Wednesday, September 22, 2010

For the Birds: Ain’t Nobody Here But Us Chickens


Asleep at the Wheel: Ain‘t Nobody Here But Us Chickens

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It’s always a pleasure to share some western swing from Asleep at the Wheel. The band was inspired by the pioneers of western swing music, especially Bob Wills and His Texas Playboys. It was not unusual for those bands to adapt swing tunes to their style, and Asleep at the Wheel follows suit here. Ain’t Nobody Here But Us Chickens was originally made popular by Louis Jordan.

Tuesday, September 21, 2010

For the Birds: Last Lonely Eagle



New Riders of the Purple Sage: Last Lonely Eagle

[purchase]

"Last Lonely Eagle" comes from the first NRPS album, when the band was practically a Grateful Dead side project, with Jerry Garcia flexing his pedal steel muscles and Mickey Hart playing drums on a few tracks (including this one). It was also around this time that the band played the middle set of many Grateful Dead shows, bookended by acoustic and electric sets from the Dead. So it's no surprise that the album slots in well with the Dead's contemporary albums, Workingman's Dead and American Beauty.

The song's lyrics seem to be about the end of the '60s hippie dream, but in the chorus the eagle metaphor kicks in, tying it nicely into the rising eco-consciousness of the times. It's possible that John Dawson, who wrote all the songs on the album (and also co-wrote the Dead classic "Friend of the Devil"), had the Bald Eagle in mind when he wrote it, but for this post, I'm sharing a photo of a captive Golden Eagle I snapped a few years ago down in Gloucester County, N.J.

For The Birds: Lesbian Seagull


Engelbert Humperdinck: Lesbian Seagull

[purchase]

It wasn't easy thinking of a song to post this week as I did a mix of birds songs on my blog last year (fifteen songs, all naming a different type of bird) and not only did I not want to re-post any of those songs, but I didn't even want to re-use any of those fifteen birds. I'm not a bird guy, couldn't think of anything.

Then boyhowdy's post the other day made me realise the mix didn't have a seagull song and immediately thought of Engelbert Humperdinck's Lesbian Seagull from the Beavis And Butt-Head Do America soundtrack. A song originally recorded by Tom Wilson Weinberg in 1979.

I know what you're thinking: Is the song as preposterous and amazing as the title implies?

Yes. Yes, it is.

Monday, September 20, 2010

For the Birds: Baltimore Oriole



George Harrison: Baltimore Oriole

[purchase]

Somewhere in England is nobody's favorite George Harrison album. If it is remembered at all, it is for the single "All Those Years Ago", a leftover from a session for a Ringo Starr album that George rewrote into a Lennon tribute in the wake of John's murder. I bet most of you can't remember another song from the album.

One oddity about the album is that it contains not one, but two Hoagy Carmichael songs, including the theme-appropriate "Baltimore Oriole".

I don't know much about the song, but I do love how many bird references Hoagy squeezed into its lyrics.

As for the bird itself, I always enjoy seeing one when I'm out birding in the New Jersey summer. Like many male songbirds, they are ludicrously colored, and I love that. While mammals and reptiles are busy blending in to their surroundings, these guys could not be more visible. And that is to our everlasting visual benefit.

And a for the photograph, this one is from the Franklin Park Natural Area in central NJ. Not one of my better shots (they like to hang out way up at the tops of trees), but the color comes shining through.

For the Birds: Penguins



Lyle Lovett: Penguins

[Purchase]

I'm really not sure how a penguin manages to be sensitive to his needs, but oh lord, I go for "Penguins" too, the song at least. This song always makes me smile. This particular version is from his live album.

Sunday, September 19, 2010

For The Birds: Song To A Seagull


Joni Mitchell: Song To A Seagull

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Birds can go where we cannot, and most of us envision the open endless aether as pure somehow. It's no wonder their winged journey through the sky seems much like escape to our literate, flightless race; no wonder so many birdsongs pay jealous tribute to flight, both literal and metaphoric.

Here, as in so many other songs about birds, our patron saint Joni projects her debut dreams into the air, giving them the feathers that she herself has shed, adapting instead to the hard concrete life of the city only to find that her life, like the seaside, has become deserted and unfit for survival - except for the seagulls, ever out of reach and alive, like her heart, overhead.

Yes, I know Darius posted the song last year, but I figure any chance to bring the woman whose lyrics form our mandate forward is a bonus. And yes, it's a bit overwrought, and a bit formulaic - Joni wouldn't truly master the confessional lens that made her so celebrated for a few albums yet - but this title track from her debut certainly hints of the mastery to come.

For the Birds: Bluebird Is Dead



Electric Light Orchestra: Bluebird Is Dead

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Electric Light Orchestra cellist Mike Edwards died earlier this month in a freak hay bale incident.

Mike was in the band for ELO 2 and On the Third Day, the latter being one of the first albums I ever owned (as I recounted here), and I still have a soft spot for it. I didn't know it at the time, but it was probably my first taste of prog rock. This was ELO just before they became ubiquitous; before Jeff Lynne sanded down all the rough edges in his pursuit of pop perfection. It was also the last album for which ELO used its own members to create the illusion of orchestral backing. (By the next album, Lynne could afford to hire a real orchestra.) Mike Edwards was the lone cellist in the band at the time, so he had to overdub all the cello parts himself.

So I offer up "Bluebird is Dead" from On the Third Day as a tribute to one of the original rock cellists.

P.S. The photo accompanying this post is one of my own, taken earlier this year at the Negri-Nepote Native Grassland Preserve in central New Jersey.

Blank and Blues/ For the Birds: Emu’s Blues


Darol Anger and Mike Marshall: Emu‘s Blues

[purchase]

Take a look at the picture above. If something like that asked you to post a second transition song, wouldn’t you do it too?

Seriously, Darol Anger and Mike Marshall both came to my attention when they were playing in the David Grisman Quintet. There, they were playing a kind of jazz on instruments that would normally play bluegrass, but it sounded great. Here, Anger and Marshall bring their mandolin and fiddle, and play with drums, bass, and organ. It still sounds like nothing else on earth, and it really cooks. Warning: Emu’s Blues is a playful title for a playful piece of music; this one has two false stops before it finally ends. Make sure you hang on for the entire ride.

Blank and Blues / For The Birds: Black Crow Blues


Townes Van Zandt: Black Crow Blues

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Bob Dylan: Black Crow Blues

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A twofer transition today gets us from the blues to the birds in one fell swoop.

First, it's been seven months since we last posted a Townes Van Zandt song here on Star Maker Machine - the longest we've gone without a tune from the cowboy troubadour since our inception. Happily, his Black Crow Blues - recorded early, and ultimately collected on 2003 posthumous release In The Beginning - is a typically sparse, morbid ballad.

Meanwhile, as befitting his early folk incarnation, Bob Dylan's Black Crow Blues uses a much more traditional form. The first song Dylan ever recorded on piano, it's has never been performed live, but the combination of Dylan's pre-rock tone, those cryptic lyrics, and the barrelhouse blues is certainly worth celebrating.

Saturday, September 18, 2010

Blank and Blues: Grand Prairie Tx. Homesick Blues


Dave Carter with Tracy Grammer: Grand Prairie Tx. Homesick Blues

[purchase]

It is no secret I am smitten with the music and lyrics of Dave Carter - I love this tale from his 1998 debut album, When I Go, stunningly illustrating the "you can't go home again" philosophy:

St. Peter when you call me, you will find me waitin' here
beneath this sad mimosa tree with a quart of drive-thru beer
for home is in the heartland but the heartland cannot save you when the heart is gone
and home's moved on

Blank and Blues: Love’s Been Linked to The Blues


David Olney: Love‘s Been Linked to the Blues

[purchase]

Before this place goes completely to the birds, I thought I would offer one more post on our old theme. David Olney got a quick medical degree, so that he could conduct a special study for the FDA. The report of his results come in a gently swinging ballad that says it in a way the lay listener can completely understand.

Blank and Blues: Wedding Bell Blues


Laura Nyro: Wedding Bell Blues

[purchase]

Ah... dear, sweet Laura Nyro... penner of many tunes made more famous by others: this one, The Fifth Dimension... Stoney End, Barbra Streisand... And When I Die, Blood, Sweat & Tears... Three Dog Night, Eli's Coming - she sadly left us too early in 1997 at the age of 49 due to ovarian cancer...

But mostly, when I listen to this entire album, I think of Elias Livaditas and the Summer of '73 between my freshman and sophomore college years - I was working as a waitress, he was a regular customer and a romance blossomed. He would write me poems on the napkins I brought with his meal... and he would pick me up after work and we'd go back to his place for a while before he'd drop me back home - First Songs was always the soundtrack to our liaisons...

Ah... dear, sweet Elias - thanks for many lovely memories, Laura among them...

Blank And Blues: Slusk Blues


Cornelis Vreeswijk: Slusk Blues

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Cornelis Vreeswijk was born in IJmuiden, The Netherlands, in 1937. After seeing most of their world bombed to pieces by the Nazis, his father decided to relocate the whole family to Sweden in 1949.

Inspired by Josh White and Leadbelly he started playing guitar, made his album debut in 1964, became an almost overnight success with his often raunchy and daring but always eloquent and thoughtful songs, and he remained one of the most famous and beloved performers in the country (and in the rest of Scandinavia) until his untimely death in 1987.

That's the short story, the long story is of course much more complicated. He wasn't only famous for his music, but also for his private life, as the tabloids tended to follow his every move. He was a notorious hell-raiser and womanizer, known for his hot temper and for never turning down a drink.

Some of his endevours have become the stuff of legend. Like how during one of his first tours in the late 1960s he gained 70 pounds in less than a year due to over-drinking and over-eating, how he punched lawyers who tried to get him to pay his taxes or how he chased two women he'd met in a bar out of his house with a knife after realising they were just a couple of dudes in drag.

The fact that during his last year he looked about 70 years old when in reality he hadn't even turned 50 yet is a testament to decades worth of indulgences.

He may have lived a hard life and written countless songs about hoboes, robbers, murderers, scam artists, drunkards and anything else that conventions deem unsophisticated, but he also penned some of the most beautiful and delicate love songs imaginable. Many of songs have become standards and have been covered by dozens if not hundreds of artists over the years.

Although Slusk Blues was one of his earliest songs (from his third album, 1965's Ballader Och Grimascher) when he hadn't quite built up the reputation he would eventually get, the song is clearly a comment to all those who deemed him unsophisticated and boorish. I'm trying to think of a good English translation of "slusk" and "slob" is the best I can come up with. It doesn't quite fit the bill, but imagine some sort of über-slob and you get the picture.

The whole song is him sarcastically comparing himself to the cultured elite ("I'm filthy pig/Fuck hygiene/How did you manage to get so clean?", "You drink wine for the pleasure/I like wine because it gets me drunk/People like me should me locked up") or simply describing himself as "I'm a slob/Born in a sink/Dad was a drunk/Mom was a whore".

But he concludes that he will probably outlive his snobby, uptight detractors anyway, and unlike his their lives will have been completely uneventful and devoid meaning. He was right about the second part.

Blank and Blues: Todd Snider Edition

Todd Snider: Statistician's Blues




Every decent folk singer has at least one "Blues" song is his or her repertoire. Todd Snider, it seems, has a few more than his fair share. Both of these tunes come from Snider's 2003 live album Near Truths and Hotel Rooms, and they only represent half of the "Blank and Blues" songs on that album. I could easily post six or seven Snider songs if I wanted to pick through his entire catalogue.

The reason I'm sharing these two songs is because they both represent my favorite aspects of Snider's songwriting. His best tunes always a certain cleverness to them whether it's a simple turn of a phrase or telling a funny story through song... Todd always has a bit of a smart-ass in him. I like it.

Here, Snider laments the unused portion of his brain in "Statistician's Blues" and skewers the popular music of the 1990's in "Talking Seattle Grunge Rock Blues." Incidentally, "Statistician's Blues" is one of those songs that I would probably play incessantly on the radio if not for the FCC and their rules about language.

Friday, September 17, 2010

Blank and Blues: Mr.s E's Beautiful Blues



Eels: Mr. E's Beautiful Blues

[purchase]

It's been a tough week for me, one of those weeks that makes me grateful for the existence of songs like this one. It's Friday night, and all I can do is turn up the stereo and sing along:

Goddamn right, it's a beautiful day.

Blank and Blues: Jimmy Olsen's Blues


Spin Doctors: Jimmy Olsen's Blues

[purchase]

Think you've got problems? Imagine trying to compete with Superman.

Poor Jimmy Olsen's got no chance, and he knows it - even if he could get Lois away from the Man of Steel, he'd still have Clark Kent between himself and the object of his affection. Even his analyst says it's hopeless. Yet a man can dream, can't he?

It's a masterful conceit, and Spin Doctors spin the tale out pretty well for a bunch of scrawny pre-hipster guys in pajamas. Quite possibly the best thing about Pocket Full Of Kryptonite, even if other songs got all the press and MTV airplay.

Blank and Blues: Bara to Katasumi no Blues

merry


MERRY: Bara to Katasumi no Blues

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Were you thinking that songs that end in "Blues" would give you a respite from my incessant J-Rock postings?

Think again.

No, no, I do this 'cuz I love ya.

Not only does this song have the required title, it's a bona fide boogie-woogie blues tune complete with a walking base line. If it weren't for the Japanese lyrics, you could imagine Brian Setzer rocking this. Okay, I can imagine it.

Blank And Blues: Station Blues


Othar Turner & The Afrosippi Allstars feat. The Rising Star Fife And Drum Band: Station Blues

[purchase]

How many people make their album debut at the age of 91? Othar "Otha" Turner is the only one I can think of. Sadly he only got to make two records before moving on to higher grounds in 2003.

After playing traditional fife & drum blues for 75 years in his native Mississippi he and The Rising Star Fife And Drum Band (his backing band with an ever-changing line-up mostly consisting family and friends) recorded their first album Everybody Hollerin' Goat in 1998.

A great album, but the real jewel in the crown is 1999's From Senegal To Senatobia, where a group of Senegalese musicians credited as "The afrosippi allstars" joined in the hijinx. The result is a blend of West African rhythms, bottleneck guitars, marching drums, and a fife Turner had made himself out of bamboo.

A giant bubbling gumbo so deadly hot it makes your head spin.

Drum & fife music is as old blues, if not older (I'll let all of the music historians of this blog discuss that one, as my expertise on the subject is virtually non-existant) but never got the same recognition or exposure. Perhaps because the genre never had a superstar like B.B. King or a near mythological figure like Robert Johnson. Or maybe it's just not easy enough on the ears to attract a big audience.

But if anyone could've brought this incredible and historically significant music to the masses it would've been Othar Turner. If only the record labels had found him sooner.

Blank and Blues: Fishin’ Blues


Taj Mahal: Fishin‘ Blues

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Fishin’ Blues is proof that blues can be good time music. Taj Mahal’s career is further proof of this. Mahal has always been interested in showing that there is more to blues music than wallowing in self pity. As he says, "You can listen to my music from front to back, and you don't ever hear me moaning and crying about how bad you done treated me.” So it’s only fitting that Fishin’ Blues has become one of Taj Mahal’s signature tunes.

Thursday, September 16, 2010

Blank and Blues: Delta Blues

Robert Johnson, front


Blind Lemon Jefferson: Matchbox Blues
[purchase]

Robert Johnson: Stop Breaking Down Blues
[purchase]

Henry Thomas: Bull Doze Blues
[purchase]

Tom Clarence Ashley & Gwen Foster: Rising Sun Blues
[purchase]

Robert Johnson: Crossroads Blues
[purchase]

Blind Willie McTell: Statesboro Blues
[purchase]

We haven't had a quiz lately, have we? Put on your thinking caps, my little Starmakers, and match the original Delta blues song (circa 1920-1930) with the British/U.S. group (circa 1960-1970) that made real money off it covered it. (And Canned Heat not only recorded the song, they also managed to wrangle the copyright to it as well, shame on them).

1. Matchbox Blues (1927)
2. Stop Breaking Down Blues (1937)
3. Bull Doze Blues (1928)
4. Rising Sun Blues (1933)
5. Crossroad Blues (1936)
6. Statesboro Blues (1928)

A. The Animals (1964)
B. Canned Heat (1968)
C. The Beatles (1964)
D. The Rolling Stones (1972)
E. The Allman Brothers (1971)
F. Cream (1968)


highlight for answers: 1=C, 2=D, 3=B, 4=A, 5=F, 6=E