Showing posts with label Whiskeytown. Show all posts
Showing posts with label Whiskeytown. Show all posts

Monday, September 28, 2020

Empty: Empty Baseball Park

Whiskeytown: Empty Baseball Park
[purchase] 

When I suggested the Empty theme, it was prompted by watching sports in empty stadiums, and honestly, I had forgotten about this song. If you have read my posts here and elsewhere, you know that I’m a sports fan, mostly New York teams (Mets, who I have written about often, Giants, Knicks, Red Bulls, Sky Blue), plus Arsenal and Princeton sports, the US Women’s and Men’s National Soccer Team, and the Olympics, World Cup, etc. 

As the pandemic closed things down, sports were an early casualty, so that being stuck at home wasn’t tempered by the chance to watch games on TV. Slowly, though, games started to return, beginning with the German Bundesliga, then other European soccer leagues, all of which were played in empty stadiums. In the USA, because our response to the coronavirus was incompetently handled by our incompetent president, the first games that started were played in “bubbles,” where the players and staff were isolated from society to prevent infection. So, both the NWSL and MLS played, as did the NBA and NHL, at various central locations, with reasonable success. 

But summer means baseball, and for me, I love watching Mets games, even when the team is, as usual, not good, in part because it is a long standing tradition, but also because the Mets announcers, Gary Cohen, Keith Hernandez and Ron Darling are the best. (And if you don’t believe me, read this, subscription to The Athletic required, and well worth it.)  Baseball ultimately decided to have a truncated season, with some new on and off-field rules, with the games played in the teams’ parks, not a bubble (although they are moving to a bubble for the playoffs). But again, there were no fans allowed, although some teams allowed fans to buy plastic cutouts of themselves, their families, random other people, and even pets, to make it look like people were in the stands. And like most of the other empty stadium sports, fake crowd sounds were pumped into the stadium and/or played on the broadcasts to lend some degree of normality. 

I watched a good part of the Mets’ season, in the empty baseball parks, and despite the talent on the team, and the fact that the number of teams qualifying for the playoffs was increased, the team fell short—which was a disappointment, because most prognosticators had the team at least making the playoffs. But as the cliché goes, that’s why you play the games. 

So, when I started looking for songs for this theme, “Empty Baseball Park” jumped out at me. Whiskeytown was a band founded by Ryan Adams, and was known for excellent songwriting, inconsistent performances and internal turmoil. The band cycled through members, with only Adams and Caitlin Cary as consistent participants. The band released only three full albums, but their influence can be seen by the fact that there are at least two books about the band. 

Adams is one of those scarily talented songwriters and performers who has probably thrown away more great songs than most people write. He’s also known for being personally difficult, having issues with drugs and alcohol, and, most recently, being accused of sexual harassment. I’ve long appreciated Adams’ talent, and appreciated his part in helping Jason Isbell get sober and supporting his career, but it is hard to ignore the harassment issues, which he has denied, but which appear to have derailed his career, at least for now. And Isbell has distanced himself from his former friend. 

But, back to the song. “Empty Baseball Park” was originally recorded as a demo, along with other songs, called the “Baseball Park Sessions.” Many of the demos later appeared on Whiskeytown’s 1997 Strangers’ Almanac album, but not this one. In 1998, the band reissued its debut album, Faithless Street, and included a slew of bonus tracks, including “Empty Baseball Park.” Now, despite my long discussion of playing sports in front of empty seats, that’s not what the song is about. Rather, it is a reminiscence by Adams of growing up in Raleigh, North Carolina, and his aimless activities, including hanging out in an empty baseball park after the bars closed, with, reportedly, a young woman, and pretending that a game was going on. 

It’s not the best Whiskeytown song, but I’m glad that this theme reintroduced me to it.

Saturday, February 27, 2010

If: Cowpunk/Alt-Country Edition

Jason & The Scorchers: If the Money Talks


[purchase]





My run in with The Bottle Rockets earlier this week has had me in a mood to relive the glory days of the alt-country movement with some of the giants of the genre. In perusing my iTunes playlists tonight, I discovered several "If" songs from those early years.

Not so much commentary here since the new week starts in about a half hour here in the East. I would just like to point out, though, the sheer energy and abandon that is present on these tracks. The Scorchers track comes from 1985, The '97's from '94, and Whiskeytown from '96. I truly wish I had been cognizant of the movement back in those days.

Thursday, August 20, 2009

Similes: Drank Like a River

Whiskeytown: Drank Like a River



Slow start this week...

Here's one to get everybody ramped up again. This is Ryan Adams and Whiskeytown at their early fire breathing punk/heart breaking country best.

Monday, October 20, 2008

Adjective Noun: 16 Days



Whiskeytown: 16 Days

[purchase]

This song had a huge part in making Whiskeytown what they were. It’s everything that’s great about alt-country in a handy little package: A soft wandering intro, followed by Caitlin Cary’s temperate, meshing fiddle into memorable verses and an ear-catching hook - that all gradually turns into rock.

Ryan pulled out the gem one night in 2005 at a Cardinals show in his home state. After an ambiguous acoustic intro, Ryan utters the first line “I got 16 days…” and the crowd erupts with giddy excitement. They promptly quiet as not to miss a single word of the rare performance. When Ryan repeats the line a moment later, some still can’t hold back their happiness. Halfway through, he forgets a line and refuses audience aid before forgetting another and accepting. Ryan makes up for the gaff with a chilling extended harmonica solo.

Ryan Adams: 16 Days (live)

Wednesday, July 9, 2008

Hell Week: What the Devil Wanted


© The New Yorker Collection 2000. James Stevenson from cartoonbank.com. All rights Reserved.

Whiskeytown: What the Devil Wanted

[purchase]

One of my favorite songs from my favorite Whiskeytown albums—perhaps not coincidentally because it's the least traditionally "alt-country."