Sunday, January 1, 2023
Top Posts of 2022
Posted by Jordan Becker at 3:59 PM View Comments
Labels: Best of, Star Maker Machine
Saturday, January 1, 2022
Top Posts of 2021
We interrupt the annual In Memoriam theme for our seventh annual listing of the most viewed posts of the prior year.
Through our (usually) two-week long themes, our international
roster of writers address many different kinds of music, and bring
different perspectives to their pieces. This year, we had a lot of jazz songs, due to the surprising popularity of our Jazz Covers theme (from the middle of the year). In addition to all that jazz, our top 11 (due to the fact that number 11 missed out by 1 view), includes a funk classic, a post that discussed, among other artists, the Band and Katy Perry (and the Beatles), famous music venues, alternative history about two acclaimed Americana acts, classic punk rock, songs about the so-called most important meal of the day, and a pairing of legends with songs about the north and south,
Every year, when I go through this exercise, I'm always surprised by which posts get lots of views and which don't. Each year, some of my favorite contributions don't come close to making the cut,
and the popularity of the artist or song written about seems to have
little correlation to popularity on this site. So, take it away, Dave Brubeck, and everyone else....
1. Jazz Covers--Take 5
2. Feat/Feet--Get on the Good Foot
3. Jazz Covers--Golden Brown
4. Opposites--Awake/Asleep
5. 1971--Fillmores
6. What If--Jason Isbell Never Left Drive-By Truckers
7. Jazz Covers--Gil Evans and Jimi Hendrix
8. Fast-Fast Cars
9. Fast--(Break)Fast
10. Jazz Covers--Spyrogyra
11. Opposites--Southern Man/Girl From The North Country
Because so many of the most viewed posts are from earlier in the year, which makes sense, since they were available to view on the site for the longest, below are the top posts for each of our themes not represented in the total top 10:
In Memoriam (2020)--Three Crims
Over--Shakin' All Over
Walls/Obstructions--The Walls Came Down
Main--Mainstream
Mr./Ms.--Pitiful
Pat--A-Cake
Passed Over--Passed On
Double Entendres--My Butcher Man
Head--The Lemonheads-It's A Shame About Ray
Muscle Shoals--I'll Take You There
Bigger Strings--Danny Thompson
Woodwinds--Flute Loops
Cops-The Clash Covered
Rock Hall Snubs-Joe Cocker
Candy/Sweets-I Want Candy
Break/Broken--Broken Hearts and Auto Parts
Leftovers-Bigger Strings-Joanna Newsom
Mary and Joseph--Mary of the 4th Form
In Memoriam (2021)--Three Vaguely Prog Musicians
Thanks so much for reading our work this year. If you are interested in joining our staff, contact information can be found at the top right of the blog.
And we promise more great music and writing in 2022, including our more In Memoriam posts, coming soon!!
Posted by Jordan Becker at 3:07 PM 0 comments
Labels: Best of, Star Maker Machine
Friday, January 1, 2021
Top Posts Of 2020
We interrupt the Pandemic Holiday Song theme for our sixth annual listing of the most viewed posts of the prior year.
Through our (usually) two-week long themes, our international
roster of writers address many different kinds of music, and bring
different perspectives to their pieces. This year, not surprisingly,
many of our themes were directly or indirectly related to the global
pandemic and its effects. In our top 11 (due to a tie), we have an
instrumental piece from two guitar masters, a memorial for a respected
musician, a reflection on eye surgery and Jackson Browne, a Blues
Brothers cover, a discussion of a somewhat obscure British musician, a
funky instrumental, an early synth-rock song, an intense R.E.M. mystery,
a Led Zeppelin deep-ish track featuring a Brit-folk legend, a
remembrance of three great New Orleans musicians, and a soul classic.
One thing that I've noticed from compiling this list for the past few years is how it is impossible to predict what posts will strike a nerve with our readers and appear on the list. Some of my favorite contributions didn't come close to making the cut, and the popularity of the artist or song written about seems to have little correlation to popularity on this site. For example, the top post this year is about a pretty obscure 1980s proggy instrumental, number 2 is an In Memoriam piece about a well-respected musician who is not a household name, and the third is about an old Jackson Browne song that remarkably was also in one of last year's top 10 posts (although the fact that I included a pathetic post-surgery picture of myself might have encouraged people to read it):
1. Masks--I Advance Masked
2. In Memoriam--Neal Casal
3. No Thanks--Doctor My Eyes
4. Non-Sense--Rubber Biscuit
5. Hidden Places--Driving Somewhere
6. Rocket/Space--Outa-Space
7. Electricity--Are 'Friends' Electric?
8. Musical Mysteries--What's The Frequency, Kenneth?
9. War/Peace--The Battle of Evermore
10. In Memoriam--Three New Orleans Icons
10. Alone--Tired of Being Alone
Because so many of the most viewed posts are from early in the year, which makes sense, since they were available to view on the site for the longest, below are the top posts for each of our themes not represented in the total top 10:
Something With Twenty--Twenty Years Ago
Valentines--Cupid Come/My Bloody Valentine
Superstitions--Ubangi Stomp
Mayday/Danger--Help Me
Open/Close--A Selection of Great Albums that Start as Well as they Finish
Looking Forward--I'll Follow The Sun
Wait/Don't Wait--Desperados Waiting For A Train
Great--Not Great Men
Count/Counting--SCTV's Count Floyd
Mail--Take A Letter Maria
Lessons (3 way tie)--Musings of a Teacher, No Teacher No Method No Guru, Lessons in Love
Empty--Empty Baseball Park
Guitar Heroes--Robert "One Man" Johnson
Joe--Smokey Joe's Cave
Leftovers--(Lessons) Clarence White
Pandemic Holiday Songs--Why You've Been Gone So Long
Thanks so much for reading our work this year. If you are interested in joining our staff, contact information can be found at the top right of the blog.
On a personal note, I'm now appearing on the blog under my real name, not as "J. David," an alias I used for various reasons when I started writing here back in late 2011. A new year seemed like a good time for a change.
And we promise more great music and writing in 2021, including our annual In Memoriam theme, coming soon!!
Posted by Jordan Becker at 2:03 PM View Comments
Labels: Best of, Star Maker Machine
Wednesday, January 1, 2020
Top Posts of 2019
We interrupt the Ice & Snow theme for our fifth annual listing of the most viewed posts of the prior year.
Through our (usually) two-week long themes, our international roster of writers address many different kinds of music, and bring different perspectives to their pieces. In our top 10, we have discussions about spy themes, sidemen, musicians who died, doctors, unhappy couples and David Crosby. Our posts throughout the year included rock, folk music of various countries, prog, power pop, country, punk, blues, standards, comedy and other genres.
So, in case you missed them, here are the most viewed posts from the last calendar year. But they are only a small sampling of what you will find in our archives, which we invite you to explore. Also, we invite you to like us on Facebook, so that you won't miss anything.
Surprisingly, our top post of the year was about a classic movie theme:
1. Spies & Secrets--James Bond Theme
2. In Memoriam--Ed King
3. Unsainted Nicks--Nicky Hopkins
4. In Memoriam--Johan Johannson
5. Spies & Secrets--Secret Agent Man
6. In Memoriam--Avicii
7. Titles & Honorifics--Doctor My Eyes
8. What?!--What Are Their Names?
9. Happy/Unhappy Couples--The Letter
10. Happy/Unhappy Couples--Voices Carry
Because so many of the most viewed posts are from early in the year, which makes sense, since they were available to view on the site for the longest, below are the top posts for each of our themes not represented in the total top 10:
Lion/Lamb--Leo Kottke
Australia(n)--Men At Work/Down Under
Fake Bands--The Monkees
Stones That Roll--Rock: Santana-Stone Flower
Bass/Bass-Run Through The Jungle
Trees/Grass--Feed The Tree
Same Name/Different Artist--Squeeze
(In)Dependence--Nobody Slides My Friend
Alabama-The Blind Boys Of
Cutlery--Mack The Knife
Slide--Slide Away
Horse/s-Dark Horse
Power--Atomic Power
Strange/Weird--Goodbye Stranger
Witch--Anne Boleyn 'The Day Thou Gavest Lord Hath Ended'
Spirit--Spirit In The Sky
Red, Yellow or Orange--J. Geils Band
Family--Family Man
Leftovers-- Cutlery (that Cuts) (and Alabama)/A Knife and Fork
Snow & Ice--Jackie Leven
Thanks so much for reading our work this year. If you are interested in joining our staff, contact information can be found at the top right of the blog.
And we promise more great music and writing in 2020, including our annual In Memoriam theme, coming soon!!
Posted by Jordan Becker at 12:45 PM View Comments
Labels: Best of, Star Maker Machine
Tuesday, December 9, 2014
Leftovers (Gravity): Gravity’s Gone
[purchase]
After Thanksgiving, we at Star Maker Machine have typically run a “Leftovers” theme, letting the writers go back and revisit the themes we wrote about in the past year, and either posting something that wasn’t finished in time, or an idea that never even got started.
When I looked at the 42 different posts I wrote in 2014, I realized that I had essentially written twice for each of the year’s themes, except for one—Gravity. I actually suggested this theme, and thought that it would be pretty popular, but it only prompted five posts. We’ve had problems for the past few years getting people to post. I don’t know if it is just the inevitable burnout effect, or that mp3 based blogs are fading out, or we haven’t recruited enough (or the right) writers, recently, the number of posts, and regular writers, has been dropping.
It’s a bit disheartening, because the decrease in new posts has translated into a decrease in the number of page views. Not only that, but I’ve personally written almost a third of all of the posts this year, so far. Four writers have accounted for nearly 85% of the posts on the site. I think that the writing remains strong, and we have at least one new writer who seems to be interested. However, there have been times, many times, in fact, that I’ve thought about quitting entirely, or starting my own blog to write about whatever I want. But I haven’t, and I think that as long as there are other people who want to keep the SMM flame alive, I’ll keep writing. Not just for the tradition, or out of laziness or out of some sort of duty, because SMM was the first place that I broke through my fears and put my writing out to the public.
No—I’m going to keep writing here because I like doing it. I enjoy the idea of having a prompt force me to make a musical connection. Now, when I first started writing here way back in December of 2011, the themes were surprises, and I would wake up on Sunday morning, eager to see what Darius had come up with. Now that I’m a co-moderator, though, I am involved, along with Kkafa, in picking the theme, which has changed the way I react to them, but even when I suggest one, I don’t always know what I’m going to write about. I enjoy contributing to this blog. I enjoy the creative outlet, I enjoy sharing my opinions and telling my stories, and I enjoy the feedback that I sometimes get (mostly on Facebook—and if you aren’t a member of our page, you should be).
The Gravity theme was, as I wrote at the time, inspired by seeing the band Barnaby Bright at a small concert at a local church. I was impressed by them, and their song “Gravity,” and realized that this force of nature was a common subject for songwriters. There is no question in my mind that I considered trying to get a second post in, about the Drive-By Truckers’ song “Gravity’s Gone,” but it never happened.
“Gravity’s Gone” is a Mike Cooley song. Until this year’s English Oceans, Cooley usually only had a few songs on each album, and most of them are gems. This one is no different. Written during a long, exhausting tour, Cooley felt that things were getting a little out of control, and although he has been quoted as saying that the song, “doesn’t really make a lot of sense, and it wasn’t supposed to,” you can hear his contempt for what was going on in the clever wordplay:
Between the champagne hand jobs and the kissing ass by everyone involved
Cocaine rich comes quick and that's why the small dicks have it all.
But, ultimately, the heart of the song, where you can hear Cooley’s frustration, is in the chorus—
So I'll meet you at the bottom if there really is one
They always told me when you hit it you'll know it
But I've been falling so long it's like gravity's gone and I'm just floating
And that’s sort of how I’m feeling about our little blog here. Are we heading down to the bottom? I guess if we get there, I’ll know it. As long as we are still alive, though, I’m going to keep floating along, putting my thoughts out into the interwebs.
Here’s a bonus video of the band, still including Jason Isbell (who left the Truckers after this album), playing a mostly acoustic version of the song at a record store in Nashville (I am compelled to note that my son met Mr. Isbell, his fellow Nashville resident, last week).
Posted by Jordan Becker at 8:30 AM View Comments
Labels: Barnaby Bright, Drive-By Truckers, Gravity, Jason Isbell, Leftovers, Mike Cooley, Star Maker Machine
Sunday, March 30, 2014
Anniversary:Go Deeper-Sunday Morning
[purchase]
I’ve only been writing for Star Maker Machine for a little more than two years, but I was a reader for some time before that. I’ve long appreciated the breadth of the music discussed here and the knowledge and writing skill of many of the contributors, many who have unfortunately long stopped contributing to this blog. I’ve followed some of these writers to their personal blogs, and have enjoyed learning from them. I may not be the best person to write about the history of SMM, and I hope that some of the writers who have been involved here longer can fill in the gaps in my knowledge, but I’m going to kick things off, as we look back before we move forward.
From what I can tell, this blog was started by a guy named Paul under the name “Six Songs.” The first post was on February 6, 2008, and the concept was that Paul was going to post a song six days a week, hoping to engage readers to create a conversation in the comments. The first song he posted was Emmitt Rhodes’ “With My Face on the Floor.” But on March 23, 2008, Paul posted “We’re Taking a Break,” writing:
“Posting a new song everyday is surprisingly stressful, even with the Sunday rest. So we're off for some R&R. We may be back with a new format.”
Four days later, Paul teased the blogosphere with the announcement that he had come up with a new concept, and, on March 28, 2008, he announced the new name, “Star Maker Machine,” posting a picture of Joni Mitchell, and the song “Free Man in Paris,” from whence the blog name came. And then, on March 29, 2008, Paul announced the new concept—that he would open the blog up to writers who wanted to post about music, without necessarily starting their own blog. And, in essence, the SMM journey began.
On April 5, 2008, in a nod to the original “daily song” roots of the blog, Paul announced the first theme, “Days of the Week.” The first song that Paul posted was “Sunday Morning,” by Margo Guryan. I wanted to “go deeper” with that song, for historical reasons, but, frankly, it doesn’t speak to me, even though the album that it comes from, Take a Picture, was described by Allmusic as “one of the most exquisite and appealing, if little heard, one-shot "California" (although actually recorded on the East Coast) soft-pop gems of the kaleidoscopic late '60s.” So, instead, I decided to discuss the different Velvet Underground song, with the same title, which was also fleetingly mentioned on SMM back on April 3, 2010. (I also thought about writing about the SCTV soap opera parody, but decided against it.)
When you think of the Velvet Underground, you think of dark themes, drugs, and kinky sex. You think of Lou Reed’s twisted, literate brilliance, John Cale’s unusual arrangements and instrumentation and Andy Warhol’s peculiar Warholness. “Sunday Morning” is a little different. The last song recorded for the band’s debut, The Velvet Underground and Nico, it was the leadoff track, and an attempt to create a hit single. On an album that included songs like “Heroin,” “I’m Waiting for the Man,” “Black Angel Death Song” and “Venus in Furs,” “Sunday Morning” sounds almost benign and friendly, although there is still an unsettling question about what happened the Saturday night before. It was originally going to be sung by Nico, the German singer who was shoehorned into the band by Warhol, but instead Reed took the lead. The song also features a prominent celesta part, played by Cale on an instrument he happened to find in the studio, which makes the song sound strangely happy.
After the first post, Star Maker Machine slowly began to engage other writers and commenters. It appears that Paul stopped writing for the blog in October, 2008, after posting a Pete Townshend demo of “We Won’t Get Fooled Again,” in a piece entitled “Meet the New Boss, Same as the Old Boss,” to focus on a personal music blog, “Setting the Woods on Fire,” but it appears that blog is also defunct.
As we move forward with Star Maker Machine, we hope to continue to engage, interest and amuse our readers, and maybe lead them to new musical discoveries.
Posted by Jordan Becker at 11:57 AM View Comments
Labels: Anniversary, John Cale, Lou Reed, Margo Guryan, nico, Star Maker Machine, Velvet Underground
Friday, March 28, 2014
Happy Birthday to Star Maker Machine
On this date in 2008, a blog formerly known as "Six Songs" was renamed "Star Maker Machine." Here's the first SMM post.
As we start our seventh year, we will be celebrating our history while looking to improve and reinvigorate SMM for the future. More details to follow soon.
Posted by Jordan Becker at 11:24 AM View Comments
Labels: Birthday, Star Maker Machine





