryan Adams, and was known for excellent songwriting, inconsistent performances and internal turmoil. The band cycled through members, with only Adams and Caitlin Cary as consistent participants. The band released only three full albums, but their influence can be seen by the fact that there are at least two books about the band. 

Adams is one of those scarily talented songwriters and performers who has probably thrown away more great songs than most people write. He’s also known for being personally difficult, having issues with drugs and alcohol, and, most recently, being accused of sexual harassment. I’ve long appreciated Adams’ talent, and appreciated his part in helping Jason Isbell get sober and supporting his career, but it is hard to ignore the harassment issues, which he has denied, but which appear to have derailed his career, at least for now. And Isbell has distanced himself from his former friend. 

But, back to the song. “Empty Baseball Park” was originally recorded as a demo, along with other songs, called the “Baseball Park Sessions.” Many of the demos later appeared on Whiskeytown’s 1997 Strangers’ Almanac album, but not this one. In 1998, the band reissued its debut album, Faithless Street, and included a slew of bonus tracks, including “Empty Baseball Park.” Now, despite my long discussion of playing sports in front of empty seats, that’s not what the song is about. Rather, it is a reminiscence by Adams of growing up in Raleigh, North Carolina, and his aimless activities, including hanging out in an empty baseball park after the bars closed, with, reportedly, a young woman, and pretending that a game was going on. 

It’s not the best Whiskeytown song, but I’m glad that this theme reintroduced me to it.

Sunday, June 13, 2010

One Word / All Apologies: Sorry


Caitlin Cary: Sorry

[purchase]

And I am sorry, sorry, sorry for my arms.
I tried to protect you.
Sorry, sorry, sorry for my arms.
I have darkened all of your charms.


Caitlin Cary may be less famous than Ryan Adams, her better-known partner in Whiskeytown, but don't sell her short: the fiddle playing songwriter has a power that lingers, regardless of mainstream cachet. And she certainly knows how to play the strong one, as in this gentle Americana ballad, its lyric a litany of regret for the way her shadow and strength and well-intentioned protection stunted the growth of someone loved yet unnamed.

Odds are good that Cary's "other" here is a lover, not a child. But the potential is there, and it's a scary conceit, for a parent - so hard, in the end, to nurture without smothering, to protect without damaging, and almost impossible to know whether you've gone too far until it's too late to do more than regret. As such, I keep Cary's apology as a morality play, a bulwark against the balance, a reminder that love can kill. May we never need to step into her sentiment.

Tuesday, October 21, 2008

Adjective Noun: Second Option



Caitlin Cary & Thad Cockrell: Second Option

[purchase]

Begonias is a collaboration album from Whiskeytown violinist Caitlin Cary and Nashville songwriter Thad Cockrell. Caitlin released a couple of solo albums after the dissolution of Whiskeytown as well as two albums with Tonya Lamm and Lynn Blakely – together known as Tres Chicas. Thad also put out two discs before the duo teamed up to make Begonias.

I’ve been meaning to say something about this album over at my place, but just can’t find the words. The album moves something inside me that is hard to explain. It’s got that classic country sound while still retaining the advantages of alt-country. And the vocals…. some of the best solo and harmony work I’ve EVER HEARD.

Second Option is the liveliest tune from the effort – mixed in with heartbreakingly sad country laments and conversational lovers’ ballads. Pick this one up.

Friday, July 11, 2008

Hell Week: Please Take The Devil Out Of Me



Caitlin Cary: Please Take the Devil Out of Me

[purchase]

Oh Jesus, please please take the devil outta me.
I've traveled far down this lonely road
The devil he's got me bent down so low
I've just found out where I want to be
Oh Jesus, please please take the devil outta me.
I'm getting tired of living in sin,
I'm tired of keeping the devil for my friend
I want so badly to be set free
Oh Jesus, please please take the devil outta me...

As we get towards the end of yet another fruitful theme week, it seemed fitting to start looking for transition songs. And though there are certainly a few out there, and just as certainly plenty more truly dark last-gasp greats to make the case for Satan himself, I can think of no better way to start working our way out of the Devil's dark arena than this great sinner's prayer for -- and subsequent celebration of -- redemption.

You might find this one familiar: it's a George Jones tune, originally. But there's something especially redemptive, I think, about all this Jesus talk coming out of the borrowed mouth of a sweetheart of a female vocalist with a twang and a grin and a great set of pipes, not to mention a killer hand on the rosined bow. So here's lesser-known Whiskeytown co-founder and powerful alt-country fiddler and singer Caitlin Cary with her short, sweet take on this old tune, originally released on Down To The Promised Land, the incredible 40-song compilation released way back at the turn of the millennium by alt-country label Bloodshot Records to commemorate their fifth year in the business.

Now I'm so happy, I'm free from sin,
because I let my dear Savior in
My Jesus told me that I was free
Oh Jesus, thank you, you took the devil outta me.