Saturday, October 29, 2011

World Tour: Turning Japanese


Liz Phair: Turning Japanese

[purchase]

No Use For A Name: Turning Japanese

[purchase]

Asia represent! This well-covered and oft-parodied song is undeniably catchy, as noted by its long life in popular culture. The above image comes from the song's most recent incidence, a stylized art video featuring actress Kirsten Dunst first presented at a Tate Modern exhibit in London two years ago, seemingly in homage to the global cosplay movement.

But long before anime, manga, and other Japanese "identity artifact categories" swamped nerd and geek culture, the song's easily sung chorus and verses had featured in many iconic media products, from the original Jackass movie to video games (Rock Band 3, Guitar Hero Encore: Rocks The 80s) to an old and overplayed KFC commercial. As an homage to this cultural cachet, I've skipped the crisp, bouncy 1980 original, and shared instead a pair of mid-nineties punk versions - both grungy as hell, as befits the song's frenetic pace updated for the angry, ironic pre-millennial set.

There's some debate on the interwebs about whether songwriter David Fenton of British new wave/power pop band The Vapors is being honest when he claims that this song is about "all the clichés about angst and youth and turning into something you didn't expect to"...or whether the term "turning Japanese" actually refers to the face males make when reaching masturbatory climax, an easy interpretation which would set Fenton's VH1 True Spin comment as a specious attempt to rewrite his own wild youth by saying otherwise. The song works both ways, and the original video doesn't help, with its geisha girl imagery merely muddying what would really be a question of which sort of racism we're talking about here - "Japanese" as a euphemism for distant and isolated, or "Japanese" as equivalent to squinty-eyed - so we'll let you make your own conclusions.

Friday, October 28, 2011

World Tour: Cuban Pete


Jim Carrey: Cuban Pete

[purchase]

Keep in mind that, in 1946, Cuba had not yet been taken over by Fidel Castro. There was no US embargo, and so artists of various sorts traveled freely between the two countries. So it is not surprising that a Hollywood studio would have made a movie that year to promote the newest Cuban musical sensation. The movie was Cuban Pete, and the star was Desi Arnaz. The song was a smash, with Louis Armstrong among others doing his own version.

Almost fifty years would pass. The song disappeared during my childhood in the 60s and 70s. In fact, I never heard it at all until 1994, when it was in a hilarious scene in the movie The Mask. Remember this?

World Tour: Canada



Pilot: Canada

[purchase]

Ear Worm Warning: Listen at your own risk

Look out California
Ooh-Ooh, I gotta warn you
Here comes Canada

So maybe it wasn't the smartest commercial move --trying to pit The Golden State against The Great White North, but the Scottish trio Pilot ( best know for their Top 5 hit "Magic") just couldn't help themselves.

 They named their third album, Morin Heights, after the tourist town in Quebec where they recorded with Roy Thomas Baker.With generous measures of Beatlesque melodies and Queen-like harmonies, Morin Heights has been called Pilot's "Abbey Road".

 Lyrically though, they've always been lightweights.Witness:

Canada, you proved your worth
You got snow peaked mountains tumbling down
You had them from birth

Though I prefer British Columbia with its majestic mountains and sunny islands, the list of rock bands who've recorded in Morin Heights is impressive: Rush ( naturally), The Rolling Stones, David Bowie, The Police, Cat Stevens and The Bee Gees, among others.

World Tour: Far Away In Australia


Dolores Keane: Far Away In Australia

[purchase]

Known primarily for her work as an interpreter of Irish folksong, both as a solo artist and as a founding member of longstanding Galway-based Celtic Folk band De Dannen, Dolores Keane toured and recorded non-stop for a quarter decade before throwing in the towel in the late nineties to focus on family and home life. But her songs live on, as does her reputation as the queen of the soul of Ireland: this traditional ditty, most recently re-released on her 1998 "Best Of" Greatest Hits collection, is short and sweet, with none of the disaster that so often accompanies the canon; its simple, direct interpretation showcases both the depression-era Irish ideal of Australia as a land of opportunity, and her strong lilting alto, providing apt entry for an artist whose debut appearance here at Star Maker Machine is long overdue.

Thursday, October 27, 2011

World Tour: Vietnam


Jimmy Cliff : Vietnam

[purchase]

Leon Thomas: Damn Nam (Ain't Goin' To Vietnam)

[purchase]

There's Vietnam, the country, and then there's Vietnam, the war. Both these songs, written in 1969, refer to the latter, when 550,000 American soldiers were serving there, Nixon had begun serving his second term, the Moratorium to End the War in Vietnam demonstrations took place, and a growing majority of Americans thought the war was a mistake.

Jimmy Cliff in 1969 was a Jamaican reggae singer whose worldwide popularity was growing. Leon Thomas was an American soul/jazz singer releasing his first solo album. Both songs capture the anti-war sentiments of the day.

World Tour: Long Bed From Kenya


Betty Elders: Long Bed From Kenya

[purchase]

Between 1981 and 1995, Betty Elders released four albums that show her to be a very talented songwriter. Four albums in fourteen years is not a lot, but that turned out to be it. From the fact that she sung back-up on Norwegian artist Roy Lonhoiden's three albums, I’m guessing that Elders may have relocated to Norway no later than 2004, but that is just a guess. What I know is that Elders has an album’s worth of unreleased songs on her website. If anyone knows why Elders has not done an album in her own name in so long, please let us know in the comments.

Songs like Long Bed From Kenya are why I wish Elders would do more. Long Bed sounds at first like a song about growing older in a relationship. But, in the second verse, Elders adds a key detail. While the singer feels herself growing older, her partner remains smitten with a woman he met on a long ago trip to Kenya. The narrator ages, but the woman in the memory never does. The long bed sent home from that trip serves as a constant reminder to the narrator of a competition she can never hope to win. The story is told in just a few economical lines, but the emotional resonance is strong.

This performance of Long Bed comes from a mainstage performance of the song at the 1998 Kerrville Folk Festival. Elders also recorded a more fully arranged version of the song on her last album Crayons. But this version, with just voice and guitar, puts the focus on the songwriting, and it holds up just fine.

Wednesday, October 26, 2011

World Tour: Dominion/Mother Russia


The Sisters of Mercy : Dominion/Mother Russia

[purchase]

Mother Russia, released in 1987, is about the Chernobyl nuclear disaster the year before. The "old man in a dry season", a reference to a T.S. Eliot line, is Reagan, and the whole song expresses Andrew Eldritch's anti-American sentiments, with numerous references to the Cold War.

The Sisters of Mercy released 3 albums, each with a different line-up; the consistent member is Eldritch (well, and his drum machine, Doktor Avalanche). Their last recording was in 1993, but they (for various values of "they") still tour. In fact, I enjoyed their gothic rock sound so much that I ventured off to see them live a few years ago, which turned out to be one of the weirder and most distancing concerts I'd ever been to. The continuous use of 3 fog machines rendered the stage nearly opaque, so much so that it wasn't until halfway through the show that I realized there was actually a live bass player up there—and I was a mere 15 feet from the stage. At least I presume he was live. I don't think any of us could tell if the musicians were simply acting out to prerecorded music or not, and the in-between comments were kept to an absolute minimum.

I do recommend their music as great work-out stuff, though. That heavy drum beat is hard to surpass for exercising to.

Tuesday, October 25, 2011

World Tour: It's A Long Way Back To Germany

Ramones: It's A Long Way Back To Germany (link now working)

[purchase]

As a German living outside Germany, the title of the Ramones song appeals to me. The track turned up as a bonus track on the 2005 remastered edition of the Ramones’ 1977 album Rocket To Russia. It is billed as a UK b-side, without any further information. It seems it was also a b-side elewhere, to 1978’s “Do You Wanna Dance”.

“It's A Long Way Back To Germany” was written by Dee Dee Ramone, whose mother was German and who spent much of his formative years in West-Berlin, until he returned to New York City at the age of 15. He also sang a bit in German on “Born To Die In Berlin”, the final track of the final Ramones album in 1996. Dee Dee died six years later, not in Beelin but in LA.

Rocket To Russia featured a song that has been covered twice by German bands. “Rockaway Beach” was first done in 1979 as “Müngersdorfer Stadion” by the Zeltinger Band, a punk rock band fronted by the balding, overweight and often kaftan-wearing Jürgen Zeltinger, one of West Germany’s first openly gay recording artists. Performed in Kölsch, the dialect that is unique to the city of Cologne, the setting of Rockaway Beach in the Ramones song became the public swimming baths adjacent to the football stadium of the same name, and hitching a ride there in the Ramones song became fare-dodging on public transport. (You can get the song HERE.)

In 2005, another German punk band, Die Toten Hosen (from Düsseldorf, just down the road from Zeltinger’s Cologne), covered “Rockaway Beach” in English, as the b-side for their “Alles wird vorübergehen” single.

You might find it quite easy to sing along to “It’s A Long Way Back To Germany”. Just sing this: “You by the phone, you all alone. It’s a long way back to Germany. It’s a long way back to Germany.”

(Image borowed from 45cat.com)

World Tour: Baby, Let's Go To Mexico


Sir Douglas Quintet: Baby, Let's Go To Mexico

[purchase]

While we're visiting Mexico....

The godfather of Tex-Mex rock'n'roll, Doug Sahm earned the nickname Doug Saldana from South of the Border fans. "They said I had so much Mexican in me that I needed a Mexican name" he told biographer Joseph Levy.

This song sure makes visiting Mexico sound like a good idea. I've been there a few times and I'd suggest visiting somewhere other than one of the country's famous resorts mentioned in this tune. The shot above is of Taxco, the silver capital of Mexico. It's a beautiful city with streets so narrow even the VW bugs used as taxis have to do three-point turns to get through town. One very "Taxco" experience involves another kind of bug: jumiles. Stink bugs that are often eaten alive. Quite spicy. And crunchy too.

Monday, October 24, 2011

World Tour: Mexico



Jump: Mexico

[ Purchase ]

This fantastic song by Jump (previously known as Jump Little Children) is less about Mexico as a country, and more about how far away Mexico is. The song is a beautiful tale about how the singer won't let his lady leave him again unless she goes far away to Mexico, because as long as she's closer she will just rebound back to him, so if she wants to go she better go far away and not come back to him again.

It appeared on their 1994 album "Between Dim & The Dark", a great album and and even greater song.

Sunday, October 23, 2011

World Tour: Kingdom of Spain


The Decemberists: Kingdom of Spain (early version)

[purchase]

Kingdom of Spain presents the king and queen in all of their apparent splendor, but we soon learn of their cruelty and misuse of power. The song tells the story in three short verses, but that is all that is needed. The song can be found on the Decemberists EP Picarsqueties, but that is not the version heard here. On the EP, the song is backed only by chiming piano chords that can also be heard as funeral bells. The version I am featuring has a fuller arrangement, with bass and intertwining guitars, and I like the way it enhances the structure of the song, by splitting each verse into two aspects. This version can be found on an import collection from Spain called Acuarela Songs 3. The songs an this album are by various indie artists from the year 2004. Many, like the Decemberists, sing in English, and all of the songs were original to this collection.

Saturday, October 22, 2011

1996: Inside



Patti Rothberg: Inside

[Purchase]

1996 was an important year for me musically. It was the year I discovered music could mean something, that it wasn't just about being catchy and fun to listen to. As I've written on here before, my breakthrough came as a high schooler discovering Lisa Loeb's album "Tails" and it grabbed me so much and made me think "wow, is there more music like this out there?". Luckily for me, this was the start of the beautiful few years where female singer-songwriters actually got airplay on mainstream radio, so my mind (and music collection) expanded at an alarming rate.

One of those first discoveries after "Tails" was hearing this single on the radio. I loved it immediately and remember turning the volume up in my dad's car as we drove home from dinner one evening to hear if the radio would say the artist's name so I knew what to look for when I got to the music store. I played this CD a lot that year, and I still really love it. It's one of those singles that a lot of people wouldn't remember if you asked them about it, but if you played them some of it they'd say "oh yeah, that was a pretty good song!". And the whole album is like that, not a bad song on it. It was a shame that the album did not get more recognition, but since then I've come across a number of people who get so enthusiastic if I mention this album because they have such fond feelings towards it as well.

1996 was a good year.

1996: Farewell Angelina


Tim O'Brien: Farewell Angelina

[purchase]

Former Denverite Tim O'Brien released his brilliant tribute to Bob Dylan in 1996. He wittily named it Red on Blonde (he's a redhead, get it?). Darius posted another song from this album back in 2008 (Man Gave Names to All the Animals). I waffled a bit on which one to pick since they're all great, but I've gone with this one because it features his sister Mollie on vocals. Really, though, if you like "newgrass" you really should check out the whole album.

Thursday, October 20, 2011

1996: The Barricades of Heaven


Jackson Browne: The Barricades of Heaven

[purchase]

Jackson Browne has been known since the early 1970s not only for his performances, but also as a great songwriter. That makes the writing credits on his 1996 album Looking East interesting reading. Each of the songs is credited to the same seven writers, including Browne. Looking at who plays on the album, I assume that Browne wrote the lyrics, and then brought them to his working band at the time. They then would have created the melodies and arrangements together. The lyrics are personal, as they often are in Browne’s work, so I have to assume he created those himself. On the other hand, it is possible that Browne always worked this way, but he felt it was high time his band got a share of the writing royalties. It must have made some music industry types nuts, especially with all of the different publishing credits.

As for the song I have chosen, The Barricades of Heaven finds Jackson Browne looking back at his youth, when he was just discovering the joy of making music. The song has some of the feel of early Bruce Springsteen, only in LA instead of Asbury Park. The title refers to Browne being on the verge of becoming a professional musician with a major label contract.

Monday, October 17, 2011

1996: Penthouse in the Woods


Scud Mountain Boys: Penthouse in the Woods

[purchase]

Joe Pernice holds an MFA in creative writing from The University of Massachusetts where he apparently learned less is more. His lyrics are sparse. They give flavor to the often moody songs he writes, but they explain nothing. "Penthouse in the Woods" could be about anything...but I'm thinking a murder is involved. The weapon: an airtight garbage bag. The singer's guilt can't be washed off stained gloves. The song comes from 1996's Massachusetts, the last album Scud Mountain Boys would record before Joe would head off with brother Bob and record the sensational Overcome By Happiness as The Pernice Brothers. Those who mourn The Scud Mountain Boys will be pleased to learn The Scuds have a five-date East Coast reunion tour beginning in mid January of next year. In 2009 Joe realized a life long dream by publishing his first novel, It Feels So Good When I Stop  via the hip Penguin imprint Riverhead Books.

By the way, the photo is of a Free Spirit Sphere I visited on Vancouver Island,BC.

Sunday, October 16, 2011

1996: Requiem Aeternum


GSA Mile High Concert Chorale and Orchestra: Requiem Aeternam (John Rutter)

(unavailable for purchase)

This one's just for kicks and giggles. My first song celebrating 1996 features…me!

Well, me, a choir, an orchestra, and some soloists. And how we all came together to make this recording is pretty unusual.

The Geological Society of America holds an annual meeting every October, frequently in Denver. For the meeting in 1996, for some unexplained reason, GSA's head honcho also organized a performance of John Rutter's Requiem for any geoscientist who wanted to participate. GSA sprang for the venue (St. John's Cathedral), the professional orchestra (and some talented geologists), and the 4 soloists (who were terrific). We were mailed the sheet music and a tape ahead of time so we could learn it on our own. In fact, we had only one rehearsal and one final run-through before this performance. I think it sounds pretty decent, and I loved the piece, especially this first movement.

I still haven't worked out why it all came to pass—after all, it really has nothing to do with geology—but it was a great experience.

1996: Up in the Attic


Carrie Newcomer: Up in the Attic

[purchase]

We all have parts of our lives that we pack up in boxes and stash away, never to be seen again. In Up in the Attic, Carrie Newcomer’s narrator finds one of these boxes, and the memories it contains. The song comes from her album My Father’s Only Son. Newcomer plugs in and rocks out in some songs on this album, and those songs sound better than the rock efforts of many of her contemporaries among folk artists of that time. But Newcomer really shines in the quieter moments on the album, and they give a better idea of how she sounds today.

Saturday, October 15, 2011

Special Projects: Coast of High Barbary


Joseph Arthur: Coast of High Barbary

[purchase]

I didn’t want to let our week of special projects pass with posting something Hal Wilner was involved in. Who? you may ask. Hal Wilner is a producer who has made a career out of tribute albums and other special projects that put lesser and better known musicians in unfamiliar, and possibly uncomfortable, combinations, and get them to make amazing music that sounds like nothing they have ever done before. Wilner’s best known project was possibly the album Stay Awake, which featured a surprising mixture of artists doing Disney songs. Sun Ra’s version of Pink Elephants on Parade must be heard to be believed. One of Wilner’s more recent projects was Rogue’s Gallery, a collection of pirate songs and sea shanties. So you might expect an entire album of folk music, but not from Hal Wilner.

Joseph Arthur is known for songs that straddle the line between folk and pop. The songs are expertly crafted, and Arthur knows how to make it work. He normally surrounds himself with fine sympathetic musicians who are great at helping him realize his sound. But, for Rogue’s Gallery, Arthur showed up alone, and he was at Wilner’s mercy. The result is a version of Coast of High Barbary that sounds like some sort of mutant cabaret number. This one might have been heard in a seaside club where a hard rock band and an avante-garde jazz combo were playing, and the drinks were flowing freely. Arthur sings in a sinister baritone at the bottom of his a range, a voice I’ve never heard from him before.

Special Projects: Bangla Desh



George Harrison and Friends: Bangla Desh

[purchase]

George Harrison was always my favorite of the Beatles, even at my tender age of 10 when they hit the music scene in 1964 -I loved his thoughtfulness, his playfulness, his spirituality... so imagine my delight at discovering the two-part Martin Scorsese documentary, Living in the Material World, recently airing on HBO...

It brought back memories, as I re-discovered much and learned a lot - of course I must have known, but it was surprising to realize that George's August 1, 1971 Concert for Bangla Desh (actually two shows the same day) was the first of its kind (long before Live Aid) to bring together famous musicians (Eric Clapton, Bob Dylan, Leon Russell, Ringo Starr, Billy Preston and others) to raise global awareness as well as money for a charitable cause...

According to Wikipedia: "As East Pakistan struggled to become the separate state of Bangladesh during theBangladesh Liberation War, the tremendous political and military turmoil and the 1971 Bangladesh atrocities led to a massive refugee problem in India. This problem was compounded by the 1970 Bhola cyclone, bringing torrential rains causing devastating floods and threatening a humanitarian disaster."

In reply to a request for help from musician Ravi Shankar, Harrison not only wrote and recorded the single Bangla Desh but took Shankar's idea of a small fund-raising concert in the United States and turned it into an enormous event, organized in only five weeks, in Madison Square Garden.

The concert raised $243,418.51 for Bangladesh relief, which was administered by UNICEF. Sales of the album and DVD continue to benefit the George Harrison Fund for UNICEF.

I recall going to the Fox Theater in Atlanta, during my senior year in high school, to watch the film with friends - I owned the album and, after watching the Scorsese tribute, just purchased the 2-disc CD. I always knew I loved George best - the documentary reinforced why...

Friday, October 14, 2011

Special Projects: Well Did You Evah?


Deborah Harry and Iggy Pop: Well Did You Evah?

[purchase]

1990 saw the release of Red Hot & Blue. The album is a special project for two reasons. First, it was recorded to raise awareness of AIDS research, and some of the proceeds from the album went to that purpose. Second, Red Hot & Blue is a tribute to the music of Cole Porter. The resulting album has a mix of music that often occurs on benefit albums. It seems like more artists want participate than there are room for, so some have to double up, and some unlikely collaborations are the result. Well Did You Evah? pairs Deborah Harry of Blondie fame with Iggy Pop. It may be worth remembering that Blondie got their start playing the famed punk club CBGBs. Well Did You Evah? as rendered here is a power pop blast with a punkish disrespect for its source. But most of all, it is the sound of two artists having a lot of fun.