Wednesday, November 15, 2017

All The Fixings: Pecan Pie



Golden Smog: Pecan Pie
[purchase]

Getting older mostly sucks. I’m sore, I take medication, I have to watch my diet, and on and on (actually, I just can’t remember everything about getting old that sucks). One good thing, though, is that I now enjoy foods that I never thought that I would like when I was younger. So, hello, Brussels sprouts, cauliflower, nuts of all kinds, beets, spinach, squash, sweet potatoes, and yogurt. Sorry, broccoli and seafood, I’m still not there (notwithstanding the one oyster I gulped down at Husk in Nashville, a restaurant everyone should try to go to), and I don’t expect that to change.

Pecan pie always looked kind of gross to me. You had these huge nuts that looked like tiny brown brains entombed in some sort of sticky goo. Usually, it was easy to walk right past it to something with chocolate, lots of chocolate. Because chocolate is what desserts are supposed to be. I’m not sure when my opinion changed, but it turns out that pecan pie is not just good, it is amazing. Sweet, smoky and what turns out to be the perfect ratio of goo to crunch. And sometimes there’s bourbon in it. And sometimes there’s chocolate. And sometimes there are both bourbon and chocolate.

The song “Pecan Pie,” is by Golden Smog, the so-called alt-country supergroup that I have written about at length here, and there, so I won’t repeat myself. It was written by Jeff Tweedy, and was originally rejected from Wilco’s first album. Unlike some of the other songs on Golden Smog’s debut, Down By The Old Mainstream, which rock, “Pecan Pie” is more folky and stripped down, with acoustic guitars and mandolins. I’ve seen it described as being about dessert and longing, and that’s about as good a description as I can think of. At the end of this goofy performance at a high school benefit in 2013(!) you can hear Tweedy, a pretty fair songwriter, remark that it is the best song that he has ever written, although you can’t always take him seriously. Nevertheless, he has been known to play it at both Wilco and solo shows (sometimes with Golden Smog friends), so clearly, he enjoys it.

Thanksgiving is a great holiday, at least for me, who was lucky enough to grow up in a family that got along. (And were, and still are, all politically pretty close in our beliefs, mostly preventing fights at the table.) In fact, when I was a kid, I lived up the street from my aunt (my mother’s sister) and uncle, and my uncle’s brother’s family also lived in the neighborhood. There were 9 kids, and all of us considered (and still consider) ourselves cousins, even though that wasn’t completely true. We would have huge Thanksgivings, with the three families, plus grandparents, and I can’t remember ever having any real stress.

Of course, over time, Thanksgiving morphs. People move, grow up, marry, divorce and die, changing the dynamic. I remember having to alternate spending Thanksgiving with my parents or my wife’s family, which then merged into a single affair, now at our house. My son has started to alternate years with his fiancée’s family, and a divorce has forced a nephew and niece to only be available every other year. My daughter lives in Spain, and last year was the first Thanksgiving without my father. And this year, my in-laws are not coming, because my father-in-law finds the travel too difficult (so we are bringing them leftovers on Friday). So, it will be a small-ish group getting together next Thursday, for good food, drinks and conversation.

My wife will be making a chocolate pecan pie. All will be good with the world.

Tuesday, November 14, 2017

All the Fixings: Let’s Turkey Trot

Little Eva: Let’s Turkey Trot

[purchase]

Ian & the Zodiacs: Let’s Turkey Trot

[purchase]

Back in the days when I moderated here, I would have defined our new theme as “All the Fixings: post songs about items on the table at Thanksgiving.” So we might get songs about cranberry sauce or pumpkin pie before we are done, but the meal centers around the turkey, so that must be our starting point as well. I will be looking for the ultimate version of Turkey in the Straw for this theme, unless someone else beats me to it, but let’s begin with a look at the state of the music industry in 1963.

It would prove to be a year of major upheaval. Four lads from Liverpool would come to the United States, and begin to change the sound of popular music forever. But the year began innocently enough. In February, Little Eva released her third single, Let’s Turkey Trot. Like The Locomotion, it was written by Carole King and Gerry Goffin. Little Eva got her start by babysitting for the couple, and they thanked her when they heard her voice by writing hits for her. Like The Locomotion, Let’s Turkey Trot was an attempt to launch a dance craze, but that part never happened. The Turkey Trot was a real dance, and, as Little Eva sings, it would have been danced by Little Eva’s grandparents, to ragtime music. The dance was briefly popular in the years leading up to and through World War I, but it was considered risqué. There was eventually a church led campaign to wipe it out, and the fox trot wound up being both more acceptable and more enduring. So I am not sure why Goffin and King thought the turkey trot should live again, but the British invasion halted that idea. Let’s Turkey Trot reached # 20 on the charts, but that was a disappointment after Little Eva’s earlier success.

The song was popular enough to inspire cover versions, however. Jan and Dean’s version was not one of their better moments. But the cover by Ian & the Zodiacs has something to tell us about pop music in 1963.The band was as talented as many of the merseybeat bands who followed in the wake of the Beatles, but they never caught on, except in Germany. One problem was that they were never able to get green cards to perform in the United States, which kept them from gaining traction here. They also may have been hurt by the fact that most of their material consisted of covers. Still, the Beatles did plenty of covers of American hits in the beginning, so I offer this version of Let’s Turkey Trot as a glimpse of what the song might have sounded like if the Beatles had covered it.

Finally, I wondered what the dance itself looked like. For the answer, I had to dig up this clip fromNCIS: