Taj Mahal/Toumani Diabate: Queen Bee
[purchase album]
Taj Mahal first came
to my attention on account of George Harrison's Concert for Bangladesh . No,
he didn't play in the concert - that was Ravi Shankar - but the (however
misguided) Indian subcontinent reference quickly led me to Taj, who was coming
in to his own at about that time. When I
delved deeper, I came cross Taj as a blues musician in his own right (and
purchased most of his albums through the late 60s and early 70s - Satisfied NTickled Too ! Wow !) I also learned that one of Taj's accomplices (Jessie Ed
Davis) did play in Harrison's Bangladesh
concert.
Thoroughly American
(born Henry Saint Clair Fredericks and brought up in Harlem and later Massachusetts ), he took
the stage name Taj Mahal on account of
an affinity for the philosophy of Mahatma Gandhi. A musician who has
consistently researched and then performed the roots of music, be it the Blues or
beyond, he has deepened his "roots" over the years to get back,
through "world music" to Africa .
As part of his
musical journey, among others, he has run across and worked with Toumani
Diabate, a Malian kora player. Mali ?
Kora? Well... yes: World Music. The kora is a squash (see image above), and -
when dried - can become the body section of a stringed instrument that sounds a
bit like a harp. Diabate is one of the masters.
What we get here is a
unique mix of where African music now is, and a taste of where it may have been
when Taj's ancestor's first arrived in America : Blues and its African
roots. Honey Bee is from the 1999 album Kulanjan.