Trouble: Trouble in Mind

Big Bill Broonzy: Trouble in Mind

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Jimmy Witherspoon: Trouble in Mind

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James Blood Ulmer: Trouble in Mind

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Trouble in Mind is a primal blues song. I don’t know if anyone knows how old it is. From the lyrics, it could be as old as the railroads, but the versions heard here each present a slightly different set of lyrics. So maybe the railroad reference is a late addition and maybe the song is even older. This is the kind of song that invites such wild speculation, because it speaks of an emotion that goes back forever. Trouble in Mind is the perfect expression of despair. Even the lyric that says, “the sun’s gonna shine in my back door some day,” sounds more like a desperate wish than a statement of faith. Big Bill Bronzy, Jimmy Witherspoon, and James Blood Ulmer are three artists who get that. They understand that Trouble in Mind should be sung and played as a cry from the bottom of a man’s spirit. And yet, these three performances are completely different. Big Bill Broonzy sobs his way through the song. His guitar playing appears and disappears, like a stuttering cry, but he never loses the beat or the shape of the song. Jimmy Witherspoon works within the tight structure of a jazz ballad, but his emotional expression is just as powerful. Gerry Mulligan’s sax part seems to be trying to comfort him and offer support, but Witherspoon is unable to accept this, his narrator is beyond help. Ulmer’s version seems to say that this despair is so deep that it comes from another world. I’ve never heard blues sitar before, but, in Ulmer’s arrangement, it makes perfect sense. His vocal is strangely calm, as if he is all cried out but really no happier.

Trouble In Mind is a blues classic which has also crossed over, not only into jazz, but also into country and western swing. There are many ways to make the song work, and there are also some versions that don’t work. But the ones I have chosen are, I think, a fair sampling.

Resolutions: Outskirts of Town

Jimmy Witherspoon: Outskirts of Town

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Outskirts of Town is a classic blues song. B B King, The Allman Brothers, and Big Bill Broonzy are only a few of the artists who have recorded it. Here is a man who loves his girlfriend or wife so much that he can’t imagine how any other man could resist her. So he resolves to move them out of “harm’s way”. As much as he loves her, there is a lack of trust,, to be sure. But when the song is done right, you don’t judge him, because his pain is so real. When I hear the song in my head, I hear Jimmy Witherspoon singing it.

‘Spoon, as he was called by many, perfectly demonstrated the overlap between blues and jazz. He worked with small jazz combos, like the Gerry Mulligan Quintet heard here, but his singing was always pure blues. His delivery was smooth, but it ached with emotion, especially on the ballads. Outskirts of Town is a perfect example.