Although the month of March is named after the Roman god of war, Mars, while the English verb “to march” is derived a different source, the Old French “marcher,” meaning "to stride, march, walk," we here at SMM seem to insist on tying the two together, which is why most of the songs that would have marched into my consciousness for this theme already did so in prior years, leaving me not without options, but without options that I cared to write about.
But one of the things about being among the last remaining regular writers on this site, which has gone through dozens since it started back in 2008, is that it is important to try to write at least once, if not more, for each theme, so I realized that Mardi Gras was just over a week ago, and therefore a discussion of “When The Saints Go Marching In” would work. And, in a tip of the hat to another of the other remaining regular SMM contributors (and recent birthday boy), Seuras Og, I’m going to model my post on one of his regular formats.
Like many standards, the origins of the song are unclear. It seems that there were a number of gospel/spiritual songs with similar titles, but in 1923, the Paramount Jubilee Singers recorded a song similar to the one we all know and love, titled, “When All The Saints Go Marching In:”
Other recorded versions of the song, with varying lyrics, were recorded throughout the the 1920s and 30s, often becoming less hymn-like and more uptempo, but the song’s popularity really started when Louis Armstrong recorded a version in 1938, which also cemented the song’s identification with New Orleans:
There are probably thousands of covers of this standard, especially if you include every Dixieland or brass band that does it live (and on video....), but we will look at a few notable ones, in roughly chronological order:
Here’s a peppy, folk approach from The Weavers in 1951:
Not surprisingly, Mahalia Jackson returned the song to its gospel roots in 1955:
Elvis Presley, and the rest of the “Million Dollar Quartet (Jerry Lee Lewis, Carl Perkins and Johnny Cash), did a loose rockabilly version that wasn’t released to the public until 1990:
In 1956, Sister Rosetta Tharp started turning “The Saints” into a rock ‘n’ roll song:
And Fats Domino finished the transformation in 1958:
Judy Garland and Liza Minnelli took a more pop approach when they performed the song in 1964:
The following year, Lester Flatt & Earl Scruggs, not surprisingly, took “The Saints” in a bluegrass direction:
Jumping forward a few decades, here’s a traditional take by New Orleans’ Preservation Hall Jazz Band from 1983:
In the mid-2000s, Bruce Springsteen regularly performed the song, in a pretty subdued arrangement, on his Seeger Sessions tour, with this version from 2006 being released on the Live in Dublin album:
Look, I could go on forever, and some of you may think I already have, so I’ll close this out with a version from New Orleans’ great Dirty Dozen Brass Band from 2012 that is pretty traditional (and a bit funky) and loads of fun:
