Lou Rawls: Morning Comes Around
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Last week's theme was a tricky one - despite racking my brain for days I couldn't think of a single song I wanted to post. This week however, I knew which song I'd pick the second I was told of the theme.
Morning Comes Around is the final track on the soundtrack album for the 1973 film The Soul of Nigger Charley, the second in a trilogy of blaxploitation westerns about two escaped slaves played by Fred Williamson and D'Urville Martin.
The score was composed by Frank Sinatra's arranger Don Costa, with Lou Rawls contributing vocals on two cuts: the funky Sometime Day and this gorgeous wonder of a song. Almost half of its length consists of a slow-burning intro of strings, word-less vocals, harps and something which I'm pretty sure is a clarinet. Feel free to correct me.
Just when you start wondering if the song is ever going to take off, Rawls shows up with that mellifluous timbre of his and he soon proceeds to completely school any snotty brat who ever thought they could sing. By the time the rousing climax subsides you realise you've just heard one of the most wonderful little songs ever recorded.
They simply don't make music like this anymore.
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