Bela Fleck and the Flecktones: The Ballad of Jed Clampett
The Flecktones use rhythmic spoken word as if it were a jazz instrument: a core albeit sparsely played component of the arsenal digi-percussionist Roy Wooten (aka Future Man, aka the guy in the pirate hat in the image above) lends to banjo-master Bela Fleck and company's experimental jamjazz fusion. Here, two layers of yawping, mischievous rap from Future Man and partner-in-crime Bobby McFerrin serve as a madcap, untrustworthy narrative voice hovering over the instrumental cliffs of insanity in a tribute to The Beverly Hillbillies that sounds like it was arranged by Frank Zappa. Bonus points for the Sam Bush mandolin runs.
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