War/Peace: The Warrior’s Code

Dropkick Murphys: The Warrior’s Code

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I suspect that many of you who read this blog also attend live music performances—or at least, you did before that stopped being a thing (temporarily, I hope). Musicians have been trying different ways to get live music out to their fans, some for free, some charging, some seeking “tips,” and others seeking charitable donations, while some are trying to use Patreon or other similar subscription type programs to try to partially replace the revenue lost from cancelled tours. I think that it is pretty well known that these days, most musicians make the bulk of their living from touring and merch, and not so much from streaming and music sales.

Since the pandemic closed most venues, I’ve watched some of my favorite musicians from the comfort of my house—Richard Thompson, Jason Isbell and Amanda Shires, Dan Bern, Rhiannon Giddens and Francesco Turrisi, as well as her fellow Native Daughters, Amythyst Kiah, Allison Russell and Leyla McCalla, Ben Nichols of Lucero, Jeff Tweedy, Raul Malo, Lucy Wainwright Roche, Indigo Girls, and I’m sure I’m leaving some out. Most of these performances have come from the performers’ homes (or, at least where they are sheltering), except for an Isbell/Shires album release show from the stage of an empty Brooklyn Bowl in Nashville. These performances aren’t the same as being at a live show, but on the other hand, they are also more intimate—as one friend mentioned to me after we separately watched Richard Thompson, her husband was excited to be able to see the master’s hands close up while he played the guitar.

Last Friday, I watched most of an unusual performance—Dropkick Murphys, a band that is closely associated with the Boston Red Sox (they even were given World Series rings by the team one year), playing live on the field at an empty Fenway Park, with the band members all more than the now traditional six feet apart. The concert was organized to promote a number of charitable organizations, which is common for the band. For nearly two hours, the band ripped it up with their trademark Celtic flavored punk, and they were amazing. It wasn’t the same as when I saw them live at Warped Tour 15 years ago, but then again, what is? I had to reluctantly step away after two hours for a virtual college reunion Zoom session, but the next day, I found the video, and watched the end, when Bruce Springsteen appeared on the giant video screen in centerfield and performed two songs with DKM—one of theirs (“Rose Tattoo,”) and one of his, “American Land,” an appropriate anthem for our times, with its message of an America made up of immigrants and people of all races. Remarkably, considering the logistics, the entire concert sounded great, and I give much credit to whoever did the sound.

One of the songs that they played that night was “The Warrior’s Code,” which technically isn’t about war, but about a boxer, "Irish" Micky Ward. But since boxing and war often use each other’s metaphors and terminology, I’m OK with this. Also, back in 2016, I wrote about a different DKM song, a cover of “Fields of Athenry,” which is about World War I (and it is far from the only song by the band that references actual war, for example “The Fighting 69th” (Civil War) and “Johnny, I Hardly Knew Ye” (anti-war song written in Ireland in 1867), all of which were played at Fenway, along with a cover of The Standells' “Dirty Water,” which has nothing to do with war, but which I wrote about, here.)

The video of the show is still available here, among other places, so check it out, and send a few bucks to the charities.

FAMILY BANDS : WAINWRIGHT-MCGARRIGLE

Hot, well, lukewarm on the heels of the splendid Thompson piece below, I was about to pen a sorry disclaimer on it being sum sum summertime and that most scribes were maybe elsewhere, before throwing together a few tired tropes about sparring siblings, Don and Phil Everly, Ray and Dave Davies, Noel and Liam Gallagher. But there is clearly only one correct follow-on to J.David's piece, namely to discuss the dynasty above, an extended family "band", convoluted, extended and with a fair side-order of dysfunction and debacle. So where do I start? You could try the family tree, for which I must credit interesting name tending site The Name Station, but, let's face it, it isn't easy to decipher. Where is Pete Frame when you need him?

OK, so we have in the one corner estimable folk troubadour, of the confessional songs and prehensile tongue, who has built a career in humorous and/or poignant self-deprecation, bringing in tales of everyday sadness to make us smile. In the other the youngest McGarrigle sibling, Kate, half of Kate and Anna McGarrigle, doyennes of an anglo french-canadian meeting place of traditionally influenced music. They marry, have children. They break up. Loudon sings songs about his son, Rufus, and his daughter, Martha, as children. Both become, like him, professional musicians. I guess if you had a dad you didn't see so much, to see yourself sung about on stage and TV may be not so great. So here's Martha singing about her dad:

And here's Rufus singing about his dad:

(I think it is probably allowable to comment on the fact that, as chance would have it, Rufus turned out, um, not to be quite the "tit man" his father had jested about.)

Meanwhile, Loudon forms a new relationship, another musician, would you credit it, Suzzy Roche, of quirky NY sister band, the Roches. He has another daughter, Lucy (Wainwright-Roche) and guess what career she chooses, possibly provoked, I wonder, by his song about her, Screaming Issue, annoyingly not on youtube, but the title gives a flavour of its content..... Of course, she's a singer. Her parents separate.

So how is this a family band? They clearly all hate each others guts. Well, no, and this is a number of happy endings. In itself that is at least fortuitous, as you could have the McGarrigles, Loudon, Rufus, Martha and Lucy, all out on their own tours. Inevitably their promoters could find them all in the same country, city, festival or even show. In recent years there seems to have been a warming of relations between the 2 elder children and their father. They have appeared on stage with each other and publicly come to terms with the past. This was perhaps and ironically accelerated by the illness and later death of Kate McGarrigle. Lucy has appeared with her father, opened for her half brother and currently tours, as the Wainwright Sisters, with half-sister Martha. (Check out the lyric of the featured song, potentially referring to their fathers further relationship and their further half sister, Lexie, career as yet unchosen or public.) Here's Loudon's take on his family dynamic, well worth a read.

Eagle eyed will have spotted another famous name in the family tree at the top, namely Cohen. Yes, that Leonard Cohen, whose daughter Lorca is the birth-mother of Rufus' daughter, Viva. I wonder what career path she might take?

Finally I cannot resist adding the interplay between the Thompson and the Wainwright families, as the links come steady and strong, unsurprisingly as the two paterfamilias have regularly shared a stage (often billed as Loud & Rich.) Rufus has worked frequently with Thompson's son Teddy, such as here. But somehow I think the most intriguing link was in the man who took on Kate and her children, post Wainwright, being one Pat Donaldson, frequent bassist for Thompson in his Richard and Linda years. I guess they couldn't help but all be chums.

How do you get a flavour this bloodline in one easy step? You could do a lot worse than with this, which features all of these bar Loudon. For his presence you need this, maybe for the first track alone, which features Loudon, Rufus, Martha, Lucy, Lexie, Suzzy and his current wife, Ritamarie Kelly, with Rufus and Martha each appearing on other songs. Even better still, here's the track in question, good video too:

Heritage: Martha and Rufus Wainwright

Martha Wainwright: Laurel & Hardy

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Rufus Wainwright: April Fools

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Loudon Wainwright III and Kate McGarrigle were great folk singers in their own right. Sadly, Kate died last year, but Loudon still is going strong. The marriage between Loudon and Kate didn't last but the union left a lasting legacy nonetheless. Their children, Rufus and Martha, have become talented musicians on their own. Songwriting is obviously in their blood.

Martha's song "Laurel & Hardy" from her 1999 EP is about her brother Rufus and makes it clear that they have a close relationship, something that was probably fostered by their bitterness over their father not being around for most of their childhoods. Rufus is the more well-known of the two (at least so far), though, and has found much critical success.

After Loudon and Kate's divorce, Loudon had another child with another folk singer, Suzzy Roche, of The Roches. The child, a girl named Lucy, also has become a musician...as a bonus, here is a track of hers.

Lucy Wainwright-Roche: Chicago

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