Dirty Dozen Brass Band: It's All Over Now
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Though the brass band sound of the second line originated in the funeral traditions of New Orleans -- the term refers to the line of musicians who followed the "first line" of mourners in traditional procession -- its association with New Orleans culture has long brought the syncopated beat and marching brass band sound to a vast array of cultural events which profess to celebrate the great city. In turn, as the musical form has found its way from the funeral to the stages and parades, and as generations of musicians have grown up absorbing its distinctive patterns as one of many influences, it has intermingled with other sounds, becoming a rich part of the tapestry of popular music.
The Dirty Dozen Brass Band, which fuses traditional second line cadences and instrumentation with the loose energy and tempo of funk, was one of the first and longest running groups to use this second line style as a platform for greatness beyond the confines of Louisiana, and thus is one of the best known; their sound was forged in the late seventies and early eighties, when an ebb in popularity for brass bands in general left them free to experiment with the form. It's All Over Now is from their Columbia Records debut, the hugely popular Voodoo, which featured horn players Dizzy Gillespie and Branford Marsalis, among others; I heard them perform this song at the New Orleans Jazz and Heritage Festival a few years later, with Dr. John sitting in as special guest, just like in the original version, and it was an incredible party.
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