Sarah Jarosz: Come On Up to the House
God and heaven are never mentioned in the song, but Come On Up to the House has the fervent quality of a gospel prayer nonetheless. This is true in Tom Waits original version, but perhaps even more so in Sarah Jarosz’ cover. Jarosz uses bluegrass instrumentation, but also gives the song a jazzy feel. It all adds up to that rare cover that actually improves on the original. And I say that from the point of view of a Tom Waits fan who feels that covers rarely even do his songs justice. This one does.