Josh Ritter: Southern Pacifica
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Not every great songwriter is a great writer, and not every great writer is a great songwriter. But some folks can pull off both, and those are the people that we are going to focus on for the next couple of weeks.
Josh Ritter is, in my opinion, a great songwriter. He’s a gifted storyteller, writes interesting lyrics and wonderful music. I’ve seen him a few times—as a solo act at the Clearwater Festival (boy, do I miss that event), with his band a few years ago at the Beacon, touring on the album he worked on with Jason Isbell (and with Amanda Shires as the opener), and most recently, in May, again as a solo act, at the Tarrytown Music Hall. I described that show on Facebook as a “Fun, dark, surprisingly intimate solo acoustic show.” If I recall, Ritter was, like so many artists these days, just getting back to serious touring, and was a bit contemplative.
Ritter has written two novels, the first of which, Bright’s Passage, I read when it came out in 2011. Which is a long time ago, so I really don’t remember all the details of the plot. So here’s the synopsis from Wikipedia:
The novel follows a young, widowed veteran of the First World War, Henry Bright, as he and his infant son, along with an unlikely guardian angel flee from a forest fire and Bright's cruel in-laws. Shifting between their strange journey through West Virginia's hickory-canopied foothills, Bright's plausible memories of the trenches of France, and recollections from his childhood, the novel is at times suspenseful and kinetic, quiet and eerie, and at times humorous.
I do remember it being both suspenseful and odd, and at times humorous, but also mystical and spiritual. I also remember thinking that it was an excellent first novel, but not necessarily a great novel. In researching this, I read the review in The New York Times (by Stephen King, no less), which agreed:
This is the work of a gifted novelist, but the size of that gift has yet to be determined. One thing that is sure: Ritter has not, as yet, fully unwrapped it.
Ritter’s second novel, The Great Glorious Goddamn of It All, was published in September, 2021, and I have not read it. It seems to have gotten good reviews, although the Times doesn’t appear to have reviewed it (although they did publish an interview with Ritter about the book).
As you can guess, a lot of Ritter’s songs tell stories, and rather than overthink this by trying to pick the perfect song to match the theme, I’m going to go with one that works as a story, if not spelled out in as much detail as in a novel, and happens to be one of my favorites, “Southern Pacifica,” from his 2010 album, So Runs The World Away (which is a quote from a pretty fair writer, Shakespeare). Ritter described the song in an interview as:
It's a song about being on a train and not knowing where you're gonna go, but knowing you're gonna meet your destiny out there. It's an intense song - it's about rolling past the predators in the night. Where I grew up, trains would go through towns at all hours. I'd get to see them roll right by the grade school where I went to school. The (school) field ended at the train tracks and the trains would go all over the place - New Orleans, Albuquerque, all these incredible places I wanted to see.