Showing posts with label Jerry Jeff Walker. Show all posts
Showing posts with label Jerry Jeff Walker. Show all posts

Wednesday, July 8, 2020

Wait/Don’t Wait: Desperados Waiting For A Train



Nanci Griffith: Desperados Waiting For A Train
[purchase]

No personal story, no long history lesson, no political discussion today. Just a short discussion about a fine song, Guy Clark’s “Desperados Waiting For A Train.” (I mentioned this song a few years ago in a piece on Clark’s “Homegrown Tomatoes," but it’s worth its own post.)

As someone who backed into “country” music through alt-country/Americana/roots/folk music, I first became aware of the great songwriter Guy Clark from covers, particularly this version on Nanci Griffith’s 1998 release, Other Voices, Too (A Trip Back To Bountiful). On that album, Griffith performed the song with Clark, Jerry Jeff Walker, Steve Earle, Rodney Crowell, Jimmie Dale Gilmore, and Eric Taylor. In fact, before Clark released a version, on 1975’s Old No.1, it had already been covered by Walker, Rita Coolidge, David Allan Coe and Tom Rush. And before Griffith’s version was released, it had been covered by Slim Pickens and probably most famously, The Highwaymen (Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson, some pretty fine songwriters in their own right). And there have been many other covers released and performed, including by Earle, on his recent tribute to Clark, and Jason Isbell, who performed the song at Guy Clark's induction into the 2015 Austin City Limits hall of fame ceremony. Which is just to say that many, many great musicians and songwriters have felt the song worthy of recognition.

Clark had the ability that some great writers, and not only songwriters, have of being able to economically create an entire world, and entire characters, with no wasted words. (On the same album, Griffith also covered Richard Thompson and Woody Guthrie, who have that same talent.) I’m jealous as hell. In less than five minutes, the song tells the story of the relationship between a boy and an old man, and you can feel the love they felt for each other, and the respect that the boy had for the man, an old school oil worker, who seemed to the boy like he was from an old western. And one day, the boy realizes that the man is old, and dying, and the metaphorical train comes to take him away. Two lives in about four and a half minutes of brilliance. I don’t know if the song is studied in songwriting classes, but it should be.

It’s a true story. Clark wrote it about his grandmother’s boyfriend, who stayed at the hotel that she ran in a small Texas town. You can read more about it here.

In 1998, when Griffith released her album, she appeared with all of the guys (including Guy) who sang with her on David Letterman’s show. And since readers of my work here know I’m a huge Letterman fan, and a huge fan of the song, here’s a video:

Saturday, June 23, 2012

Trinomials: Jerry Jeff Walker

Jerry Jeff Walker: Dear John Letter Lounge

[purchase (vinyl only)]

The progressive country music movement of the 1970s spawned many three-name acts, among them Ray Wylie Hubbard, Willis Alan Ramsey, Michael Martin Murphey, David Allan Coe, Jimmie Dale Gilmore, B. W. Stevenson and Billy Joe Shaver. Even Johnny Paycheck, trying to establish his '70s outlaw creds, added a third name and briefly recorded as "John 'Austin' Paycheck."

But, the archetypal trinomial progressive country singer is Jerry Jeff Walker. The name Jerry Jeff Walker seems to fit the man. He sings and write like someone who should be named "Jerry Jeff." Indeed, it's such a perfect name, it almost seems like it couldn't be real. It isn't. He was born 70 years ago in New York with the name Ronald Clyde Crosby.

So from where did the "Jerry Jeff Walker" sobriquet come? I found a zillion sources stating with great authority that Ronald Clyde Crosby adopted the stage name Jerry Jeff Walker in 1966, just as he was establishing himself as a part of the Greenwich Village folk scene. None of these citations offered details on the origins of the name. Finally, thanks to Google Books, I came across a Texas Monthly profile of Jerry Jeff Walker from 1979, written by humorist Roy Blount Jr. Humorist Roy Blount Jr. Not noted biographer Roy Blount Jr. So, who knows if this is true: "Jerry came from his drinking ID; Jeff came from (he thinks maybe) the movie star Jeff Chandler and Walker either from a musician named Kirby Walker or the movie star Robert Walker."

Regardless of its origins, the man with those three names put out some great music over the years. "Dear John Letter Lounge" is ripped from one of his best records, It's a Good Night for Singing. Neither the album, nor this song, has never been put out on CD.

Bonus track: The trinomial Jerry Jeff Walker spawned a trinomial band: (the) Lost Gonzo Band. The Gonzos backed Jerry Jeff during his glory years. Here the Gonzos offer up the original version of bandmember Gary P. Nunn's "The Last Thing I Needed," later made famous by Willie Nelson.

Lost Gonzo Band: The Last Thing I Needed

[purchase (vinyl only)]

Wednesday, September 3, 2008

Work: Charlie Dunn



Jerry Jeff Walker: Charlie Dunn

[purchase]

This would have been a great song for the Footwear theme, but I hadn’t stumbled upon SMM at that time. It fits equally well as tribute to an under-appreciated worker.

These days, people don’t think twice about their footwear. They just go to the nearest shoe store and get a new pair. But, especially for day labor-ers, good boots are the most important thing they put on each day. Here, Jerry Jeff pays homage to the lost art of the boot-maker. Charlie Dunn is portrayed as a humble, little man with a gift for making custom boots.

“Charlie’s been makin’ boots over there,
he says about 50 some-odd years.
Once you wear a pair of his hand-made boots,
you know, you’ll never wear a store-bought pair.
Charlie can tell what’s wrong with your feet,
just by feelin’ em with his hands.
He can take a look at the boots you wear,
and know a whole lot about the man.”


Here’s to the modern-day cobbler, the man behind every American Worker.

Monday, August 11, 2008

1973: Outlaw Country Edition



Jerry Jeff Walker: Sangria Wine [purchase] [AMG Review]

Willie Nelson: Devil In A Sleepin’ Bag [purchase] [AMG Review]

Waylon Jennings: Honky Tonk Heroes [purchase] [AMG Review]

Billy Joe Shaver: Old Five And Dimers Like Me [purchase] [AMG Review]

Tompall Glaser: Charlie [purchase] [AMG Review]

1973 was an important year in the development of Outlaw Country.

Jerry Jeff Walker gave us the recipe for a good party. Willie Nelson began, in earnest, the second phase of his distinguished career with a brilliant LP. Waylon Jennings released a classic album of songs penned by Billy Joe Shaver that might be my favorite country LP of all time, and Billy Joe released a classic of his own. Finally, outlaw Tompall Glaser released one of his most acclaimed albums, which appears to be out of print at the moment.

Friday, August 1, 2008

The Moon: Moon Child



Jerry Jeff Walker: Moon Child

[purchase]

JJW's the man. You're on a long haul drive, or gearing up for the night, maybe just sad or something, flip on some music. If it's Jerry you're alright. Gets that spirit up no matter what. Even my lady loves him. Says "Jerry?" And then just digs in.