Monday, February 23, 2009

Shorties: Story In a Nutshell



Bettie Serveert: Story In a Nutshell

[Purchase]

A little over ten years ago this song was one of my go-to songs. This was a time when I made mix tapes for myself and for friends and liked to cram as much on there as possible, and we all know that "shorties" are the mix tape makers friend. They conveniently fill that space at the end of a side where there's not enough room for a regular length song. It allowed you to skip the hassle of fast-forwarding to have the tape switch sides, which was especially nice when making mixes for the car so I didn't have to fiddle with the stereo while driving. After making enough mixes you were able to tell just by the width of wound tape left about how much time you had left, and clocking in barely over a minute long, this song almost always fit and made a welcome addition. I never felt like I was scraping the bottom of the barrel to find something that fit.

What better title for a brief but power-packed fun rock song than something involving a nutshell. Concise. Short but sweet. This song appeared on the Dutch rock band, Bettie Serveert's, 1997 album "Dust Bunnies". It compacts the full pop/rock style and the fun of a little love song into a song that lasts barely over a minute in length. Impressive, if you ask me. So, thank you, Bettie Serveert, for making a fun pop song that kept me safe on the roads!

Sunday, February 22, 2009

Shorties: The Ramones



The Ramones: Do You Wanna Dance

The Ramones: Teenage Lobotomy

The Ramones: Cretin Hop

[purchase]


The Ramones might have been a Punk band, but underneath, they secretly were masters of the two minute Pop song. Here's a few examples from their 1977 masterpiece, Rocket To Russia - if you find yourself headbanging along, it's okay, just mind the walls.

Shorties: Lullaby



Emitt Rhodes: Lullaby

[purchase]

I love this theme. There are so many great shorties out there, and all of them have a special appeal to me. I like short songs because they are usually made up of essential stuff and only essential stuff. My first thought was, "Would it count to post the entire second side of Abbey Road?" [Most of it, anyway].

Speaking of Abbey Road, right about the same time as The Beatles were winding down, Emitt Rhodes recorded his mostly piano-based self-titled album at his house on a 4-track recorder. It was released in 1970 to some minor acclaim, but not enough. This is a very nice album with lyrical and melodic gems strewn throughout. There's only one shorty on the album and it is a guitar tune.

Short and sweet. It gets to the point. Sings you a lullaby. Then it's over. It leaves you wanting more.

Shorties: Mah Nà Mah Nà


Piero Umiliani: Mah Nà Mah Nà

[purchase for $125 dollars]

The American cultural origin of this familiar tune is definitive. The vivid imagery of the Muppets frames the song as a story, played out between the earnest chorus voices and the smarmy, interrupting lead. It's hard to shake the association, and harder still not to see the song as innocently playful as a result.

But Italian film composer Piero Umiliani originally wrote the song for a sauna scene in a mock-documentary about wild sexual behavior in Sweden. How does this challenge our sense of the song's playful innocence? Our image of Jim Henson himself? Discuss.



Bonus trivia points: singer and surf guitarist Alessandro Alessandroni, whose nasal voice can be heard on the original track above, also did the whistling for the soundtrack to The Good, The Bad, and the Ugly.

Shorties: Koka Kola



The Clash: Koka Kola [purchase]

It's the pause that refreshes in the corridors of power!

There's a lot going on here in 1:48. We're in an elevator at an advertising agency. There are snake skin suits and alligator boots. A snub nose .44 comes through the door. Someone leaps from from a window.

Musically, there are verses, choruses, and even a bridge.

Just goes to show that if you keep the tempo moving, a couple of minutes gets the job done.

Good line: "Coke adds life where there isn't any."

Saturday, February 21, 2009

Trains: Last Train


Allen Toussaint: Last Train

[purchase]

You got me huffin' and puffin' and chuggin' like a choo-choo train...

Because I couldn't resist closing the week with a song called Last Train. And because it's a masterpiece of seventies sexual innuendo, full of horns and downright funky, if a bit over the top as far as the train motif is concerned. Boogie on.

Trains: I Miss A Lot Of Trains





Iris Dement: I Miss A Lot Of Trains [purchase]

In my humble opinion, Tom T. Hall is a songwriting genius. But apparently not everyone likes the way he sings. So tonight I give you Tom T. Hall for the masses--or at least the masses that like the way Iris Dement sings. Come to think of it, that might not be too many more masses. Oh well.

Anyway, this one goes out to the Iris Dement fans out there who want to hear an expertly-crafted song that mentions trains.

Trains: Pulling into the Station Edition


Katy Moffatt: This Heart Stops for Railway Crosses

[purchase]

Salamander Crossing: Passion Train

[purchase]

Susan Werner: Time Between Trains


[purchase]

Ah, so many train songs, so little time - please allow me to share three more favorites before the last whistle blows. This week has been quite a journey... segueing from melancholy to rollicking and everything in between... but our destination is in sight - why do I seem to have more baggage upon departing than boarding?

Katy Moffatt released The Greatest Show on Earth in 1993 but was prompted by a lawsuit from The Ringling Brothers Circus to re-release the recording as Evangeline Hotel - regardless of the title, between the lyrics (most of the songs are co-written with Tom Russell) and Katy's emotional yet powerful voice, it's a stunning piece of work... with the piece de resistance being This Heart Stops for Railway Crosses, a guaranteed lump-in-the-throat inducer every time...

Salamander Crossing, famous in New England in the 90's for "blending bluegrass instrumentation, stunning 3 part harmonies and an eclectic repertoire" disbanded in late 1999... and lead singer and fiddler Rani Arbo went on to form Rani Arbo & daisy mayhem - I've always loved the explanation for their choice of band name: "Under Henry Street in Amherst, Massachusetts, there lies a pair of tunnels. On the first warm, wet rainy night of spring, hundreds of salamanders begin a slow crawl from their wintering grounds across the street to a vernal pond to mate. The lucky ones find the tunnels. So there you have it. You want love, you gotta take a few risks."

I've seen Susan Werner tens of times (at various festivals, conferences and house concerts) - easily segueing from singer-songwriter folk to torch cabaret to agnostic gospel... and, in her latest release, chamber-music classic rock, she (to paraphrase one of her lyrics) "never disappoints" - I also love how she changes the line in Time Between Trains ("wonderin' why the fates above always route love through Miami") to another city when she plays here in South Florida... :-)

P.S. My understanding is that Boyhowdy will be showcasing Susan Werner on Cover Lay Down this week (probably tomorrow) - check it out!



[Edit boyhowdy 9:19 pm: Susan Werner cover feature now up at Cover Lay Down!]

Friday, February 20, 2009

Trains: Train Song


Vashti Bunyan: Train Song

[purchase]

Being a coverblogger means discovering the past through the present as much as it means rediscovering the familiar through good coverage. Case in point: Vashti Bunyan's 1966 single Train Song, which I recently went back to after hearing the stunningly anachronistic harmonies Feist and Ben Gibbard bring to their recent version of the song on Dark Was the Night, this year's incarnation of the Red Hot and Blue compilation, which has been sweeping all the big indieblogs for the last few weeks.

Feist and Gibbard are nothing to sneeze at, of course, and their cover certainly does the song justice. But Bunyan's original is the true trainsong, bringing the light ch-ch-ch of a latenight train to her guitar, layering the miles of memory on top with strings and lead guitar, finally floating her etherial lyrics of travel and longing over the whole thing. It's the perfect cinematic atmosphere for the sentiment, and a happy development for all of us that the modern freakfolk movement has helped us rediscover Bunyan, thus prompting the 2007 rerelease of this reel-to-reel.

Note: As Dark Was the Night is both new and for charity, I'm not sharing the Feist/Gibbard cover; if you're an indiefolk fan who hasn't heard it yet, samples can be had here.

Trains: The Tracks Edition




Kris Delmhorst: You're No Train

[purchase]

John Gorka: I Don't Feel Like a Train

[purchase] (out of print through his website)

So... all week we've been hearing about things from the point of view of the train... and I thought it time for another side of the story, eh? - perspective is everything. In a train songs mix I made for myself a few years ago, I placed these one after the other, and now I consider them lifelong companion pieces - "baby you’re no train, you’re the track, always running away, always running back"... and "I don't feel like a train anymore, I feel like the track, and if you want to change your luck put a penny on my back"...

I've written about Kris Delmhorst before - from her website:

Kris Delmhorst has built a thriving career and a devoted following from the ground up, and without major label hype. The same independence of spirit that led Delmhorst to spend some early years working on subsistence farms, cooking on a schooner off the coast of Maine, or hitch-hiking the back roads of Ireland with a fiddle on her back, is evident in the arc of her musical evolution: a willingness to work on her own terms and her own time. Along the way she's parlayed a decade of successful cross country and trans-Atlantic touring into one of the most distinct voices in American music.

John Gorka is a folk icon... and I've been lucky enough to see John quite a few times at various festivals and conferences... as well as anticipating his appearance in my concert series in February 2010 (trying to wait patiently!) - from his website:

His albums and his touring (over 150 nights a year at times) brought new accolades for his craft. Rolling Stone called him “the preeminent male singer/songwriter of the new folk movement.” His rich multi-faceted songs full of depth, beauty and emotion gained increasing attention from critics and audiences across the country, as well as in Europe where his tours led him through Italy, Belgium, Scotland, Ireland, Holland, Switzerland and Germany.

Trains: From The Oxford American



I must be out of my mind. I had this mad idea at the beginning of the week: I would go through all of my music samplers from The Oxford American magazine, and post every train song I found in one megapost at week’s end. But thinking of it wasn’t enough; no, I had to actually go through with it.

I began collecting The Oxford American’s annual music issues in 1999, with their third one. I was amazed at the quality, both of the writing, and of the music presented. To read more about this annual tradition in my house, go here. For now , it suffices to say that this search yielded up a fine crop of train songs.

1999:

The 1999 sampler included three train songs:

Billy Joe Shaver: Georgia on a Fast Train

[purchase]

Billy Joe Shaver occupies that second tier of Texas country artists, just below Willie, Waylon, and that crowd. The drop in quality from the first tier to the second is barely noticeable.

June Carter Cash: The L&M Don‘t Stop Here Anymore

[purchase]

June Carter Cash was a member of the first family of country music, the Carters. She also married Johnnie Cash. Royalty all around. The L&M Don’t Stop Here Anymore was one of her signature tunes.

Terri Binion: Locomotive

[purchase]

Terri Binion was one of the discoveries included in the 1999 sampler. At the time, I had no internet, and I could not find out anything about her. Now, I can tell you that she is a folk artist based in southern Florida. Since this song appeared, she has only released one other album, in 2007.

2000:

The next year’s sampler yielded up two more gems.

Doc and Merle Watson: The Train That Carried My Girl From Town

[purchase]

Doc Watson is the finest artist in southern folk music. He created the annual Merlefest in honor of his son and musical partner, who died too young.

The Derailers: Can‘t Stop a Train

[purchase]

How could we possibly get through a week of train songs without hearing from a group called the Derailers? They have been championing alt-country, or Americana, or whatever you call it, for ten years now, and the show no sign of letting up.

2007:

There are an almost infinite number of train songs out there, but there were no more in the Oxford American until 2007. And there were none this year. But 2007 yielded two more, both worthy of inclusion here.

Hackensaw Boys: Look Out Dog, Slow Down Train

[purchase]

Hackensaw Boys are an acoustic alt-country sort of big band. Confused? They are equally adept at playing bluegrass, or backing alt-country artists who plug in. They have had line-up shifts, but generally include eight or nine musicians. But the best way to get a handle on their music is to listen.

Reverend Charlie Jackson: Morning Train

[purchase]

In the South, prior to World War II, a young black musician had the choice of playing blues or gospel. Many of the old-time blues players talk about how their parents would beat them if they were caught playing the blues, “the Devil’s music”. Some of these young men turned to gospel music instead. Reverend Charlie Jackson was one of these. The structure of the tunes, the vocal style, even the meter of the lyric, all are similar to prewar blues. The big difference is the words.
Jackson’s music earned him praise with folk and blues audiences, and also with jazz fans.

Thursday, February 19, 2009

Trains: Midnight Train to Memphis


The Steeldrivers: Midnight Train To Memphis

[purchase]

I was blown away by The Steeldrivers at last winter's Joe Val Bluegrass festival. The combination of solid Grammy-winning bluegrass session players and Chris Stapleton's incredibly torn R & B vocals and songwriting bring a whole new life to the genre, and even with a major flu running through the band, their energy onstage was unrivaled by anything I've seen then or since, period.

I'm not the only one to have noticed, either. In fact, in the intervening year, I've seen them at several New England bluegrass festivals, and at each venue, they were the only band playing to get a standing ovation in the middle of their set.

Fellow SMM contributor Nelson has featured their work several times, most recently noting that Chris has started a rock 'n roll side project which promises to be every bit as good as this. Here's hoping both bands get their rightful recognition in the year to come. In the meantime, here's the gospel.

Trains: Hey Conductor


Dave Carter: Hey Conductor introduction (from Rocky Mountain Folks Festival, 8/19/01)

Dave Carter and Tracy Grammer: Hey Conductor

[purchase] (scroll down to Tanglewood Tree CD)

I've posted Dave Carter songs a time or two on this blog - he was a brilliant songwriter who still, over six years after his death, is so much missed. I was thrilled to remember I had a live recording of Dave's introduction of Hey Conductor - what a great storyteller he was as well...

This song also possesses the ubiquitously joyful train tempo - I tried to do it justice but when I went to my friend RG's site (if you need folk chords and lyrics, this is the place for you!) for inspiration, I found Ron said it better than I ever could...

This rollicking, knee-slapping, toe-tapping tour-de-force is one the most wildly entertaining songs I've ever heard. From Tracy's exuberant "Yee-ha!" after the second chorus to her absolutely hysterical tribute to The Wabash Cannonball during the mandolin break, it never fails to crack me up.

Here's the most poetic and thorough article I've ever read about Dave and Tracy (written before Dave's passing), even though it doesn't even touch on their third recording, Drum Hat Buddha, released May 2001...

Trains: The Railpak Dun Done In The Del Monte



Sir Douglas Quintet - The Railpak Dun Done In The Del Monte [Purchase]

In January 1971, Doug Sahm returned to his native Texas after a five-year sabbatical in the San Francisco Bay Area. Once home, he cut his final album with the '70s edition of the Sir Douglas Quintet, The Return Of Doug Saldaña (available above as a two-fer with 1+1+1=4). According to Doug, "Saldaña is the name the Mexicans gave me. They said that I had so much Mexican in me that I needed a Mexican name."

"Railpak," cut in early '71, is Sahm's love letter to both Monterey County and "soulful trains," and is delivered as a kind of Woody Guthrie talking blues. The Del Monte was an actual Southern Pacific train line between Monterey and San Francisco whose service was discontinued on April 30, 1971. The picture above is from a great pictorial overview of the Del Monte's final Saturday run.

"Railpak" is a unique species in the Sahm canon, as I can't think of another song he did in the folkie troubadour style. In fact, other than "Oh Lord, Please Let It Rain in Texas," which follows "Railpak" on the Doug Saldaña LP, there are precious few songs with just Doug and an acoustic guitar. Enjoy.

Trains: Last Train to Clarksville



Cassandra Wilson: Last Train to Clarksville

[purchase]

Let me introduce a new term: guilty displeasure. A guilty displeasure is a something a person once liked, but know longer does, and now finds completely embarrassing. Case in point: I remember watching the Monkees TV show when it originally aired.

In my defense, I was about 7 at the time. I also remember, from around the same time, carefully clipping a 45 by the Archies off the back of a box of Honeycomb cereal. Yes, you could do that with vinyl. I got over the Archies too.

Of course, Last Train to Clarksville was a big hit for the Monkees. As such, I had lumped the song in with all the other trivial and shallow songs of the Bubblegum genre. That is, until Cassandra Wilson covered it. The album Full Moon Daughter was actually my introduction to her music. I had read an intriguing review, but track 8 had me very anxious. Well, the first seven songs are good. But why would an artist like this cover the Monkees? Then the song started, and my jaw went to the floor. Cassandra Wilson has completely reimagined the song. Lo and behold, she actually finds depth in the lyric. What had been nothing more than a piece of pop fluff is now a powerful song of yearning. And I have been a Cassandra Wilson fan ever since.

Announcement: One of the most remarkable train songs I have heard in a long time is called God’s 9:05. It’s by J Shogren, who was new to me as well. I posted the song with my review of his latest album on Oliver di Place. Come have a listen, and let me know what you think.

Trains: Amtrak Crescent

Scott Miller and the Commonwealth: Amtrak Crescent

[purchase]

For a more traditional train song we turn to Scott Miller and the Amtrak Crescent, a rail line that runs from New Orleans to New York. Even when life goes wrong... the train rolls on and on.

This song is a sort of travelogue documenting the many stops along the train's journey. The narrator buys a cheap ticket in New Orleans in an attempt to escape yet another sticky situation. At each stop along the way, he finds something to hold his interest (Georgia peaches, Carolina BBQ, etc...), yet he always allows the train to carry him away.

In January of 2004 Miller decided to live out his song... taking his band out on the rails for an Amtrak Crescent tour. Scott Miller and the Commonwealth played 15 shows in three weeks using only the Crescent for transportation. Miller's blog documenting the trip is still up and is an interesting read.

Trains: Wave

Alejandro Escovedo: Wave

[purchase]

This isn't a traditional train song. There aren't any images of riding the rails or any references to hearing the whistle blow. In fact, I might not even recognize this as a train song unless I had read the liner notes to a live album released by Alejandro's fan club in 2004. Here is what Alejandro has to say about the song...

"My father was born in Saltillo, Mexico in 1907. When he was a young boy, his parents left him to be raised by his grandparents while they went to look for work in South Texas. Saltillo at this time was nothing more than a railroad junction and my father and his grandmother would spend hours watching the trains come in and out of this small town. They would make up stories about the people on the trains as if they knew where they were headed or where they were coming from, as if they knew them and they shared the same journey. When my father reached the age of twelve, his sixteen year old cousin told him if they hopped this train headed north, they would be able to find my father's parents in Texas. My father, without telling his grandmother, boarded this train headed north. The story goes that his grandmother was left waving unbeknownst to her that her grandson was on this train and whom she was never to see again."


This version of the song comes from Alejandro's 2001 release A Man Under the Influence.

Wednesday, February 18, 2009

Trains: That Train Don't Stop Here Anymore


Los Lobos: That Train Don't Stop Here Anymore

[purchase]

Ah, Los Lobos. Nothing lonesome here - this is all high-octane tejano-influenced roots rock, with just a touch of country and blues under the rail. The song comes on like a steady train, accelerating into the curve and then stretching out between stations before roaring into the chorus with a screech and wail like an East LA subway car.

One of only two songs not written by guitarist, accordionist, vocalist and lead songwriter David Hidalgo on 1992 release Kiko, That Train takes the perfect fourth spot on what is generally accepted to be their most experimental album. The set runs highly diverse, but it's still the one I pull out when the party really starts to rock, and it always results in someone asking to borrow it.

Trains: Just Like This Train


Joni Mitchell: Just Like This Train

[purchase]

Of course we must include the very fitting selection by "the godmother of our blog" - Just Like This Train, one of my favorite Joni Mitchell songs, is on 1974's Court and Spark, in her first collaboration with the amazing Tom Scott and the L.A. Express...

From AllMusicGuide:

Joni Mitchell reached her commercial high point with Court and Spark, a remarkably deft fusion of folk, pop, and jazz which stands as her best-selling work to date... a unified and insightful concept record exploring the roles of honesty and trust in relationships, romantic and otherwise... moves away from confessional songwriting into evocative character studies...

Much of Court and Spark is devoted to wary love songs, carefully measuring the risks of romance... fraught with worry and self-doubt (standing in direct opposition to the music, which is smart, smooth, and assured from the first note to the last)...

I love the self-comparison of Joni's opening lines...

I'm always running behind the time
Just like this train
Shaking into town
With the brakes complaining

I used to count lovers like railroad cars
I counted them on my side
Lately I don't count on nothing
I just let things slide


...and she carries the train imagery throughout, not only in the lyrics but in the musicianship - many of the train songs we've showcased this week rely on the insistent rhythm of the rails... but this one has an undertone of monotony and introspection and resignation, as the train chugs across the Canadian prairie ("settle down into the clickity-clack", Joni sings). Her sense of humor is at its most wicked ("dreaming of the pleasure I'm gonna have watching your hairline recede, my vain darling") - JT, maybe?

The "oh, sour grapes" line gets me every time - my heart's been lost to Joni for 4+ decades... and counting!

Trains: Train Round The Bend


The Velvet Underground: Train Round The Bend

[purchase]

"I'm sick of the trees. Take me to the city. Train comin' round the bend."

This song isn't really about anything (other than Lou's preference for the city over the country). But it sounds cool, which is worth a ton in my book.