electricity: ELO galore

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As should be expected for any band that has been around for that long, Electric Light Orchestra has been through personnel changes. In fact, today's incarnation is officially Jeff Lynne's ELO and the only other original member of the 70's band who particiapted on the 2019 album is keyboardist Richard Tandy. Original members Roy Wood and Bev Bevan appear to still be involved in music one way or another.

ELO seemed like a logical choice for the theme. I mean, how many bands are there with the word <electric> in their names? More than I thought. Electric Prunes, Electric Toilet, Electric Express, Electric Elves and more.

Seems likely that most folk born after about 1990 wouldn't have many reference points for ELO, but throughout the 70 and some of the 80s, ELO was big - coming out with something like 10 top albums. Jeff Lynne is the name you would associate with the band, primarily vocals and guitars.

Wikipedia notes that when Lynne and Roy Wood started out, they aimed to mix rock and classical. The live version of Chuck Berry's <RollOverBeethoven> is a pretty good example: starts off VERY classical & essentially follows Berry's main style and showcases Lynne's abilities.

But most of ELO's hits were more melodic.
Their highest chartings were <Evil Woman>,

<Can't Get It Out of My Head>,

<Strange Magic>

and  <Sweet Talkin' Woman> - all from the mid-70s. All "pop melodic" verging on the dominant style of the decade: disco.

That said, they never made it into Rolling Stone magazine's list (and there are folks that pan the list as a result. Maybe so. I mean, they were all over the charts: 27 Top 40 songs in the UK/20 in the US)

I hadn't been following Electric Light Orchestra recently, so it comes as a kind of vindication of my choice for this theme: ELO's 2019 <From Out of Nowhere>  posted a top of the charts position at the end of 2019 - something like 35 years after their 1970's heyday. And you thought they were done for?
Lynne of course has done stints both as a sought-after producer and a member of the Travelling Wilburys

Extras: Albums that came with extras

I veer from the standard "post a song with extra" because I just couldn't get into my original idea. It's not that Lou Reed's Claim to Fame has no claim to fame, but ... it *is* just one more of a few hundred songs that happen to have the word "extra" in the lyrics. I wanted something a little more entertaining at this time of year.

There must have been like a million albums produced since the invention of the phonograph, and it must be a perennial quandary for the artist and the producer to come up with something that makes yours stand out. Sometimes good music in and of itself isn't enough. I think of my copy of Dave Mason's Alone Together, which was pressed onto somewhat psychedelic multi colored swirling vinyl - kind of unique. I've seen albums with funky shapes.

One album with something "extra" that sticks in my mind is Sticky Fingers, with its actual zipper "sewn" into the album cover. You can't help but pull it down to see what's ...
And aside from this kind of attraction, lots of albums have included band-related posters.

But going to a more extreme additional form of entertainment for the fans ... (and these - for the most part - are generally verified hearsay. Sue me if I'm wrong)

Cheech and Chong's Big Bambu included a huge rolling paper. No surprise there.

Sgt. Pepper's included a a cardboard page of cutouts - epaulettes, moustache, badges ....

ELO's Out of the Blue included a cardboard cutout of their iconic spaceship.

Three Dog Nights' Seven Separate Fools album came with seven oversize playing cards.

Alice Cooper's Schools Out came with paper panties as a wrapper.

Any you care to add?

Burn/Fire: Fire On High

Electric Light Orchestra: Fire On High
[purchase]

Regular readers of my work here and elsewhere know that I’m a fan of prog rock, and I think that it is pretty clear that the Beatles were a profound influence on prog bands, many of whom have acknowledged this directly, or have covered Beatles songs. Electric Light Orchestra,which was founded when Roy Wood, of The Move, wanted to explicitly pick up where the Beatles left off, and use orchestral arrangements and instruments to fuse classical music with pop shows how it is possible to mix the two.

Initially, Wood recruited Jeff Lynne to join The Move, which also included drummer Bev Bevan, and they gradually morphed the older band into a new unit, Electric Light Orchestra. Wood left the band during the recording of their second album, leaving Lynne as the leader. And, there is no question that Lynne loved the Beatles (and the Beatles loved him—as you can see in the article that I linked to above, not only did they like his songs, Ringo and George guested on their albums, Lynne produced solo albums for Ringo, Paul, and George, replaced George Martin as producer for the Beatles’ last singles, and, of course Lynne was a Traveling’ Wilbury).

I was a fan of ELO during their mid-late 1970s heyday. I enjoyed the mix of pomp and pop. “Fire on High” is one of their stranger songs, suitable only as a B-side—an instrumental (mostly), with backwards vocals ("The music is reversible, but time... is not. Turn back! Turn back! Turn back! Turn back!"), choral segments and all sorts of odd stuff going on, making it still a fascinating listen.

Interestingly, despite its weirdness, a portion of the song was used by CBS for its sports coverage in the 70s. I have a strong memory that it was used for the network’s NBA coverage, but the Internet disagrees, telling me that it was actually, used for a sports anthology show, sort of like the better-known Wide World of Sports called the CBS Sports Spectacular. As we know, memory is a strange thing.

Back in the late 1980s, my friend Bill and I shared an apartment in New York, in the days when having an answering machine was still something that everyone had, and creating a theoretically clever outgoing message was popular. I remember that we used a few seconds of “Fire on High” and pretended that we were announcing a game while imparting the standard “we aren’t home, leave a message at the beep” message.

As I am writing this, I’m having second thoughts about whether it is a good idea to share this story or not. But we're all friends, here, right, and you won't think less of me. Right?

Sinking and Falling: Rain is Falling by Electric Light Orchestra

Purchase Rain is Falling, by ELO.

I always thought ELO was a space age band. The strings and the crystalline keys bring to mind the same kind of spaceships and endless starry sky landscapes of their album covers. The harmonies and the choir of voices sounded like a beautiful alien broadcast, reaching us from the end of some lost nebula. Jeff Lynne is one of my favorite voices in modern pop music. His production values are the sounds of bright places in the night sky.

When I was young, the strange notions of meaning in music came to me mostly in terms of the visuals that accompanied it on pre-MTV television. This is what I saw from performance, not the abstract visual imagery of a video. It was most often from shows like Solid Gold--MTV, while amazing, kind of took some of the wonder away, as the stories of the songs were there for you, no imagining necessary. David Bowie was creepy; I wished the Buck Owens could be my grandfather; KISS terrified me; Pat Benatar made me feel strange; in the same way, so did the Solid Gold dancers... And, ELO made me think of spacemen come down to Earth for a visit. To their celestial rock and operatic roll, I watched the skies for UFOs, scratchy vinyl whirling on my pawnshop turntable as accompaniment to my hopeful survey. I was eager for an encounter. I was sure anyone that reached out to us from afar would bring good news, and even better music.

And that sound: the lilting, moon-hop harmony and extra-terrestrial chorus, still takes me back to being wide-eyed and full of wonder, not just about music, but about the whole world. Beautiful sounds coming from the radio, my parent's vinyl collection, what ever I could pick up for a nickel-a-piece at yard sales, all of it provided the constant soundtrack to my life. But music has never sounded as sweet as it did back then, when I was just a junior astronaut, floating along in the vastness of my own universe,  Jeff Lynne and his Electric Light Orchestra my mission control, buzzing endless gentle guidance in my ears.

Bonus:

Looking back (and watching videos on youtube), I imagine this live version of ELO's mega-hit, "Livin' Thing", had something to do with my associating the band with aliens and space travel. Snazzy silk jumpsuits and a lighting scheme from a decidedly alternative-life-style-friendly Death Star...what else would I have deduced other than there was a whole weird universe out there, entirely different from my own ?

Big bands: Zappa and ELO

Two classics for you in a short post before time's up for the current theme:

I've posted more than once here about FZ and still - 40+ years on - revere the irreverence of Overnight Sensation. Zappa led a band large enough at most times to qualify for our theme's (6 or more band members) limit. And more. The man composed/orchestrated for the band. I've read that he could write musical score as fast as it came to his head - I imagine a scene from Amadeus where Mozart is scribbling away as he explores harmonic options. Yes, a certain amount of drivvel emanated from Zappa's musical mind. (Sheik Yerbouti maybe?) At any rate: Big Bands idea number one: my favorite Zappa orchestral work, from Hot Rats - well, not this version.
 purchase Peaches en Regalia
 
 

 

As I postponed, delayed and thought through the Big Band theme possibilities, I found myself wandering back in the disco '70s. Alongside Fleetwood Mac and Steve Miller, there was the Electric Light Orchestra. Aka Jeff Lynne's ELO. Like many other Big Band candidates, ELO varied in size from year to year, with wind and string instruments/musicians in addition to Lynne, Roy Wood and Bev Bevan as staple/founding members.

 



 

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